❝ — But flowers DO have meanings. ❞
The agronomy midterm Leah and Jill are supposed to be studying for is in two hours. Things are going pretty well. They’re staying very much on topic and making a lot of progress.
♰. ░ @donutcryforme. 」
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@noisyspirits
❝ — But flowers DO have meanings. ❞
The agronomy midterm Leah and Jill are supposed to be studying for is in two hours. Things are going pretty well. They’re staying very much on topic and making a lot of progress.
♰. ░ @donutcryforme. 」
:: 👫 :: { 𝙇𝙖𝙣𝙚﹢𝙅𝙤𝙮. } ::
I. ░ NICKNAMES.
Lane calls her Go-go Dancer (sometimes just “Gogo”), Lava Lamp, Flower Child, Woodstock, Tangerine Queen, Felicity Shagwell (retired after it made her uncomfortable). Sometimes he just calls her random 70s album titles and she knows he’s talking to her.
II. ░ RECORD SHOP GIG.
Love that for them. Thanks, Sam!
Headcanon that the boss is some grouchy old music snob who only hired them because he liked their answers to his questions about ranking Radiohead albums and naming the top five most innovative local bands. They were both beloved regulars at the store before they got hired, and earned his respect with their purchases and ability to keep up or even say something insightful in conversations with him.
We can say Joy worked there first, if she would be too nervous to apply at her crush’s workplace. They could be the only people who work the “student shifts” (evenings/weekends). Lane and Joy’s class at Rainier brings in a lot of business, so perhaps they were hired when the boss decided to extend the shop’s hours to accommodate rich college kids’ class schedules.
They’re shit clerks. Joy will get distracted and forget to ring somebody up for one of their records at checkout, and Lane’s solution the problem is telling her to just ring up the next customer’s album twice and hope they don’t notice. Lane vapes on the job and flirts with every customer. Joy can’t be trusted with taking inventory or counting money. Neither of them are suited for time-sensitive tasks. They keep a line of willing customers waiting for half an hour because they don’t want to stop chatting with someone who already checked out. They usually can’t hear or don’t even notice when the phone is ringing, because they’re too engrossed in whatever prog song is playing.
During Lane’s depressive episodes, he spends the whole shift getting high, and he’ll ask Joy to do the customer service while he half-asses the non-verbal tasks. Joy gets called in on her days off to cover his shifts when he still can’t get out of bed by 5pm. During his manic episodes, his eyes linger on her body more than they should, he invites Tinder girls over to blow him in the shop’s bathroom (and sometimes forgets to close the door), and he gets so distracted by dancing with Joy that he forgets to lock up, and leaves the power running all night. But on a good day, he can lovingly arrange promotional displays and "If You Like ____, Try ____” lists, he’s quick to intercept customers creeping on Joy by engaging them in conversation, and he stays on top of responsibilities by insisting they work together instead of splitting up the tasks.
And you bet your ass they’re the best people to talk to about recommendations, whether it’s for local shows the store is selling tickets for, or for a field guide to a new genre they want to get into without picking only the most entry-level stuff. They’re surprisingly good salesmen, mostly because they’re so honest about what is and isn’t worth the money. People trust them, and there’s a big crowd who will come into the shop just to hang out on the tattered leather couch or make sure nobody covered up their band’s sticker on the wall. Turns out, two hot musicians that customers can build up a nearly-parasocial relationship with can bring in a lot of business. They’re too lovable and profitable to get fired.
But seriously, don’t forget to check your receipt.
III. ░ ABOUT THAT CRUSH OF HERS.
Lane doesn’t think he’s arrogant enough to expect every girl on campus to throw themselves at him, but he is used to female friends being more... receptive to his advances. He’s confused by the way Joy shoots down his offers to go to the diner with him or come back to his room. They have so much chemistry. She seems to like him. He makes her laugh. She always leans in his direction and touches her pretty elf hair when he’s talking to her. He can make her cheeks red just by putting on a song she likes, making eye contact with her from across the store, and smiling. She agrees to plans with so much cheer, so he doesn’t know why she suddenly remembers she had another commitment as soon as she realizes they would be hanging on one-on-one, or at night. He can’t figure out why she shies away when he touches her. He isn’t used to girls like her, coy and inexperienced, unprepared to close their eyes and wait for him to kiss them after he gives them attention. He’s usually surrounded by girls like Zelda and Nikki, or Max and Sabrina, or Genie and Jill. Even Molly was always brutally honest about her sexuality. What’s he supposed to do with someone as confusing as Joy? Which signals should he take from her?
