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Found on Pinehurst.
TMNT IDW #28: CITY FALL PART SEVEN
We Rebuilt the Ninja Turtlesā Derelict Sewer Lair Into the Ultimate Hidd...
Saw this on YouTube
āSometimes people donāt want to hear the truth because they donāt want their illusions destroyed.ā
ā Friedrich Nietzsche
Who knew Donatello was a country boy?
āItās funny how you can forget everything except people loving you. Maybe thatās why humans find it so hard getting over love affairs. Itās not the pain theyāre getting over, itās the love.ā
ā Melina Marchetta
āWe never know the worth of water till the well is dry.ā
ā Thomas Fuller (via thoughtkick)
Winter in jiuzhaigouä¹åÆØę², sichuan province of china by å·§å åéåŗ¦ä¾čµ
Here's a few turtle sketches I made to show I'm not dead
Being employed, going to uni AND wanting to draw for yourself is quite exhausting actually...
"Forbidden Love - No or Yes"
The first part. It is highly desirable to get acquainted.
Leonardo
Rejection
I see it coming before she even says the words. I've trained myself to read body language, to anticipate moves before they happen. The way she won't quite meet my eyes. The careful distance she puts between us. The gentle tone that people use when they're about to deliver bad news.
"Leo, I... I care about you. So much. But not... not like that."
I nod. Keep my face neutral. This is what I expected, what I knew would happen if I ever let myself be foolish enough to say something. "I understand."
"You're one of my best friends. I don't want to lose that."
"You won't." My voice is steady. Controlled. Everything a leader's voice should be. "Nothing changes."
But everything changes.
I throw myself into training harder than before. Push my brothers through drills until even Raph tells me to ease up. I meditate for hours, trying to find that center of calm that's always guided me, but it keeps slipping away. Master Splinter watches me with knowing eyes but says nothing, he's letting me work through this on my own.
The worst part is that she was right to say no. I know that. She deserves a life without complications, without having to hide, without the danger that comes with being close to us. This is the logical outcome. The right outcome.
So why does it feel like I've failed at something more important than any mission?
I see her around the lair, and I'm professional. Friendly. I make sure she never feels uncomfortable, never regrets being honest with me. But I stop lingering in conversations. Stop finding excuses to work with her alone. I build walls the way I've built them my entire lifeācarefully, strategically, until I'm safely behind them again.
Late at night, I stand on the rooftop and look out at the city. At all those lit windows full of normal people living normal lives. And I remind myself that this is my path. Leadership means sacrifice. It means accepting what you cannot have and moving forward anyway.
I'll be fine. I always am.
But it takes longer than I'd like to admit before I stop hoping she'll change her mind.
Reciprocation
"Leo, Iā" She stops, and I can see her struggling with something. "I need to tell you something."
My heart is pounding, but I keep still. Patient. Whatever she needs to say, I'll listen.
"I think I'm falling for you. And I know that's complicated, and maybe it's crazy, but I can't keep pretending I don't feel this way."
For a moment, I forget how to breathe.
All the discipline, all the control I've spent years perfecting. It cracks. Opens, like a door I didn't know could open. I reach for her hand, and when she doesn't pull away, when her fingers lace through mine like they belong there, something in my chest unlocks.
"You're sure?" I have to ask. Need to hear her say it again. "You understand what this means? The hiding, the danger, theā"
"I'm sure." Her voice is steady, certain. "I've known what this was for a while now. I've had time to think about it. This is what I want. You're what I want."
I pull her closer, rest my forehead against hers. It's the most natural thing in the world and simultaneously the most impossible. "I never thought..." I can't finish the sentence.
"Me neither," she whispers. "But here we are."
Here we are.
I'm still the leader. Still responsible for my brothers, for the city, for keeping everyone safe. But now there's this, this lightness I didn't know I could feel. When I train, I'm sharper, more focused. When I meditate, I find that center more easily. Everything has crystallized into clarity.
My brothers notice immediately. Raph gives me shit about the smile I can't quite hide. Donnie makes awkward comments about neurochemistry and pair bonding. Mikey just cheers and asks when the wedding is.
Master Splinter simply nods, as if he knew all along. "Love does not make you weaker, my son. It gives you something worth fighting for."
He's right. When she's in danger, I fight with a ferocity I've never accessed before. But I'm also more careful, more strategicābecause losing isn't an option now. I have something precious to protect. Someone who chose me, despite everything.
We steal moments together on rooftops, in the quiet corners of the lair. I learn that she likes when I read poetry to her, that she fits perfectly against my plastron, that her laugh can chase away the weight of leadership for a little while. I learn what it means to be wanted not for what I can do, but for who I am.
