NOSEX

"a still is not a film. it lacks the dimensions of time and movement — indispensable components of film art — and represents only a small fraction of a single second of a given motion picture." — amos vogel, film as a subversive art (1974)

[fyishiraz]

1. David Cronenberg’s Videodrome (1983) from 2-3-2

2. “Nothing is real until you put it in the VCR.” J.G. Ballard, Seconds magazine, 1996 

[nosex]

SOUTHLAND TALES (RICHARD KELLY, 2006)

[nosex]

NOWHERE (GREGG ARAKI, 1997)

[nosex]

SOCIETY (BRIAN YUZNA, 1989)

[nosex]

BEAUTY AND THE BEAST (JURAJ HERZ, 1978)

[nosex]

DAGON (STUART GORDON, 2001)

[nosex]

BABY IT’S YOU (JOHN SAYLES, 1983)

[nosex]

WE WON’T GROW OLD TOGETHER (MAURICE PIALAT, 1972)

[nosex]

SLOW MOVES (JON JOST, 1983)

[nosex]

THE KILLING OF A SACRED DEER (YORGOS LANTHIMOS, 2017)

[nosex]

CHOOSE ME (ALAN RUDOLPH, 1984)

[nosex]

MOTHER (BONG JOON-HO, 2009)

[nosex]

THE PATSY (JERRY LEWIS, 1964)

[nosex]

DADDY LONGLEGS (JOSH & BEN SAFDIE, 2009)

[nosex]

GIRLFRIENDS (CLAUDIA WEILL, 1978)

[nosex]

MESSIAH OF EVIL (WILLIARD HUYCK & GLORIA KATZ, 1973)

[nosex]

AGATHA AND THE LIMITLESS READINGS (MARGUERITE DURAS, 1981)