марійка

[folklorespring]

Please please PLEASE speak up about Ukrainians who are being held in russian captivity. About Ukrainians under russian occupation. About our defenders. Military doctors and paramedics. Orphans and children who are waiting for their parents from war or russian captivity. About first responders. Parents who had to bury their children. People who are dealing with the aftermath of russian shellings. Women who have to give birth in the bomb shelters. People who are being constantly shelled. Someone who is waiting for their loved ones from the war. Someone whose loved ones came back from the war in a casket. Teachers who are having lessons underground. Someone whose hometown doesn't exist anymore. Volunteers. People who visit their friends at the cemetery. Kidnapped Ukrainian children. Farmers. People who got disabled from the war. Refugees. Railway workers. People who went through russian torture chambers and didn't survive. Critical infrastructure workers. People who died and people who grieve. Please, don't let our stories be forgotten.

[xmonday-mintx]

Cocoon

TW : Character Death ⚠️

[aerishines]

aespa 에스파 'Armageddon' Launch Code

[lisaamint]

Native and unbreakable

[ksenka-zarazka]

russian so-called “liberal opposition” is whining about latvia’s kick in the ass of a supposed “opposition” channel дождь.

thank you latvian brothers for such a quick action!

🤚🏼 🇱🇻

imperialistic scumbags always should get what they deserve - a sign to the door.

[heretherebedork]

My School President is everything I wanted from 2gether and never got.

[dewy-leaf]

Найпрекрасніші картини

Який вигляд могли б мати чотири найпрекрасніші картини із «Небесного благословення», якби вони були полотнами відомих художників із нашого світу?

Картина Сє Ляня ӏ Принц звеселяє богів

Френк Діксі «Дві корони» ӏ The Two Crowns by Frank Dicksee

На картині Діксі зобразив середньовічного принца, який з тріумфом повертається додому. Проїжджаючи містом, герой полотна бачить розп’яття і терновий вінець Христа, що різко контрастує з його власними яскравими обладунками та коштовною короною.

Хоч принц оточений радісними підданими, але він завмирає перед образом бога — яскравим нагадуванням про те, що світська влада й багатство не мають жодного значення.

Картина Ши Цінсюаня ӏ Молодий пан проливає вино

Мікеланджело да Караваджо «Вакх» ӏ Bacchus by Caravaggio

Вакх (або Діоніс) — один з найпопулярніших богів Давньої Греції, бог рослинності, родючості, вологи, покровитель виноградарства й виноробства. У переносному розумінні Вакх — це вино і пов'язані з ним веселощі.

Вакха, традиційно зображуваного прекрасним античним божеством, Караваджо змалював юнаком з простого люду, хлопцем, яких десятки в тавернах і борделях, куди сам художник часто навідувався.

Картина Пей Міна ӏ Генерал трощить меч

Рафаель Санті «Сон лицаря» ӏ The Vision of a Knight by Raphael

На картині зображений молодий лицар в обладунках, він спить під лавровим деревом в оточенні двох жінок. Одна жінка, уособлення чесноти, тримає в руках книгу і меч, інша, уособлення чуттєвої насолоди, тримає квітку.

Хоча в поемі «Пуніка», якою, ймовірно, надихався художник, чеснота та насолода є суперницями, проте на своєму полотні Рафаель зобразив їх як рівних. Можливо, книга, меч і квітка, які вони тримають, — це символи вченого, солдата й коханця, якості яких має поєднувати в собі ідеальний лицар.

Картина Юйши Хуан ӏ Принцеса розтинає горло

Вінченцо Катена «Юдита» ӏ Judith by Vincenzo Catena

В основі картини — біблійний сюжет. Полководець Олоферн з армії Навуходоносора брав облогою місто Ветилію, де жила вдова Юдита. Щоб врятувати рідне місто, удовиця прибула у табір Олоферна та звабила загарбника.

Вночі, коли той спав, мужня Юдита відрубала голову ворога й таємно покинула ворожий табір. Вояки пізно знайшли убитого ватажка і, налякані його таємничою смертю, зняли облогу міста та подалися геть. Так хоробра жінка врятувала рідне місто від знищення.

[anastasiamaru]

Works of the outstanding Ukrainian artist Mykola Pymonenko

Why did I posted this works?

'Easter Morning service' (ukr. Великодня Заутрення) was made in 1910 by 🇺🇦 realist artist Mykola Pymonenko. It shows a traditional church service on the morning of Easter. This work was in the collection of the Kherson art museum.

Now it's stolen by russian invaders

Easter in Ukraine

[lliaand]

photos of liberated Kherson

[lqrv]

[redvelvetsource]

(SCAN) Seulgi - The 1st Mini Album ‘28 Reasons’ - Special ver.

[s-heon]

♩  ◦   ₪ ˚ 🧸 ︵

♩  ◦   ₪ ˚ 🎀 @tookio ︵

[heretherebedork]

Okay, so the toothbrush plushie is adorable and darling and an amazing metaphor for how Bai Lang is trying to handle the start of their relationship. He might accept the toy but he isn't ready to accept what it symbolizes, even as he considers the choices. He's been hiding himself for so long, lonely for so long, that this idea of companionship is just as scary as it is desperately desired.

And then naming ceremony. Where he talks to his wall of stuffed animals, names them all, forms a home with them in a way he hasn't connected with a person since he was a child. He's always kept this wall, all their names, between him and others, even his sister. These are his comfort and his coping and his safety and he needs them there, with him.

The real threat. The idea of relying on someone, of trusting someone, of holding and being held, of being open to someone else... even if that someone else is a toy named after the person he can't stop thinking about. It's also very telling to see how he tries to push this away despite his entire wall of stuffed animals because this one, this giant toothbrush, implies a different kind of connection. A much more risky and frightening one.

And, again. That real fear. Of being alone, of being forgotten or left behind and finding himself alone again right when he gets used to not being alone. Bai Lang doesn't want to fall in love. He doesn't want the risks inherent in caring for a person who might leave him, that he might hurt, that might hurt him. He lives his life with a few friends he trusts, his sister, his bar, surrounded by people but caring more about his stuffed animals because they can't leave him, because they are not a risk.

But he wants that connection. He desperately wants the connection just as much as he fears it. And he smells his clean shirt, recognizes the smell and instantly comes to a conclusion.

He specifically covers up Xun'an Pillow with the other stuffed animals, buries him deeper, setting others between himself and the new, the dangerous, the risk of love... but it doesn't work.

Bai Lang might think he can still protect himself by sabotaging this relationship, by accepting the toothbrush but not Xun'an... but that isn't how this works. That isn't how love happens, that isn't how a life can be lead. He is in love and he is loved and there is risk but there is also reward and he must make the choice, in the end, for himself. To take the risk of pain for the reward of life, the reward of love, the reward of comfort.

[spicyvampire]

Xun'an : [literally throwing himself at Bai lang]

Bai Lang : I know u are in love with ur senior

[heretherebedork]

It's just the little things and how their entire relationship is truly built on little things, on little gestures, on gentleness, on care, on the building blocks that make love.

And to have him contemplating this risk right before Xun'an's ex comes back into his life and threatens even the tiny bit of courage Bai Lang found to reach for love? Right as he finally found even the tiniest bit of himself that believed that maybe he could be loved?

[absolutebl]

Thailand:

Trots out blatant torture porn

Taiwan: 

[valevskarybka]

ну не анґлійською ж тіко писать