It's not the life I imagined. It's complicated and secret and sometimes painful when we can't be together the way normal couples can.
But when she looks at me with love in her eyes, I know with absolute certainty: she's worth every complication. Every sacrifice. Every moment of doubt I ever had about whether I could have this.
I love her. And impossibly, miraculously, she loves me back.
Raphael
Rejection
"Raph, you're amazing. You are. But I just... I don't feel that way about you."
I clench my jaw. Nod once. "Yeah. Got it."
I see the worry in her eyes, the way she's bracing for me to explode. Everyone always expects me to lose it, to get angry and break things. And yeah, there's anger, there's always anger. But this isn't the kind I can punch my way through.
"I hope we can stillā"
"It's fine." I cut her off, keeping my voice level. "We're good. Don't worry about it."
I leave before she can say anything else. Before she can see that it's not fine.
I go to the surface. Find some Purple Dragons who are stupid enough to be running a weapons deal in my territory. They're probably expecting a warning, a chance to run. They don't get one. I wade in fast and brutal, letting instinct take over, letting the physical pain of the fight drown out everything else.
It doesn't help.
Back in the lair, I avoid everyone. Lock myself in my room and blast music loud enough that I don't have to think. But thinking isn't the problemāfeeling is. And I can't punch my way out of feelings.
The worst part is that I get it. I look in the mirror and I see exactly what she sees: a monster. A weapon. Something that belongs in the shadows. I've always known what I am. I just let myself forget for a minute. Let myself believe that maybe someone could see past the shell and the scars and the rage.
Stupid.
I catch myself getting rougher during training. Taking unnecessary risks on patrol. Leo calls me out on it, and we get into itāactually get into it, fists and all, until Splinter separates us. I've got a cracked rib and Leo's got a black eye, and I still don't feel any better.
"You're going to get yourself killed," Leo says later, after we've both cooled down.
"Maybe that'd be easier."
The look on his face tells me I've gone too far, but I can't take it back.
Eventually, the sharp pain dulls to an ache. I see her around, and I'm... civil. Keep my distance. Build the walls back up where they should've stayed in the first place. She tries to talk to me like before, and I let her, but something's different. I'm different.
I don't blame her. How could I? She was honest. That takes guts. It's not her fault I wanted something I was never going to get.
But late at night, when I'm alone, I let myself feel itāall the anger and hurt and disappointment I keep locked down during the day. I let it burn through me until there's nothing left but ash.
And then I get up and do it all over again. Because that's what I do. I survive.
Even when I'm not sure I want to.
Reciprocation
"Raph, I need to tell you something, and I need you to just listen, okay?"
I freeze. The tone in her voice has every muscle in my body tensing up, preparing for bad news.
"I'm in love with you."
The world stops.
"You'reāwhat?"
"I'm in love with you," she repeats, stronger this time. "I know this is complicated and weird and probably not what you expected, but I can't keep pretending I'm not. So there. I said it."
I'm staring at her like she's speaking another language. "You're serious."
"Completely serious." She steps closer, and I can see her hands shaking a little. She's nervous. Scared even. But she's not backing down. "You're stubborn and hot-headed and you drive me crazy sometimes, but you're also loyal and protective and you make me feel safe in a way no one else ever has. So yeah. I'm in love with you. If that's okay."
If that's okay. Like she's asking permission. Like I'm not already hers.
I reach for her without thinking, pull her against meāprobably too rough, but she doesn't complain. Just wraps her arms around me and holds on tight. I bury my face in her hair and breathe her in, trying to make my brain catch up with what's happening.
"You're sure?" My voice comes out rough. "Because I'm notāI'm not easy, sweetheart. I've got a temper and I'm not good at the soft stuff andā"
"I know who you are." She pulls back enough to look at me, and the certainty in her eyes nearly breaks me. "I'm not asking you to be anyone else. I'm saying I want you. This you. Exactly as you are."
Something in my chest cracks wide open.
I kiss her. It's not smooth or practicedāI've got no idea what I'm doingābut she kisses me back like it doesn't matter. Like I'm enough exactly as I am.
The guys find out pretty quick. Mikey whoops and tackles us both in a hug. Donnie looks relieved, like he was worried I was going to self-destruct or something. Leo just smiles and tells me he's happy for me.
I'm different with her. Still me (still angry, still rough around the edges), but there's this softness that shows up when she's around. I'm gentler with her than I've ever been with anything. She sits in my lap while I'm working out, and I'm hyperaware of every movement, making sure I never hurt her. She falls asleep against my plastron, and I stay completely still for hours because I don't want to wake her.
