Discounted price!
❤Pay full after Sketch
Stranger Things

❣ Chile in a Photography ❣

blake kathryn
TVSTRANGERTHINGS
todays bird
Monterey Bay Aquarium
trying on a metaphor
Alisa U Zemlji Chuda
Cosmic Funnies

@theartofmadeline
No title available

ellievsbear
No title available
PUT YOUR BEARD IN MY MOUTH
ojovivo
h

shark vs the universe
Sade Olutola
Game of Thrones Daily
I'd rather be in outer space 🛸
seen from Netherlands
seen from United States
seen from Senegal
seen from United States
seen from Malaysia
seen from United States

seen from T1
seen from United States
seen from United Arab Emirates
seen from United States

seen from Malaysia
seen from United States

seen from Australia

seen from United Kingdom
seen from Netherlands
seen from United States
seen from United States
seen from Ireland

seen from United States

seen from Germany
@nikipacifist
Discounted price!
❤Pay full after Sketch
hihii yall i havent post drawing rn becoz. kinda busy irl also having some mental issue..and also since avocado playing with his new bird guy ocs, tbh im playing with my ocs as well, and yeah, im too shy to post it as they are not villager stuff, far from humanoid thing.
im really love villager night as well but, i need to make my own oc and my comfort character myself so i didnt relying from another to became my emotional anchor (also worried of Larr dying at ending its hit hard if its happen🥺)
well someday i will post my oc here. also i need to work at some wips i havent done longtime ago, like this one. kinda enjoying playing "draw the oc above" discord art server game so i can receive art of ny secret oc as well
@billstar08846
anyways hope yall have great day❤
Haka humanization in tomodachi life
aw he so cute i wanna bite his forehead off :)
@nikipacifist
or bite em all >:DD
i mean, the egg🤭
memes again
lmao evee😭🤣🤣
also lol haka like girlfriend chatting😭🤭🤣
(2)Larr’s escape in PT4 feels like childbirth to me.
I think Larr’s escape is the most unsettling, brutal, but also surprisingly poetic scene in the whole episode. In this post, I want to share how I feel about it, about Larr and his story. To begin with, I sense that there is a structural parrallel between Larr’s escape and childbirth.
I’ll explain why I have this idea.
At about 8:00, Larr squeezes himself through the iron bars. Half of his head can be seen at that moment. It was this exact scene that left me pondering. I thought of a 3D animation I just watched, which vividly showed the process of childbirth.
From the animation, I learned that childbirth usually goes through these phases: before delivering the baby, the mother will first wait for her body to be prepared. The womb’s opening (cervix) slowly thins and opens up to about the width of a bagel. When the opening is fully open, the mother feels a strong urge to push, and the baby moves down the birth canal until the head first appears, then the shoulders, and finally the whole body comes out.
Then, I connect this to Larr’s escape:
Before the escape, Larr first forces the iron bar open, to create an opening through which he can get himself out. Afterwards, he begins to squeeze himself through the gap. His head is the first to be freed, then his shoulders, and finally his whole body. Visually, he performs the escape in the same sequence as childbirth. Is it a coincidence?
Another similarity is about the location of wounds.
In real life, humans evolved to walk upright. Women’s pelvises became narrow, making babies’ heads and shoulders too big for the birth canal. The mismatch of size sometimes makes childbirth extremely painful.
Then, look at Larr’s wounds—the left side of his head and his left shoulder are damaged. I think Avocado intentionally chose these two body parts, because they echo with the two most common types of dystocia in real life: cephalic and shoulder dystocia. The former can happen when the baby’s head is too large to pass smoothly through the mother’s birth canal; The latter occurs right after the baby’s head is delivered, when one or both shoulders get stuck behind the mother’s pelvic bones. If not handled properly or in time, they may leave severe injuries. In this sense, Larr’s wounds, on his head and left shoulder, seem to reflect the real danger in childbirth, and the price Larr has to pay for his rebirth.
I want to pause here and clarify what I mean. I am not saying that Larr is the mother or baby, or that the prison is the womb, or that the iron bars are the cervix. What I want to point out is not a direct metaphor, but a structural parallel: The sequence of Larr’s escape mirrors the sequence of childbirth. The location of his wounds aligns with the most common sites of birth injuries. And the outcome of his escape can be framed as a kind of rebirth (I’ll talk about this later).
I once saw a comment questioning why Larr didn’t squeeze sideways through the gap, so that he could avoid the crush injuries. Leaving aside whether this is truly practical in Larr’s situation, in real life, one of the methods that medical staff use to handle shoulder dystocia is quite similar to the commenter’s idea. It is called rotational maneuvers: when shoulder dystocia happens, medical staff gently rotate the baby’s shoulders inside the birth canal to adjust their position, and create enough room for them to pass though.
