hello vonnie

Game Changer & Make Some Noise

ellievsbear
todays bird
Color Me Curious
No title available
let's talk about Bridgerton tea, my ask is open
ojovivo
art blog(derogatory)
macklin celebrini has autism
Doug Jones

#extradirty
RMH

pixel skylines

tannertan36
untitled

Discoholic 🪩

titsay
TMBGareOK. The Official They Might Be Giants tumblr
Today's Document
seen from France
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seen from Malaysia
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seen from Germany
seen from Türkiye
seen from Pakistan
seen from United States
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seen from United Kingdom

seen from Colombia

seen from Uzbekistan
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@no-yellow-blog
Joanna Kuchta by Chloe Sheppard
💦 Ulysses Ortega
The Gentlewoman
Arnulf Rainer, The Black, Yellow, Red Mouth, 1971
CHIMERA
Caroline Sauvage
why? // elephant eyelash
some of the pages in my journal
LADYBUG
3, by me
fuck tumblr
Carson Gilliland
Trust is a series of photographs made in the last two years of the twentieth century. On the surface, it is very simple. Photographs of faces made in a documentary way: real people leading real lives, aware of the camera only as an incidental, seemingly uncomplicit in the making of the photographs. Adam Broomberg and Oliver Chanarin have employed this deceptively simple methodology. They have studied the strange phenomenon of the face, pinpointed it as the centre of our beings, our primary means of expression, wondered at the changeability of this bizarre accumulation of protuberances, sockets, vastly differing surfaces of flesh. Their interest is almost ethnographic and, under their gaze, we become creatures.“– Val Williams