So he invites her to come out to the woods on a sunny afternoon to jam, but assures her that Robin’s gonna be there, too. He invites her to get late night Applebee’s after they close up, but doesn’t order cocktails or argue with her if she wants to split the bill. When he rolls out of bed and looks out the window to see her roller skating around campus, he rubs the sleep out of his eyes, grabs his skateboard, and catches up with her so they spend the morning together; maybe go to a thrift shop or antique store to look for vintage clothes and instruments. He tries to let it go and accept that the friendship is just platonic, but then she compliments his hair or eyes, gets schoolgirl bashful, and hides her cheeks as she looks away. It makes him self-conscious. If she’s attracted to him, why is she so adamantly opposed to doing anything with him?
He values his friendship with Joy. He’s just waiting for her to value it enough to take it to the next level.
IV. ░ THIS HC IS ARROGANT BUT HEAR ME OUT.
Lane can tell that Joy isn’t as naive as she puts on.
Just based on the type of music she likes. The 70′s is the horniest decade for music. The 60′s had so much gritty subject matter. She knows too much about the blues for him to believe that she doesn’t really feel it on some level.
Lane’s theory is that she’s a recovering addict. He knows people who act superfluously positive when they’re trying to stay out of the hole, even if they have to force it. It’s also his only explanation for why she’s sober and doesn’t come to parties.
🌿💐🌳👫🌱 ⌞frey & jill⌝ 🌱👫🌳💐🌿
The king and queen of living in the moment and having no future!!
SPITBALL #1.
I know Jill stops getting into real relationships after her freshman year with Molly, so I won’t suggest exes... Unless.... they just had a casual relationship and both agreed that they weren’t looking for anything serious. If you think I wouldn’t be interested in playing yet another character who falls in love with Jill only for her to break up with them for their own emotional wellbeing, you don’t know me at all.
I was going to say exes who dated in high school but then I remembered he’s, y’know, 4 years older than her. This may be par for the course for most punks but I’m not letting Frey do it. Let’s say they don’t meet until she’s 21. Unless Jill is one of the Rainier kids who got aged up.
It’s probably safe to say they would have a casually sexual friendship. They’re both free spirits who think they’re liberated enough not to catch feelings. They may even be right.
SPITBALL #2.
They’re both in the Rainier area’s eco-goth alt spiritual dark hippie scene. I don’t think I need to come up with a reason why they know each other. They would probably go to the same bars, graveyards, and parties in the middle of the woods. But I could see them being formally introduced to each other through Jim, Dez, or Casey.
SPITBALL #3.
They may be so similar that they end up not getting along. Maybe he doesn’t think she’s serious enough about being anti-structure since she goes to school. Maybe she thinks he’s too aggressive toward people he doesn’t agree with to be as enlightened as he thinks he is. Maybe they’re always questioning if the other person is the real deal, or if they’re just going through a phase.
That’s all I got. I really can’t picture these two not getting along. The best drama I can throw into this relationship is that they might be mutually bad influences, because they indulge each other to drift further and further from civilized society and do nothing to control each other’s impulses. Neither of them think ahead. They would do nothing to ground each other. This can be a beautiful thing, but it can also be dangerous when Frey is always on the verge of being evicted, and Jill already doesn’t think she’s cut out for “the real world.” They might push each other over the edge.
But they also might help each other ~ * t ra ns c e nd . * ~
RANDOM HEADCANONS.
Miscellaneous thoughts. Can be tweaked/scrapped/past-tense/future-tense, depending on the grounds of their relationship!
