Stranger Things
occasionally subtle

★

if i look back, i am lost
cherry valley forever
Lint Roller? I Barely Know Her
dirt enthusiast
RMH

Janaina Medeiros

⁂

shark vs the universe

No title available
Acquired Stardust
Sade Olutola

Discoholic 🪩
Claire Keane

祝日 / Permanent Vacation
we're not kids anymore.
d e v o n
Jules of Nature

seen from Iraq
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seen from Malaysia

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seen from Türkiye

seen from United States
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seen from Morocco

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@nothingssee
stars of the earth
nov 17, 2013
skeletal structure
nov 17, 2013
skeletal structure
nov 17, 2013
skeletal structure
nov 17, 2012
there is something with woods. it seems to affect even the most die-hard machos wo live in crime novels. from such a book i get these lines:
"my grandmother told me that the forest was an opening to someplace else. where things lurked, things we could only half see. older beings. shees. shadows of creatures that once walked the natural world, redundant now, awaiting tasks, awaiting their work in dreams."
quite in contrast to the open space of deserts, of mountain tundra. confronted with such nothingness the mind sharpens, egos shrivel, clarity rises - or implodes. horror vacui. people go there for enlightment only to find hallucinations.
maybe the woods speak directly to the subconscious, jungle meeting jungle, dark corners luring, a glut of forms and shapes overwhelming what little reason there is left.
you can choose your drug. or use it as in stories. or in pictures. no matter what, confronted with the real thing, exposed to nature as it is in contrast to your imagination, reality sets in. either grasp the facts or die. only those who know nature but from the safe cocoon of civilisation believe in fairies. only those who come back from out there truly know about the power of these creatures.
between the pitfalls of the mind, the pitfalls of a nature untamed, with a body vulnerable to both, it's a fine line you are walking in the wilds.
fairy tale wood
october 27, 2013
winter is near. the sun, this far north, never rises far above the horizon. it's a time of freedom, gotten reckless. leaves learn to fly. matter turns translucent. solid objects dissolve under the onslaught of glaring white energy: light.
light
october 27, 2013
light
october 27, 2013
light
october 27, 2013
light
october 27, 2013
The ocean is broken by GREG RAY Oct. 18, 2013, 10 p.m.
(from "NewCastle Herold", reblogged without comment)
IT was the silence that made this voyage different from all of those before it.
Not the absence of sound, exactly.
The wind still whipped the sails and whistled in the rigging. The waves still sloshed against the fibreglass hull.
And there were plenty of other noises: muffled thuds and bumps and scrapes as the boat knocked against pieces of debris.
What was missing was the cries of the seabirds which, on all previous similar voyages, had surrounded the boat.
The birds were missing because the fish were missing.
Exactly 10 years before, when Newcastle yachtsman Ivan Macfadyen had sailed exactly the same course from Melbourne to Osaka, all he'd had to do to catch a fish from the ocean between Brisbane and Japan was throw out a baited line.
"There was not one of the 28 days on that portion of the trip when we didn't catch a good-sized fish to cook up and eat with some rice," Macfadyen recalled.
But this time, on that whole long leg of sea journey, the total catch was two.
No fish. No birds. Hardly a sign of life at all.
"In years gone by I'd gotten used to all the birds and their noises," he said.
"They'd be following the boat, sometimes resting on the mast before taking off again. You'd see flocks of them wheeling over the surface of the sea in the distance, feeding on pilchards."
But in March and April this year, only silence and desolation surrounded his boat, Funnel Web, as it sped across the surface of a haunted ocean.
North of the equator, up above New Guinea, the ocean-racers saw a big fishing boat working a reef in the distance.
"All day it was there, trawling back and forth. It was a big ship, like a mother-ship," he said.
And all night it worked too, under bright floodlights. And in the morning Macfadyen was awoken by his crewman calling out, urgently, that the ship had launched a speedboat.
"Obviously I was worried. We were unarmed and pirates are a real worry in those waters. I thought, if these guys had weapons then we were in deep trouble."
But they weren't pirates, not in the conventional sense, at least. The speedboat came alongside and the Melanesian men aboard offered gifts of fruit and jars of jam and preserves.
"And they gave us five big sugar-bags full of fish," he said.
"They were good, big fish, of all kinds. Some were fresh, but others had obviously been in the sun for a while.
"We told them there was no way we could possibly use all those fish. There were just two of us, with no real place to store or keep them. They just shrugged and told us to tip them overboard. That's what they would have done with them anyway, they said.