I'm protective to a point that probably borders on excessive. Anyone looks at her wrong, anyone even thinks about threatening her, and I'm ready to tear them apart. She calls me her "overprotective teddy bear," which would piss me off if anyone else said it, but from her? I'll take it.
We fight sometimes. Both of us are too stubborn for our own good. But we figure it out, because walking away isn't an option. Not when I finally have something worth staying for.
I never thought I'd get this. Never thought someone would look at me and see something worth loving. But she does. Every single day, she chooses me.
And I'm going to spend the rest of my life making sure she never regrets it.
Donatello
Rejection
She's kind about it. Thoughtful, even. Exactly how I would have predicted she'd handle an uncomfortable situation.
"Donnie, you're incredible. Truly. But I think of you more as a really close friend. I'm sorry."
"No, don'tādon't apologize." I adjust my glasses, a nervous habit. "I appreciate your honesty. That's... that's very logical. Practical."
I'm using clinical language because it's the only way I can get through this without falling apart.
"I hope this doesn't make things weird between us."
"Of course not." I'm already calculating exit strategies, ways to maintain appropriate distance without making it obvious. "We're still teammates. Friends. Nothing has to change."
Everything has already changed.
I retreat to my lab and don't come out for three days. Tell everyone I'm working on a critical upgrade to the security system. It's not entirely a lie. I am working. I'm always working. But mostly I'm hiding.
I run the data again. And again. And again. Trying to find where my calculations went wrong, which variables I misread. Was it the frequency of her visits? The duration of eye contact? The 23% increase in my heart rate that I was certain was reciprocated?
The scientific method has never failed me before. But apparently, it's completely useless when it comes to human emotion.
I analyze our every interaction, looking for signs I missed. Maybe she was just being polite. Maybe her interest in my work was courtesy, not genuine fascination. Maybe I built an entire hypothesis on faulty data and confirmation bias.
The worst part is that she still comes to the lab. Still asks about my projects. Still brings me coffee exactly how I like it. And I have to pretend everything is fine, that my chest doesn't ache every time I see her, that I haven't mentally catalogued every moment we've shared and filed it under "evidence of my own stupidity."
"You're being harder on yourself than the situation warrants," Splinter tells me one evening.
"I made an incorrect assessment based on insufficient data. That's a fundamental scientific error."
"She is not an equation to be solved, Donatello. And you are not a failure for having feelings."
But that's exactly how it feels. Like I've failed at something that should have been predictable.
I start avoiding situations where we'd be alone together. Volunteer for patrol shifts when I know she's visiting. Communicate through text instead of face-to-face conversations. It's not fair to herāshe did nothing wrongābut I need time to recalibrate. To rebuild the boundaries I let myself dissolve.
Eventually, I find equilibrium. Learn to be around her without the constant ache. File away the possibility of "us" into a folder marked "beautiful things that weren't meant to be" and move on with my work.
But sometimes, late at night in my lab, I'll catch her scent on a hoodie she borrowed once and never returned. And I'll let myself feel it for just a moment, the loss of something that never quite existed.
Then I get back to work. Because that's what I do. I solve problems.
Even the ones that don't have solutions.
Reciprocation
"Donnie, I've been thinking about what you said last week. About the probability calculations."
I look up from my workbench, confused. "Which calculations?"
"The ones about us. About whether thisā" she gestures between us, "ācould work."
My heart stops. I didn't realize I'd said that out loud. "I was just hypothesizing. I didn't mean toā"
"You got the variables wrong."
I blink. "I... what?"
She sits down next to me, close enough that I can smell her shampoo. "You were calculating based on what you think you are. A mutant turtle who lives in a sewer. Someone the world won't accept. Someone who can't give me a normal life."
"Those are objective facts."
"But you left out the most important variable." She takes my hand, and my brain short-circuits. "What I actually want. And what I want is you. The guy who explains quantum physics at three in the morning because he gets excited about particles. The guy who built me a panic button disguised as a bracelet because he worries. The guy who remembers my coffee order and leaves little inventions on my desk to make me smile. That's the calculation that matters."
I'm staring at our handsāhers so small in mineātrying to process what she's saying. "But the social implications, the biological incompatibilities, theā"
"Donnie." She squeezes my hand. "I love you. Does that compute?"
Does thatā
Oh.
"You're... you're serious." My voice comes out as barely a whisper.
