The Tent by a21 studio
The steep roof with thick thatch is a response to the site that gets intense heat from the West throughout the year.
Cosimo Galluzzi

shark vs the universe

Andulka
trying on a metaphor
KIROKAZE
Peter Solarz
d e v o n

Product Placement
sheepfilms
PUT YOUR BEARD IN MY MOUTH
Not today Justin

祝日 / Permanent Vacation
wallacepolsom

No title available

JBB: An Artblog!

JVL

pixel skylines
Keni

ellievsbear

Love Begins
seen from Poland
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@nosleeptilbrklyn
The Tent by a21 studio
The steep roof with thick thatch is a response to the site that gets intense heat from the West throughout the year.
talking to person u like alot and u feel like ur annoying them
Diseño de conservas para los supermercados ALDI.
Moai Pension South Korea studio KOOSSINO
respect existence or expect resistance
Porto Rui Ricardo
Nikola Tesla / Pressbook by Mercedes Bazan
Beautiful entry to the Helsinki Guggenheim design competition 2014.
Chris Millington and Diego Barrueco shot by me at Cherry Bomb Studios in London
The Summer Diary Project. Follow us on Facebook + Instagram + Twitter
I NEED FEMINISM BECAUSE, as a male, I’ve always been told to “be a man” when I didn’t fit into society’s definition of masculinity. As a result, I’ve never felt like a “man,” and I’ve never felt “good enough.” I need feminism because gender stereotyping is detrimental to everyone. I’m a man because I identify as one, not because society says I am [or that I’m not], but I need feminism because I’m a PERSON FIRST, MAN SECOND.
Oslo-based design studio Neue have won a competition to redesign Norway’s passports.
The new covers feature a modernised version of the national crest, stamped in gold on unusually bold colours: either white, turquoise or red for immigrant, diplomat and standard passports respectively.
Norway’s new passport – already a design classic?
notnewon: The Black Book.: posted by Whatisindustriald
Richard Serra | “East-West/West-East”, 2014 Doha.
Four steel plates that are about 15m (49 feet). Span 1km.
“The placement (of the pieces) is not geometrical, it’s topological; they can only be placed where they are to achieve the curvature of the land. If one walks through the pieces; he will understand not only the rhythm of himself in relationship to the landscape but also the rhythm of himself in relationship to the height and the length of the pieces.”