DUMBASS NATURE BUDDIES!!!! Trying to identify leaves together. Exploring the woods from the crack of... noon (the earliest either of them roll out of bed), ‘til long after sundown. Both of them being too stupid to pack food, or remember which way they came from. Frey would usually have a good sense of direction in the woods, but I could see him getting super distracted by her. Or Jill would purposely try to get them lost, for the *EXPERIENCE*.
Eventually Jill has to recruit Leah to start coming along, because she doesn’t get as distracted or take as many spontaneous twists and turns like they do. I don’t know how often she has the will power to join them. She would get so tired them talking about the spiritual properties of each tree. One of them would always try to instigate an orgy. It would be a mess. Poor Leah may have to switch off with Casey.
They would be SO DANGEROUS to check your phone around. Picture them sandwiching you, chanting directly in each of your ears: “Throw your phone in the lake. Throw your phone in the lake. Throw your phone in the lake. (chorus: No balls.) Throw your phone in the lake. Throw your phone in the lake. Free yourself from the surveillance state. Free your soul from the negative psychic energy of social media and the emotional drain of being eternally reachable. Free your brain from the notification addiction. Throw it in the lake. Dare you to throw your phone in the lake. Quadruple dog dare you to throw that bitch in the lake.” They could probably get Scott or Sabrina to do it at least once.
Jill being his go-to partner/babysitter when he wants to trip because she doubles as a spiritual guide. His mind is so open, she can take him so far.
If they met while she was still at Rainier, he would constantly try to convince her to drop out. (Even though her studying botany really helps them out when they’re on hikes together.)
Frey being my most receptive muse to her suggesting they sit around naked in the woods. He lasts a little longer than Leland because he’ll actually try to meditate or do magic rituals with her, but it still doesn’t take long before he gets frisky. Yet another one of my muses being spellbound by Jill’s tiddies.
They have such different taste in music... This is one thing they might argue about. Frey insists that he wants either excitement, or silence. He would not want to listen to Fleetwood Mac. ...So it sure is curious how he doesn’t put up much of an argument, and when she says “okay fine we can play something else,” he insists that no, it’s fine, she can totally play it if she wants. ...Seriously. Play it.
Jill has a calming effect on him in general. She wouldn’t have to worry about escaping when he wants to rant to her. She’s so zen and carefree that just being around her makes him lose steam and forget whatever set him off.
Frey volunteers to be the guy in this wanted connection pin on your Jill board.
Frey introducing her to Zombie, and not thinking twice about how many questions she asks him about death and the afterlife.
But never introducing her to Roscoe.
SO MUCH SKINNY DIPPING IN PONDS. Or trying to skinny dip in creeks that aren’t deep enough, so they just wind up frolicking naked on the wet rocks, until someone slips and starts bleeding or gets a potential concussion, and the other forgets to put their clothes back on before taking them to the hospital. All the hospital staff being like, oh god not these two again.
Frey eating all of her herbs that she needs for magic, without thinking about it. Just takes a sprig and start chewing.
Jill encouraging him to make poor long-term life decisions and being responsible for him quitting/getting fired from more than a couple jobs.
Frey trusting her.... perhaps.... more than he should. “Oh you think these berries are edible??” ...Next thing you know, they’re taking another trip to the local clinic, but at least they both have their clothes on this time. Although, at this point, they may just be banned from that place.
Him wanting to have sex in the graveyard and her telling him they need to be respectful to the dead so he compromises by asking her to have sex under a tree near the graveyard.
Whether she ever obliges his sexual advances is up to you. He would stop if she ever told him to or looked clearly uncomfortable.
