A professor from two years ago told me to write everyday, I am the middle child of my life and I have no idols, in their absence I latch onto ghosts and make the meekest attempts at diagnosing the essence of my hope, I have no idols. He told me to write everyday and your products will be mediocre, he told me to write everyday and it will hurt. He told me with a twisted arrow in his eyes, learn to love that pain, learn to desire it the way you have learnt to desire other kinds of pain. I don't know if even he believes this is possible.
From experience- desiring pain is never sophisticated or stable enough to know anything, not your cunt from your throat, not your tears from your droll, yes it is in my experience that desiring pain is never about executing your sentience, or developing your production. It is simply a state akin to a deadly trance, a phantasmagoria of tension permeating both the idle spirit and inflamed bod. However it isn't that such masochism is without the consequence of sentience and production especially since they are overlapped by their opposites, unconsciousness and destruction the beauts of transgressive germination.
I have no idols, I do not know the border line. The definitions of words like production bloom violently away from bodies toward unmade ethers, to tug at their limbs and beg that they lay by you is not quite to desire pain, it is to desire despite pain. For me to write is to need, and need despite the ache.
TO state again, I have no idols. Something in me has designated that my inherent necessity to write should be contingent on a frenzy, an almost unadmirable vampirism upon my inspiration. Now in this moment I see the relationship between the jelly ache of active inspiration and the thrusting totem of the idol. In both we see devotion, idolatry, mimicry, strife, however it is the symbol of the idol that remains still, unmoved and unphased- untouched; the state of inspiration comes upon you like a sudden rain, in different forms, touching you, wetting you, lulling you into the slumber of your life to dream of heavenly others- or a fitting perfection. I unchangingly admire inspiration, it is an idol of mine.
I write about fruit today.
I write about knuckledragging, cobblestone, and the flash you get day to day when you become aware you will probably never be blind enough to kill yourself.
I write sundown and blood worms and telephone calls and telephone calls and telephone calls and a life made tall by telephone calls.
Only use the knife with the white and gray handle, only that one. I cut at the fruit because it is not me. I cut at the flesh, the trillion bulbs of juice, haphazardly around the blushing pit. I cut because the skin is too cold on teeth.
For the first time in three weeks I slept as I am meant, I slept with no intent to wake. For days I had stayed awake until my eyes crossed in conversation, had woken with the desperation of someone pulling all the weight of their body up with splitting yarn.
I imagine decapitating telephone lines with baby-safe scissors and the wire exploding with words and flames. It is because the telephone is where lovers quarrel.