But during the whole process of “childbirth”, Larr has no his family or doctors here to help him. He is literally alone. He performs the escape all by himself. He struggles with the agony in the dark, in a total isolation. He is not a baby waiting to be pushed down the birth canal, or to be adjusted when the position is not right. He is a grown-up who bears everything on his own. Realizing these, the escape feels even more helpless to me.
So what’s the underlying meaning if Larr’s escape really is a metaphor of childbirth?
In my opinion, that means after suffering from Steve’s atrocities, Larr is not defeated or destroyed. Instead, he develops, like the baby developing in the mother’s womb, and finally ushers in his rebirth.
For the past three years before PT4 came out, I had firmly believed that Larr was going to impale Steve with the bone he sharpened. This was because based on what I saw by the end of PT3 (Larr’s expression, full of grief and resentment), I had this feeling that Beehr’s death had ruined him completely. He gave up all his dignity and became totally insane; I thought Larr would be driven by overwhelming hatred, and would try all he could to hurt Steve, even if his damage could be insignificant, even if it would be at the cost of his own life. I imagined this—an ancient Greek tragic hero who knew his path inevitably led to destruction, but still stood up against the evil. His action would declare that Steve’s oppression was not absolute, and that weak as villagers were, they were still able to loathe, to fight back, and to injure the so-called “god”.
I was completely excited by my imagination. But Avocado didn’t give me the answer I expected. He didn’t let Larr be a tragic hero. He let him be a realist survivor. The bone is not sharpened to hurt Steve, but to kill bats and acquire blood. What Larr is thinking about is not a bloody revenge (at least so far), but a way out this hellish prison. My 3-year-long guesses are proved wrong: Larr is not ruined. He is developing.
In PT3, he is about to give up his life (“My fight ends here.”), but in PT4, he actively plans his escape. The desire to live is rekindled within him. What’s the reason behind this drastic change? Perhaps because Larr blames Beehr’s death on himself (for “irritating” Steve) and feels extremely guilty. Or he realizes his life has taken on a new significant meaning—he’s living for both himself and his brother—The rest of his life is earned by Beehr. If he dies, Beehr’s death will be nothing. Or he still bears this overwhelming hatred of Steve, but he doesn’t let it take control. He knows he cannot confront Steve when he is just a prisoner. Only when he regains freedom, can he stand the chance to rival Steve—he can learn to fight, recruit people, and form a faction.
So Larr places all his hopes on this only solution: escape. To make it possible, he learns to hide his hatred, obediently handing over the items Steve wants, as if he has completely submitted; He learns to transform his knowledge (which he might have acquired from books or classes before he was trapped in the prison) into his tools and weapons, applying it to building a pulley block that pries open the iron bars; He learns to “pay any price to be free”. He has sacrificed his identity as an innocent, vulnerable villager: he engages in slaughters (killing bats), and has the taste of blood. He has put aside his own well-being and human dignity: the life in that hellish prison keeps torturing him, and he keeps tormenting himself too, with this desperate desire to be free that gives him no rest. He becomes a bag of bones, naked, exhausted, and covered all over with wounds.
Larr develops, from a defeated man on the verge of death, to a survivor who actively and tirelessly struggle for a path to freedom and life. When he successfully squeezes himself through the narrow gap and falls onto the ground, it’s like a newborn eventually leaving the mother’s womb after 10 months of development, and falling into a wholly new world he’s never been before. He ushers in his rebirth.
The hallucination of childhood, returning home, and family.
Images of young Larr walking back home frequently flicker through Larr’s storyline. When he finally breaks out from the prison, and stops before the light, he sees (in his hallucination) that his younger self places a tender hand on the knob, and opens the door. Behind the door reveals the softest, warmest scene of the whole episode. There’s no death, no suffering and no pain as they are in that hellish prison—just home, tinged with a layer of pink and red that seems so surreal. His mother, father, and brother are all here, tightly nestling against each other. The mother is naked after delivery, wrapped in a white blanket. The newborn comfortably rests his head against her warm embrace, eye-closed, fragile.
This scene must have been delicately chosen and designed. If the animation simply needs something to soothe the audience’s tension and to depict family affection, there are a plenty of options. For example, Avocado can draw a scene where young Beehr happily runs into Larr’s arms, or where his family are sitting around a dinner table. However, Avocado chose this scene, the one closely related to birth. It must carry certain irreplaceable meanings. It hints that Larr and his family (in his hallucination) have experienced the same thing. Larr finishes a bloody “childbirth” alone, while his family welcome a new life into the world, in their safe home, under the warm and glistening sunlight.