:: 👫 :: RELATIONSHIP HC MEME :: still accepting! ::
Should we...........do a Discord chat or sideblog for plotting this
okay I have Many Thoughts about different characters that could exist in ella's idea so have this post
so there's the reluctant leader who convinces themselves that they did this for the benefit of the group, and becomes fanatical to the lie. The person was dead already so really who are they hurting? it would Ruin Their Lives for this to get out so they maybe were the first to suggest that hiding them was the only thing they could do, or else the most vocal supporter of the idea. when things start falling apart they'd usually be the first to throw this in the faces of other group members "you went along with this, just like we did. you drove the car/threw away the murder weapon/lied to the cops/other illegal thing so you can't tell or you'll go down too" they're being crushed by the anxiety of it but try to Stay Strong for the group because as soon as someone breaks they all break. an army is only as good as its leader. whether this person is actually a leader or its all in their head would be fun to play with too
and maybe someone who's just a little dumb. it was endearing when the stakes were low, when they'd just get drink orders wrong or say something wildly out of touch with reality, but now that their futures were at stake, this person is now a huge fucking liability. they won't maliciously go to the cops and snitch, but there's no saying what they won't spill when they're drunk, or in love, or just plain not thinking. they mean well and try to help, but you can't really trust them on their own for their lack of judgement.
and then someone who felt something Wake Up seeing the blood and the thousand yard stare and the faint purpling of the skin where the corpse lay for just a little too long before they could work out what they were going to do. they hide it from the others, but their heart was racing the entire time, and not because of the fear. they love the danger of it, the knifes edge they're now walking on. they've always been interested in the dead, may be even working towards/in a career that gives them more exposure to the dead but nothing compares to someone being dead at your hands, even accidentally.
and maybe it wasn't accidental at all. maybe they've pushed the group to this precipice just to see how they react. Just because they thought it'd be fun, to watch their psyches slowly crumble under the crushing weight of the guilt, guilt they cannot feel. they like their friends, but things were getting stale. boring. and there's nothing worse than boring. besides, you cannot evolve while in a comfortable environment, and necessity is the mother of invention.
or maybe it was accidental. maybe it was right place, wrong time or any combination thereof. maybe the images in their mind disgust them just as much as they excite them, and they don't know why they can still smell the blood, even after weeks. they can't stop thinking about it, no matter how much they desperately want to. they want to go to therapy, to talk to a professional about it, but how can they without giving the whole group up? and they can't, they love their friends. but they're also imagining how each one of them would look dead.
anyway these were just some ideas bouncing around that i wanted to put to screen before i forget them? theyre pretty basic and kinda shittily presented but w/e yall are used to my shit at this point
This is giving me a Tell-Tale Heart-On.
In love with ALL of the skeletons Maddi came up with. And the idea of us maybe each playing one outsider character to get tied up in the story as well.
I like the Awakened aspect of one of the characters and the potential that they might want to do more. I think that’s a new idea to throw into this type of story that we’ve seen a few times. Also like how you want to set it directly after the kill as opposed to doing the thing where people got away with it and meet up again years later, I feel like that’s the usual route people go in an rp. I like the aspect of it being set on Halloween because I feel like that’s the best time to get away with a murder. Maybe one of the side characters is someone who was at whatever haunted house or Halloween party they were at and witnessed them carrying a dead body and didn’t even question it, but now they have to keep that person quiet.
Also, don’t ask me why, but I have a vision of two of the muses being the “edgier” friends in the group (maybe ones who drifted away from the group or were left behind because they didn’t go to school or started getting into creepy stuff that made everyone uncomfortable), like the weird school shooter guy and his goth girlfriend (I’m using these titles as archetypes but know that I mean “goth gf” and “weird guy” in a gender neutral way). What if the goth gf is the one who egged things on and thought she wanted to see something happen or suggested they do whatever scary, dangerous they did that led to someone dying, but now that she’s watching her partner in crime is slowly descending into madness, she realizes she’s in way over her head and doesn’t want to be the edgy macabre sociopath after all.
Ground-level questions before I go any further.
How old is this friend group? High school, early twenties/college-aged, or our ages, starting to find their places in the world and settling into careers (or not settling into careers)? Would this be a tight-knit friend group that drifted apart in their early twenties and met up again for Halloween? Would they be the last few people left in town in the Summer after graduation? Are they even a friend group, or people who are now all tied together and can only confide in each other?