"Completely serious." She smiles, and it's the most beautiful thing I've ever seen. "I know you've been running probability models. So let me give you some new data: probability that I've thought about this carefully? One hundred percent. Probability that I know exactly what I'm signing up for? One hundred percent. Probability that I want to be with you anyway? One hundred percent."
I pull her into a kiss before I can overthink it, which is probably the least analytical thing I've ever done. But she kisses me back, and suddenly every equation I've ever solved seems trivial compared to this.
When we finally break apart, I'm grinning like an idiot. "I need to recalculate everything."
She laughs. "Of course you do."
My brothers are predictably chaotic about the news. Mikey creates a banner that says "DONNIE HAS A GIRLFRIEND" and hangs it in the lair. Raph makes exactly one joke about "nerds finding other nerds" before giving me an approving nod. Leo seems genuinely happy for me, which somehow makes it more real.
I build things for her constantly now. Not out of anxiety or the need to be useful, but because I love seeing her face light up when I solve a problem she didn't even know she had. A phone charger that works anywhere. A miniature heating pad that fits in her pocket. A holographic projection system so we can stargaze from the lair.
She falls asleep in my lab most nights, curled up in the chair I modified specifically for her comfort. I work quietly, hyperaware of her presence, occasionally stopping just to watch her breathe. It's inefficient. It's illogical.
It's perfect.
She asks questions about my projects, and I learn to explain things without drowning her in jargon. She teaches me that not everything needs to be optimized or improvedāthat sometimes just being together is enough. That I don't have to earn affection through usefulness; I'm wanted simply for existing.
"You know what's funny?" she says one night, her head resting on my shoulder as I show her a new program I've been developing.
"What?"
"You spent all that time calculating whether this could work. But you forgot the most important scientific principle."
"Which is?"
"Sometimes you just have to run the experiment." She kisses my cheek. "And lucky for both of us, the results are pretty conclusive."
I pull her closer, marveling at the fact that this brilliant, beautiful person looked at all the variables, all the complications and impossibilities, and chose me anyway.
The data doesn't lie. And according to the data, I'm the luckiest turtle in New York.
Michelangelo
Rejection
"Mikey, you're one of my favorite people in the world. But I love you like a brother. I'm sorry."
I keep the smile on my face. It's what I do, right? Keep things light, keep everyone happy. "No worries, dudette! Totally cool. We're still friends, yeah?"
"Of course! Always."
"Awesome! Hey, wanna watch that new comedy that just came out? I heard it's hilarious."
I redirect the conversation, crack some jokes, act like everything's normal. She relaxes, relieved that I'm not making it weird. And I'm notānot on the outside. On the outside, I'm the same old Mikey. Fun, goofy, never taking anything too seriously.
On the inside, I'm breaking into a million pieces.
I wait until she leaves. Wait until everyone's asleep. Then I go to my room, close the door, and finally let the smile drop.
It hurts. Like, really hurts. I didn't know feelings could actually hurt like thisānot just in your head, but in your whole body. My chest feels tight, my stomach feels sick, and there's this lump in my throat that won't go away no matter how many times I swallow.
I look at all my movie posters, my comic books, all the stuff that usually makes me happy. And I think about all those stories where the funny guy gets the girl. Where being yourself and staying positive and making people laugh is enough.
Guess real life doesn't work like that.
The next few days are hard. I keep up the act, maybe even amp it up a little. Extra jokes, extra energy, extra Mikey. Because if I slow down, if I let the mask slip even for a second, everyone will see. And I can't let them see. They depend on me to be the happy one, the one who keeps morale up when things get dark.
Besides, it's not her fault. She was honest with me. That's good, right? Better than leading me on or pretending she felt something she didn't. I should be grateful for that.
But it doesn't make it hurt less.
I catch myself still doing things for herāsaving her the best slice of pizza, queuing up movies I think she'd like, making jokes just to hear her laugh. Because even if she doesn't love me the way I love her, I still love her. That doesn't just go away.
"You okay, little brother?" Raph catches me one night when I'm sitting alone in the lair, pretending to watch TV.
"Yeah, man! Just zoning out. You know me."
He looks at me for a long moment, and I think he's going to call me out. But he just pats my shell and walks away. Maybe he knows. Maybe they all know.
The worst part is the hope. Even though she said no, even though I know better, there's this stupid part of me that keeps thinking "maybe someday." Maybe if I'm funnier, or cooler, or more serious when I need to be. Maybe if I prove myself enough.
But that's not how it works. You can't make someone feel something they don't feel.
So I do what I always do: I put on a smile, I crack a joke, I keep everyone's spirits up. I watch romantic comedies alone in my room and pretend the endings don't make me sad. I tell myself that having her as a friend is enough, and most days, I almost believe it.
