What if I walked into the ocean and never came back...but like in a happy way not a sad way.
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What if I walked into the ocean and never came back...but like in a happy way not a sad way.
he’s a fucked up, horrible, living nightmare. i desire him carnally
is 3 fingers too much
not at all! most people have 10 :)
use my generator to find out your funky robotsona, nerds
Cool Dumbass Humanoid
Hot Dumbass Mech
slutty eldritch android
A character puts a hole through a wall
-is it on accident or on purpose?
-are there witnesses or do they manage to hide it without anyone finding out?
Hage backed away slowly and shyly from thr taller Paris, his hands in front of him in surrender. He had just eated the last of their raspberries, which was kind of a big deal, especialluy to Paris, who basically lived off them.
“I’m sorry, I’m sorry,” Hage laughed. “I started eating them and I just couldn’t stop myself. Before I knew it they were gone.” He continued backing up and was still being slowly pursued by Paris.
“If you’re so sorry, perhaps you’d like to pick some more?” said his boyfriend, who stopped for the moment.
The fossegrim also stopped. “Are you kidding me?” said Hage, “its blizzarding out! I’ll freeze to death!”
“We both know you can’t get cold,” laughed Paris.
“Fine, Fine, but it is so cozy and warm in here. You wouldn’t want to be alone while I was out now would you?”
“Perhaps not,” Paris smiled. “I guess you can stay for now.”
With that, Paris pounced, and Hage dodged backwards with a yelp. His heel crashed into the wall behind him and he felt it give. Blood rushed to his cheeks as he blushed furiously with embarrassment at having put a hole in the wall.
Paris used the moment of shock to close the distance and started tickling Hage as he grasped him and pulled him close and away from the wall. They landed on the sofa in a giggling mess, and Paris continued to tickle his boyfriend until Hage was gasping for breath and then hugged him.
“We can go raspberry picking after the storm lets up,” Paris said against him. “And we can take the scenic route, the one with all the waterfalls.”
“I’d like that,” Hage responded. “I’d like that a lot.”
They kissed.
monch
Cain killing Abel
This is still funnier than any feature length comedy
ate too many crackers and salamii.!;!!;!;!:!;:)26$2837:72!:)AAAAAAAAAAAA
Longing for the sea
Great eared nightjar
this is a dragon
How is it possible for an animal to resemble a bird, a mammal, and a reptile simultaneously?
Those ARE great ears.
I don’t think any piece of art has ever emotionally affected me the way this robot arm piece has affected me. It’s called “Can’t Help Myself” and it’s a robot arm that’s programmed to clean up the fluid that’s constantly leaking out of itself, that looked like a never ending flow of blood. It has programmed dance moves to make it appear to have human gestures. And at first, it seemed happy and proud of its job, dancing around when it had visitors. But three years later, it looks tired, hopeless, and like it’s living in a never ending cycle of constantly trying to put itself back together for the entertainment of other people. And when I found out that it had finally stopped working in 2019, essentially dying, I couldn’t help but imagine the relief it must’ve felt and so I’ve been in here crying over a robot arm. 🥺 It was programmed this way, it truly couldn’t help itself. And no one ever helped him, they just watched.
In this work commissioned for the Guggenheim Museum, Sun Yuan & Peng Yu employ an industrial robot, visual-recognition sensors, and software systems to examine our increasingly automated global reality, one in which territories are controlled mechanically and the relationship between people and machines is rapidly changing. Placed behind clear acrylic walls, their robot has one specific duty, to contain a viscous, deep-red liquid within a predetermined area. When the sensors detect that the fluid has strayed too far, the arm frenetically shovels it back into place, leaving smudges on the ground and splashes on the surrounding walls.
Sun Yuan & Peng Yu are known for using dark humor to address contentious topics, and the robot’s endless, repetitive dance presents an absurd, Sisyphean view of contemporary issues surrounding migration and sovereignty. However, the bloodstain-like marks that accumulate around it evoke the violence that results from surveilling and guarding border zones. Such visceral associations call attention to the consequences of authoritarianism guided by certain political agendas that seek to draw more borders between places and cultures and to the increasing use of technology to monitor our environment.
this really is one of my favorite modern art pieces and you cannot do it justice without a video. the speed and manner in which it moves is captivating
Oh yeah no they accidentally gave it a soul
A lot of adulthood is shouting “AUGH MY LAUNDRY” hours after you put it in the washer/dryer and running to go fetch it
oh shit my laundry
reblog to save someone’s laundry
Silver - LoranDeSore
The Months, by exellero