Gustav Klimt
Mermaids
(via @lonequixote)
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🩵 avery cochrane 🩵
EXPECTATIONS
Mike Driver

tannertan36

Origami Around

shark vs the universe

bliss lane
Cosmic Funnies
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Today's Document
One Nice Bug Per Day
Lint Roller? I Barely Know Her
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KIROKAZE
d e v o n
"I'm Dorothy Gale from Kansas"
Interview Vampire Daily
macklin celebrini has autism
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@niyoooommmmmmmmmmme
Gustav Klimt
Mermaids
(via @lonequixote)
Archibald James Campbell - Coastal Wattle, Acacia longifolia, 1921
On the set of Metropolis, 1927.
Really adorable taxidermy moose calf at the Malmö museum
Kościuszko Mound in Kraków, Poland
Polish vintage postcard
Lady Elisabeth on chaise lounge, salt paper print from a calotype negative, ca. 1842
marlene dumas
Man Ray with Lee Miller
Hommage à D.A.F. de Sade, circa 1929-30
Summer.
Along the Coast (1958) dir. Agnès Varda
Footlight Parade (1933), dir. Lloyd Bacon
In 1973, the French Feminist Monique Wittig wrote her beautiful and disturbing book-length theory-poem The Lesbian Body, which is a revolutionary enactment of the problem of pronouns. In the body of the text, Wittig performs her “I” as always split, as holding no True place for her (as not only a woman, but particularly as a lesbian woman), thereby when she writes “I”/Je, it is always split as J/e, as are all the pronouns throughout the book –el/les, t/u, etc. In translation, however, the I for J/e is italicized because the single-letter English pronoun for self cannot be split. The brutality of the Lesbian Body comes through not only via the tearing of the pronouns, bit also the ways in which the characters, J/e and t/u, violently break each other apart with Sapphic and Dionysiac pleasure. As a result, The Lesbian Body is performative in at least two ways: one, for the ways in which the two lovers switch back and forth their dominant and submissive roles, so much so that it is impossible to trace who is eating, tearing, filling, and cutting who; and two, for its writerly form that encourages the subject-subject that the lovers themselves embody, if with violence.
-Carol Mavor, The Writerly Artist: Beautiful, Boring, and Blue
Scribbles found in a 16th century church