So when young Larr gets home, he sees the result of childbirth: the birth of his brother, a vulnerable infant held with affection and care, a new life with infinite possibilities. However, what is the outcome of Larr’s own “childbirth”? He has already got rid of the prison. What’s his next step, next purpose after his *rebirth*? Is he reborn—to be a heart-wrenching man who weeps over his past suffering day after day? Or to be a forgiver who returns to village life, and heals his wounds with time? Or, to be an unforgiving avenger who rules a faction, forms an army, and claims a war on Steve?
I have no clues. The only thing I know is that, the hallucination of home itself can be a gentle reminder for Larr, “You’ve been through hell. You’ve been worn beyond recognition. But don’t forget where you come from, and don’t forget that you are inherently made from milk and love.”
(I’m curious about what is going to happen next, so that’s why I’m begging for more episodes of A Villager’s Night.😭)
man this is very poetic and also feels me broen, but his heart is even harder than steel :')))))))
meme number 2
LOL i really "killed" haka's group
lol i love at your harinly skin template😁
@nikipacifist
Pov villager night character in past (before traumatic experience) meet they future version (past meet now)
herh(past): "what?!? WHAT DO YOU MEAN MY VILLAGE GONNA GET DESTROYED BY MAN WITH BLOCKY HEAD WHAT THE FUCK- wait...WHAT HAPPENED TO YOU NECK?!?"
herh(now): "PLEASE JUST TOLD HIRO TO STAY AWAY FROM THAT MONSTER TOLD MURH TOLD EVERYBODY!!!, also wandering alone was horrible idea"
Evee (kids version before get captured by illger): "Ah! Who are you! Why I look like that?!"
Evee(now): "dear young me....gosh I don't know how I supposed to tell you but it really long story I can't even choose what to tell you first..."
Larr(past before trapped in trading hall): uh...can I know how to avoid this...in case (anyway I think I should bring you some food)
larr (after free from trading hall): ugh I wish there way to avoid it as well,but there no way to avoid it, but please myself....NEVER EVER TRY TO FUCKING BREAK THE LANTERN, PLEASE YOU GONNA REGRETTING IT
Beehr(past): uh,hey why there just a burning arm?
beehr(dead): "............"
🥺😢💔
Happy Pride Month!🏳️🌈🏳️⚧️
you too!😁 hope you always be happy hehe
sleeping
Lol so they so cute together :3
@nikipacifist
awww🥺💗 they are so comfy and wholesome❤
Yes finally! My doomed gay ship... (pov you like character that was side character that had less then minutes screen and canon dying)
@nikipacifist
thank for idea @harinsuu
so hawtt damm that muhr face OwO😳💗
also Herh...aww ugh... feels dark of his said🥺
I can't draw lol, so draw this ships for me 🥀✌️i really need it
__
__
or them... (this is my oc with steve)
omg love the ship too, also your oc reaction is peakkkk
Larr being forefather theory made me curious about one thing...
How long illager existed?
If larr was there creator of illager...does it mean before larr finally escaped trending hall...illager does not exist? Do it mean before villager not have such enermy other than zombies and monster
Also imagine how much time had passed for larr to create an army...it might took lot of year to have such empire...
@nikipacifist
so illager arch is happened after Larr get escaped? if its like that then how Larr gain all of his illager army by himself at early? but judging on how Larr's insane mind and strength, he would be....
thats if Larr-forefather illager arch is real
More of after life
Before and after in after life
I would like to do other characters beings in after life too
He had less then min screen Time but gosh I love his character design so much (it just me or whatever character that had handsome and cool character design suffering most-)
@nikipacifist
thats an irony💔🖤
Thor🥺
frog
ribbit🐸
guys, my bike is broken, i cant use it rn. and my neighbour says THREWN UR FKIN BIKE TO TRASH. im feel so broken. why ppl rude to me, they forgot that death and judgement afterlife is something that No ppl cant avoid. fast or slow.
im so so feeling down. anyone please pray and support for me so i can buy New Bike, so ppl will stop told me to threwn my bike to trash😭💔
also please commissioning me so, your commission means alot to me as im snack seller who only use bike as my transportation to carry my snack.
commission info and price starts from $15
Niki open art commissions
animals AU
Herh found evee teeth or claw terrifying (seen he prey animals) and evee just like to scare him with it (maybe prank by bite him on ear but not enough to hurt)
@nikipacifist
woah shes menace with sharp teeth~ also love herh's reaction😁
thor in his after life after evee attack
He not have a halo (well you know he not seem like a good person) instead he got the mark that exactly where he get killed and well be painful sometimes
@nikipacifist (side note: in my version of after life are randomly places with no limits no heaven or hell just space to wandering around forever)
that cracks makes me sad tbh but yeah hes joining pillager so he deserve it but at least you draw him in nice place, i love the liminal space background and smooth composition omg❤❤