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Aqua Utopia|海の底で記憶を紡ぐ

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Sweet Seals For You, Always
Lint Roller? I Barely Know Her

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@ninetie-s-bitch
Protest Against the Rising Tide of Conformity
Bob Dylan and Joan Baez by Daniel Kramer, 1964
I don’t think that matters to some people, I think they want what is fashionable and chic.
Daniel Day-Lewis as Reynolds Woodcock in Phantom Thread.
“Se cortarem o meu braço, vocês serão o meu braço; se calarem a minha voz, vocês serão a minha voz.” — Luiz Inácio Lula da Silva.
O povo abraça, quem abraçou o povo.
Foto: Ricardo Stuckert
Tarantino & arts by Shusaku Takaoka
I love you, pumpkin.
Pulp Fiction (1994), dir. Quentin Tarantino
Pulp Fiction (1994) dir. Quentin Tarantino
Phantom Thread (2017) dir. Paul Thomas Anderson
…It sounds almost inarticulate. You try to describe it. I remember showing a guy I work with a lot—he saw him put his socks on and he was like, I don’t how to describe it except I just watched a man put his socks on. I think it’s that […] you feel somebody inhabiting something and some kind of strange magic with Daniel that you… I don’t know how it works. I’ve worked with him twice and I still don’t know how it works… [I’ve] sat there in the front row and watched it happen and it’s the same. It’s the same feeling that you get when you watch the film, you’re like, hmm, there’s a guy shaving, I’ve never really watched a man shave like that before. Strange; I don’t know how he does it, but I like it. — Paul Thomas Anderson in conversation with Chris Hardwick on Daniel Day-Lewis
PHANTOM THREAD (2017) dir. Paul Thomas Anderson
You need to settle down a little. Phantom Thread (2017) dir. Paul Thomas Anderson
“La economía no es ni ha sido nunca libre: o se la dirige y controla por el Estado en beneficio del pueblo o la manejan los grandes monopolios en perjuicio de la nación.”
— Juan Domingo Perón (via canto-ala-alegria)
Bowie being himself, not being his character, being David Bowie. Photographer Steve Schapiro explains why this is his favorite photograph of Bowie.