What kind of New England location is this? Posh city in Connecticut or Vermont, poorer rural town in someplace like Pennsylvania or Maine, quaint little village in Rhode Island, or suburbs of Massachusetts or New Hampshire? There might be new angles to take depending on the setting. If it’s a high-crime area or a poor place where people go missing more often, it might be easier for them to get away with it for longer. If it’s a ritzy village, there’s the ability to use connections to get away with stuff or track down the killers, and it would be more shocking and unexpected if something like this happened, and there would be more tension in town. If it’s a place where there’s more of a range, you can bring in more diverse muse backgrounds, and also, there could be an underlying resentment between some of the lower-class muses who never really see themselves succeeding in life and the wealthier muses who have more of a future or career to lose if they get caught.
Do we want to do modern day or period piece? Late 80s, mid-90s, y2k? We’ve been flirting with doing rps in those eras a lot lately and I think the time period could impact the state of forensics and politics of serial killers, mass shooters, and the like. I think the story would be deeply impacted by whether it took place in a period that was pre or post social media & internet.
:: 👫 :: { 𝙇𝙖𝙣𝙚﹢𝙕𝙚𝙡𝙙𝙖. } ::
I. ░ NICKNAMES.
Zezza (his first nickname for her) Zez (after their first year together, when Zezza became her primary name for him) (this doesn’t have to be exclusively used by Lane, since he started using the nickname before they started dating, other people in his friend group might call her this too) (he probably introduced her as “Zez” to Sid and Nate) (he uses other variations, like Zezzy, Zezzo, Zizzy, Zelzsta... But Zezza is his favorite) Cherrypop (when she wears his favorite lip gloss) / Cherry Girl (when she wears red or cherry earrings) Glitterbug (when he sees some of her glitter on himself or any surface in his room the morning after a party) Angelfish (when she makes a kissy face when they’re in a group together and make eye contact) Lady Luck (when she hints at any insecurity about not being special or favored enough to be included in the Fawley casino empire, or plays a game with him) Disco Angel (when she dances with him) The Greatest Artist Who Ever Lived (when she shows her any sculpture she made, even if it is, to quote the message that made me fall in love with her, “a store-bought flamingo plushy with some lipstick smeared on the beak”) My Beautiful Natural Redhead (every time she dyes her hair red) My Showgirl or simply, My Girl.
II. ░ SKATE LESSONS.
Lane didn’t think he would skateboard past his teen years until he met Robin, who introduced him to the concept of skating ironically. He sees it less as a subcultural lifestyle and more as a tongue-in-cheek way of getting from place to place. The tricks come into play when he’s hanging out at dusk with Robin and friends, usually doing some light pregaming for a party in a parking lot between the back exit of the art building and the woods.
It was probably Zelda who asked him to show her how to skate on one of these nights. Likely asked as a joke in a giggly buzz off of hard ciders, in the early days before they started dating. But it meant a lot to Lane that she asked. She may not be able to follow along when he goes on about Derrida, but this is one way that she can fit inside his world. She fell on her ass and narrowly avoided ripping her tights that first night, but he slowly started asking her if she wanted to try again the next few times they met up, and it turned into a cute activity they did once a month or so while dating. She may not be a fast learner, but she’s enthusiastic and puts her whole heart into it. It makes him feel like he should put more of his heart into making the relationship work, too. It helps that he finds her melodramatic shouts and expressions adorable.
This turned into Lane’s go-to way of asking her to get back together with him. Two weeks to two months after a breakup, he’ll send her a text, telling her that he’ll be in the parking lot outside the art building if she wants to pick up her lessons again. She comes every time. He falls right back in love with her every time he watches her cackle after a fall or throw up both fists triumphantly when she turns around a corner without completely eating shit.
He just wishes she would wear more practical clothes for the lessons.
III. ░ CANDID MODEL.
Dia is his primary model and muse, but the photos he takes of her are his Art, very precise and orchestrated. He takes tons of photos with Robin, but it’s usually documenting weird situations he got them into or things Robin re-arranged when nobody was looking, rather than pictures of the man himself. He sneaks some pictures of Molly, looking cozy and elegant (and distracted) while she reads, and has photos of Nate doing tricks or just smoking cigarettes, because the guy always looks like he’s in a grungy coming-of-age film, and Lane likes to memorialize the few special weekends his friend makes it to Washington. And of course, he has his stash of Jack photos, but he hasn’t taken a photo of his brother since the day he left for basic combat training.
