The Blue Hour - Marie Rioux , 2021.
Canadian . b. 1954 -
Oil on canvas , 54 x 42 cm.
One Nice Bug Per Day
Fai_Ryy
taylor price
macklin celebrini has autism
🪼
"I'm Dorothy Gale from Kansas"
𓃗

No title available

ellievsbear

❣ Chile in a Photography ❣
No title available
art blog(derogatory)

if i look back, i am lost

roma★
Sade Olutola
tumblr dot com
let's talk about Bridgerton tea, my ask is open

tannertan36
wallacepolsom
NASA
seen from United States
seen from India

seen from United States

seen from Malaysia
seen from Norway
seen from Libya
seen from United States
seen from Germany

seen from Malaysia
seen from United States

seen from Russia
seen from Germany
seen from United States

seen from United States
seen from France

seen from Malaysia

seen from Malaysia
seen from Malaysia
seen from United Kingdom

seen from Germany
@nothingxgoodx
The Blue Hour - Marie Rioux , 2021.
Canadian . b. 1954 -
Oil on canvas , 54 x 42 cm.
“So then actually the process of praising and the process of noticing and the process of attention to the good things and the process of loving and the process of noticing the music of the world – I think that is as important and as necessary as witnessing and naming and holding the grief and sorrow that comes with being alive.”
— “Ada Limón on Resilience, Writing to Keep Going, and ‘Lucky Wreck’”, interview with Justin Evans, in South Review of Books, April 2, 2021
from In the House With No Doors by Sarah Kay
Jean Valentine, from “Sanctuary”
Greg Sellers, Moonlit Leaves on the Eve of Wolf Moon, 5 January 2023
Charles Wright, from “ XXVII. One Needs No Paradise When the Rain Falls,” two poems from Littlefoot excerpted in Poetry Northwest
“There is a silence in the beauty of the universe that is like noise when compared to the silence of God.”
— Simone Weil, Awaiting God
Carl Sandburg
Inspired by a Tumblr post I can’t find :-/
Out here, there’s a bowing even the trees are doing. Winter’s icy hand at the back of all of us. Black bark, slick yellow leaves, a kind of stillness that feels so mute it’s almost in another year.
I am a hearth of spiders these days: a nest of trying.
We point out the stars that make Orion as we take out the trash, the rolling containers a song of suburban thunder.
It’s almost romantic as we adjust the waxy blue recycling bin until you say, Man, we should really learn some new constellations.
And it’s true. We keep forgetting about Antlia, Centaurus, Draco, Lacerta, Hydra, Lyra, Lynx.
But mostly we’re forgetting we’re dead stars too, my mouth is full of dust and I wish to reclaim the rising—
to lean in the spotlight of streetlight with you, toward what’s larger within us, toward how we were born.
Look, we are not unspectacular things. We’ve come this far, survived this much. What
would happen if we decided to survive more? To love harder?
What if we stood up with our synapses and flesh and said, No. No, to the rising tides.
Stood for the many mute mouths of the sea, of the land?
What would happen if we used our bodies to bargain
for the safety of others, for earth, if we declared a clean night, if we stopped being terrified,
if we launched our demands into the sky, made ourselves so big people could point to us with the arrows they make in their minds,
rolling their trash bins out, after all of this is over?
Dead Stars, Ada Limón, 1976
Benjamin Défossez
The Wind Will Carry Us (1999) dir. Abbas Kiarostami
concept: love as amalgamation in the art of edvard munch
whatever our souls are made of, his and mine are the same. — emily brontë
hey (with the intention of reaching over and touching you like a prayer for which no words exist causing your heart to take root in your body like you’ve discovered something you don’t even have a name for)
Mark Conway, Any Holy City