But sometimesālike when she hugs me goodbye, or when she laughs at one of my jokes, or when she falls asleep during movie nightāI let myself feel it for just a second. The love that doesn't have anywhere to go.
And then I shake it off and get back to being Mikey. Because that's who everyone needs me to be.
Even if it's not who I want to be anymore.
Reciprocation
"Mikey, I... I need to tell you something."
"What's up, angel cakes?" I'm trying to keep it light, but something in her tone makes my heart start racing.
"I'm in love with you."
I laugh. Because obviously she's joking, right? "Good one! You almost had me there for aā"
"I'm serious." She grabs my hand, and her voice is shaking a little. "I'm in love with you, Mikey. Like, really truly in love with you. And I know that's probably crazy, and maybe you don't feel the same way, but I couldn't keep it in anymore, so... yeah. That's it. That's what I needed to say."
I'm staring at her like she just told me Santa Claus is real. "You're... wait, what?"
"I love you. Your laugh, your optimism, the way you make everything fun even when things are scary. The way you care about everyone even when they don't deserve it. The way you see the good in everything. I love all of it. I love you."
"You love me?" I repeat it because I need to hear it again, need to make sure this is actually happening.
"Yes, you goofball. I love you."
And then I'm kissing her. Just going for it, because I've wanted this for so long and I can't believe it's real and if this is a dream I don't ever want to wake up. She kisses me back, and it's better than any movie kiss I've ever seen because it's real and it's happening to me.
When we break apart, I'm pretty sure I'm crying a little. Happy crying, but still. "Dude. I meanābabe. I meanāI love you too. So much. Like, SO much."
She laughs, and it's the best sound in the entire world. "I know. I kind of figured."
"Was I that obvious?"
"Completely."
"Awesome."
Everyone's reactions are perfect. Donnie gives me this proud smile and pats my shell. Raph pretends to be annoyed but I catch him grinning when he thinks I'm not looking. Leo actually congratulates me like I just won something important, which... I guess I kind of did.
Master Splinter just says "I am happy for you, my son" in that way that makes me know he really means it.
Everything's different now, but in the best way. Movie nights are better because she's snuggled up against me and I can kiss her during the boring parts. Pizza tastes better because she steals bites off my plate and I pretend to be annoyed but I actually think it's adorable. Patrol is better because I know I'm coming home to her.
I write her notes and hide them in her bag. Draw her little doodles. Learn her favorite songs so I can sing them to her (badly, but she doesn't seem to care). I'm still the goofball, still the one cracking jokes and keeping things light, but now there's this whole other layer to meāthis serious, protective, deeply in love side that only comes out when it's just us.
She tells me I don't have to always be "on" around her. That it's okay to have bad days, to be sad or scared or whatever. And slowly, I learn to let her see those parts too. The parts that aren't always smiling.
But mostly? Mostly I'm just happy. Like, the kind of happy I thought only existed in movies. The kind where you wake up and can't believe this is your actual life.
"You know what's crazy?" I tell her one night when we're on the roof, looking at the stars.
"What?"
"I used to watch all these romantic comedies and think 'man, that must be nice.' And now I'm living in one. Except it's even better because it's real. Because it's you."
She kisses me, soft and sweet. "You're such a dork."
"Yeah, but I'm your dork."
"Damn right you are."
I pull her close and think about how all those stories got it right after all. The funny guy does get the girl sometimes. Not because he changes who he is or because he becomes someone different.
But because the right person sees who he really is, and loves him for it.
And dude, that's the best plot twist of all.
šššššā¤ļøš§”š
ļøµāæąØā”ą§āæļøµ
Now he's a shark, I just liked the ideaā
For the Mun: What got you into the Ninja Turtles?
The original comics. I started there, then the original 80's cartoon, then that first live action movie in the 90's. I have been hooked ever since. Probably my favorite version is the 2003 cartoon, it was pretty close to the comics and I appreciate that.
Though I love bayverse for what it tried to do and how it really managed to make the turtles feel like they could actually exist in our world.
Honestly though, there has yet to be a version that I cannot find something to love in it. Every new incarnation brings fresh ideas. I particularly enjoyed Rise of the TMNT. The way it flipped the standard tropes and tried something new. I wish they would take more risks with the property. Maybe make something geared more towards us older fans.
I agree. I wish they would take more risks with the property too .It would be nice to have something more towards the adults rather than the kids all the time . Something adults would enjoy. @nyc-mutants
Hesitated to post but anyway pretty darn old sketches