But Lane has more photographs of Zelda than anyone else in the world.
She’s always doing something funny, or pretty, or colorful. Whether he’s just shooting her festive outfits, or her wild, goofy dancing, or her expressive faces, or wholehearted laughter, it’s all worth capturing. Every second with her feels like a significant memory that he wants to revisit, especially if he’s not in the right headspace to appreciate it in the moment.
These photographs are the closest thing Lane has to a helm to steer his own emotions. When he needs a little motivation to come crawling back to her, he takes a peek at his pictures before bed, and wakes up the next morning to find himself texting her to ask if she wants to meet him for skate lessons.
IV. ░ ANYWAY HERE’S GRENADINE.
Lane wrote a song about Zelda called “Grenadine.” Or, he’s writing a song. And rewriting it. Constantly. He runs his drafts by his closest friends, but Robin is probably the only one who hears every version. He doesn’t want anyone to tell her about it until it’s done, and makes them promise to keep it a secret. The problem is, he revises it so much, it’s basically an album of entirely different songs at this point, and it may never be finished.
Sometimes it’s about a lover so sweet, she can make battery acid go down easy, and it’s easier for the narrator to deal with tribulations when she’s around. Sometimes it’s about a girl who’s too sickeningly syrupy to drink straight, and the narrator feels like she’s not the type of woman you’re supposed to be monogamous with, because you won’t actually get anything of substance out of it. Sometimes it’s about a girl who’s sugary but tart — cute but daft — and the narrator’s bar buddies all have a hard time taking him seriously when he asks for her in his cocktail instead of drinking a real man’s drink, and the narrator has to decide if he should grow up, or enjoy what he enjoys.
The chorus mostly stays the same. Somehow, in one roundabout way or another, it’s always about how The Grenadine Girl deserves better.
Robin, Nikki, Molly, Dia, Sabrina, and Sid have all heard variations of it, though he’s obviously only shows Nikki and Sabrina the flattering ones.
BONUS. ░ IS LANE IN LOVE WITH ZELDA?
How shall I put this...
...
Sometimes.
He has more fun with Zelda than any other girl he knows. She makes him laugh without even trying. She’s so cheerful, loyal, understanding, and supportive to a fault. He thought blowjobs were overrated until he met her — an appetizer, or a consolation prize when you don’t have the time or privacy for the real deal — but I imagine Zelda’s passion to please carries over into her sex life, and she really knocks it out of the park when she gets to focus on just satisfying her partner. She changed his life and redeemed oral for him. That takes someone special.
There’s just one problem: Lane thinks he belongs with someone who understands the art, music, and literature he likes. Having deep conversations with a partner is important to him. He doesn’t know if Zelda will ever connect with him on that level.
There’s also that nagging concern in the back of his head, asking, does he like her for her, or does he subconsciously like her because she’s rich and he wants to settle down with someone who can keep him financially secure? He wigs out and breaks up with her every time the thought crosses his mind. Is he lying to himself when he feels like he’s in love with her, or when he falls out of love with her?
He doesn’t know.
But, if it counts for anything, he did spend the majority of his clothing budget for their junior year on a western shirt because it reminded him of her, and her silly pink cowgirl boots, and her fascination with kitschy cowboys, and one of her drunken ramblings about him whisking her away on his trusty steed (robin in a horse costume, probably) and them galloping off into the sunset. He calls it his lucky shirt.
Send a 👫and I’ll write four headcanons I have about our muse’s relationship
Alex Wolff as Peter Graham in Hereditary
Better fencing choreography in one scene than the entire run of the Musketeers
ukranian actress Alina Kovalenko, born 05/28/92.
FUCK conversation starters, we only use conversation STOPPERS in this house! “Oh hi, how was your day?” “I’d peg Michael Myers.” BOOM! Conversation, dead in a flash!
Before Sunrise (1995) dir. Richard Linklater