"They told us that his was just a small fraction of one day's by-catch. That they were only interested in tuna and to them, everything else was rubbish. It was all killed, all dumped. They just trawled that reef day and night and stripped it of every living thing."
Macfadyen felt sick to his heart. That was one fishing boat among countless more working unseen beyond the horizon, many of them doing exactly the same thing.
No wonder the sea was dead. No wonder his baited lines caught nothing. There was nothing to catch.
If that sounds depressing, it only got worse.
The next leg of the long voyage was from Osaka to San Francisco and for most of that trip the desolation was tinged with nauseous horror and a degree of fear.
"After we left Japan, it felt as if the ocean itself was dead," Macfadyen said.
"We hardly saw any living things. We saw one whale, sort of rolling helplessly on the surface with what looked like a big tumour on its head. It was pretty sickening.
"I've done a lot of miles on the ocean in my life and I'm used to seeing turtles, dolphins, sharks and big flurries of feeding birds. But this time, for 3000 nautical miles there was nothing alive to be seen."
In place of the missing life was garbage in astounding volumes.
"Part of it was the aftermath of the tsunami that hit Japan a couple of years ago. The wave came in over the land, picked up an unbelievable load of stuff and carried it out to sea. And it's still out there, everywhere you look."
Ivan's brother, Glenn, who boarded at Hawaii for the run into the United States, marvelled at the "thousands on thousands" of yellow plastic buoys. The huge tangles of synthetic rope, fishing lines and nets. Pieces of polystyrene foam by the million. And slicks of oil and petrol, everywhere.
Countless hundreds of wooden power poles are out there, snapped off by the killer wave and still trailing their wires in the middle of the sea.
"In years gone by, when you were becalmed by lack of wind, you'd just start your engine and motor on," Ivan said.
Not this time.
"In a lot of places we couldn't start our motor for fear of entangling the propeller in the mass of pieces of rope and cable. That's an unheard of situation, out in the ocean.
"If we did decide to motor we couldn't do it at night, only in the daytime with a lookout on the bow, watching for rubbish.
"On the bow, in the waters above Hawaii, you could see right down into the depths. I could see that the debris isn't just on the surface, it's all the way down. And it's all sizes, from a soft-drink bottle to pieces the size of a big car or truck.
"We saw a factory chimney sticking out of the water, with some kind of boiler thing still attached below the surface. We saw a big container-type thing, just rolling over and over on the waves.
"We were weaving around these pieces of debris. It was like sailing through a garbage tip.
"Below decks you were constantly hearing things hitting against the hull, and you were constantly afraid of hitting something really big. As it was, the hull was scratched and dented all over the place from bits and pieces we never saw."
Plastic was ubiquitous. Bottles, bags and every kind of throwaway domestic item you can imagine, from broken chairs to dustpans, toys and utensils.
And something else. The boat's vivid yellow paint job, never faded by sun or sea in years gone past, reacted with something in the water off Japan, losing its sheen in a strange and unprecedented way.
BACK in Newcastle, Ivan Macfadyen is still coming to terms with the shock and horror of the voyage.
"The ocean is broken," he said, shaking his head in stunned disbelief.
Recognising the problem is vast, and that no organisations or governments appear to have a particular interest in doing anything about it, Macfadyen is looking for ideas.
He plans to lobby government ministers, hoping they might help.
More immediately, he will approach the organisers of Australia's major ocean races, trying to enlist yachties into an international scheme that uses volunteer yachtsmen to monitor debris and marine life.
Macfadyen signed up to this scheme while he was in the US, responding to an approach by US academics who asked yachties to fill in daily survey forms and collect samples for radiation testing - a significant concern in the wake of the tsunami and consequent nuclear power station failure in Japan.
"I asked them why don't we push for a fleet to go and clean up the mess," he said.
"But they said they'd calculated that the environmental damage from burning the fuel to do that job would be worse than just leaving the debris there."
- below you find the sketchbook. snatches and glimpses. small escapes in early morning walks, when the sky is still dark and the humans are still holed up in the cities. trying, even in the midst of civilization, to find a way back. to a land lost long ago. to a land that always will be.
for longer walks into the wilds you might want to explore:
http://pacificanddesert.tumblr.com/
http://padjelanta.tumblr.com/
http://abiskowinter.tumblr.com/
geometry of woods
to think that this was a never ending theme in untold variations throughout europe from deep in the south to high up in the north...
barely broken by marshes, rivers, lakes, mountaintops and, of course, the sea.
october 6, 2013
geometry of woods
october 6, 2013
geometry of woods
october 6, 2013