Cosmic Funnies
Sweet Seals For You, Always
NASA
I'd rather be in outer space 🛸
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sheepfilms
Color Me Curious
Interview Vampire Daily
Fieri Frames
YOU ARE THE REASON

#extradirty
art blog(derogatory)
The Stonewall Inn

Love Begins

Jimmy Eat World

@theartofmadeline
🩵 avery cochrane 🩵
KIROKAZE
The Bright Sessions
Fai_Ryy
seen from Canada

seen from Japan
seen from Australia
seen from United States

seen from United States
seen from Brazil
seen from United States
seen from Italy

seen from Germany

seen from Netherlands

seen from Japan
seen from Singapore
seen from United States
seen from Germany
seen from Nigeria
seen from Russia
seen from Malaysia

seen from United States
seen from Russia
seen from Canada
@no-yellow-blog
Joanna Kuchta by Chloe Sheppard
💦 Ulysses Ortega
The Gentlewoman
Arnulf Rainer, The Black, Yellow, Red Mouth, 1971
CHIMERA
Caroline Sauvage
why? // elephant eyelash
some of the pages in my journal
LADYBUG
3, by me
fuck tumblr
Carson Gilliland
Trust is a series of photographs made in the last two years of the twentieth century. On the surface, it is very simple. Photographs of faces made in a documentary way: real people leading real lives, aware of the camera only as an incidental, seemingly uncomplicit in the making of the photographs. Adam Broomberg and Oliver Chanarin have employed this deceptively simple methodology. They have studied the strange phenomenon of the face, pinpointed it as the centre of our beings, our primary means of expression, wondered at the changeability of this bizarre accumulation of protuberances, sockets, vastly differing surfaces of flesh. Their interest is almost ethnographic and, under their gaze, we become creatures.“– Val Williams