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2025 on Tumblr: Trends That Defined the Year
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@nywebseries
WORLDVIEW: Jason Brasier
FROM SPRINGFIELD, MO.
What is your name and what is it you do on the show? Drifter: Broken Road and Stage Fright Name: Jason Brasier On Drifter: Broken Road I was writer, director, and producer On Stage Fright I was Director, Co-Writer, Producer, Editor,…
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THE STARTUPS: Zompire Vixens from Pluto
So you’re starting a new show: who are you and what have you done? My name is Jenna Payne, and…
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PROFILE: The Digressions
What is your name and what is it you do on the show? AD: My name’s Andrew Dahl and I’m the creator/head writer of the Digressions and I play the character of Preston. JM:And I’m Jordan McArthur. I’ve helped to write a bit, I play Spencer, and I head up…
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PROFILE: Brooklyn is in Love
What is your name and what is it you do on the show? My name is Danielle Earle, and I’m the…
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WEBSERIES BADASS: J. Sibley Law
What’s your name and how long have you been involved in web series?
My name is J. Sibley Law, but…
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PROFILE: Old Dogs & New Tricks
What is your name and what is it you do on the show? Leon Acord, and I’m the creator/writer, one of…
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A VIEW FROM THE NORTH: Clutch
The first in our series of webseries from Canada. There is a fast growing webseries community in…
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PROFILE: Geek Crash Course
What is your name and what is it you do on the show?
Michael Nixon – Creator, Main Writer, Co-Host,…
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PROFILE: 12-Steps to Recovery
What is your name and what is it you do on the show? My name is Tony Clomax and I am the writer, director, producer and editor of the show.
I produce the show with Emelyn Stuart of Stuart Films. Some people fill hats because they have no other choice. I can honestly say, I enjoy each of my roles on the show. However, I do plan on bringing in an editor who is currently editing shows on cable television. They know exactly what the networks want. I’m also bringing in a Casting Director who has relationships with the type of actors I want access to, but I will still be hands on in the casting process.
How many episodes and average length of each episode? I have 21 episodes of Season 1 and the average length is about 10-11 minutes. There was no particular formula I was going for. How can you do anything wrong in the web space? We are all pioneers, so set your own standard and let others get with the program. The fans have all asked for longer episodes. You may have a better opportunity to go viral with shorter episodes, but my focus is the length of engagement and entertaining.
When was the show conceived? I came up with the idea of 12-Steps in January 2010. I wanted to prove my worth as a filmmaker and I didn’t want to do a short film. The long form of episodic writing was very appealing and I knew that somehow, I could make money from it, but I just didn’t know how at the time.
Obstacles to creation? As for obstacles, it was mainly funding. Instead of trying to raise all the money to shoot a full season, I shot sporadically 4 episodes at a time here and there. I don’t regret that because it really sped up my learning curve. The business side of this is crucial and you can’t just say, “hey guys, lets grab a camera and some of our friends and make magic. A lot of work goes into it. Well that’s if you’re serious about this and I’m damn sure serious. So yes, funding was the main obstacle.
What is your show about? Award-winning romantic comedy about New York City actor & jingle writer Parrish Diaz who gets dumped by his corporate girlfriend and his friends Blue and Dani come to his rescue by setting him up on 12 blind dates. Parrish goes through his healing period with each unique woman, while learning about friendship, forgiveness and true love, with major twists and a crucial decision to make.
Our logline: Healing a broken heart one hilarious step at a time.
Did you receive funding to create your show or was it entirely out of pocket? What creative ways did you use to overcome budget limits? The show was funded with pocket money (Thank you President Obama) and with sponsorship from various great small businesses who all saw an opportunity to highlight their businesses and to be a part of a movement.
Where do you see your series? The future? We’re currently on cable with Punch TV in a 30-minute sitcom format and our next step is a crucial one. We can wait for a channel or platform to fund season 2 or we can take the various offers to do a feature film. The thing with cable can be very tricky, especially with upstart networks and although it’s an accomplishment, we have to be aggressive in creating opportunities. You don’t want to lose momentum, but the best thing about web series is that everyday, someone new discovers the show, so the fan base just continue building. Don’t be surprised to see 12-Steps on the big screen.
I’m currently writing the second season, but it’s really playing out like a feature, so stay tuned.
What has been your biggest challenge in creating the series? Funding.
Have you taken advantage of any media outlets or festivals? Awards? We’ve won awards and gotten nominations at American Black Film Festival, ITVFest, LA Web Fest, Urban Mediamakers Film Festival, Mid-Atlantic Black Film Festival and Indie Interlube Awards. We’ve distributed the show on Blip.tv, koldcast.tv, united diaspora, Youtube and Plenty Pennies.
Any lessons learned while filming your series? I learn something new everyday in life, so on set is nothing different. I learned how to shoot efficiently and creatively with a 2-camera set up. To properly use 2-cameras, you have to have a DP, Second Camera Operator and Director on the same page, as well as some great rehearsal with the cast that includes crucial blocking. I use everything I learned in my MFA program, as well as my experience in the industry doing shorts.
What advice would you give to one wanting to start production on a Webseries? Do your homework. Set your goals clearly. Select your cast and crew wisely. Write, Rewrite, Rewrite, Rewrite, Rewrite. Did I say Rewrite? And for the love of God, get the necessary coverage to tell your story.
There’s nothing worse than content that just doesn’t move or pop. Be original. Use this as an opportunity to introduce work that’s not seen on TV.
Don’t skim on the quality of the show. Use the proper lenses, lightening, sound equipment, makeup and anything that can add production value. Just because you’re shooting for the web, doesn’t mean you can’t make it look like it’s worth a damn. My goal is to creative broadcast ready content. That’s how a measure what I’m doing. Also, know your audience. You can’t please everyone. If you go chasing after every audience member, then you’ll lose your base.
Twitter: http://www.twitter.com/12stepsSeries http://www.twitter.com/tonyclomax
Facebook: www.facebook.com/12stepswebseries www.facebook.com/tonyclomaxfanpage
Website: www.12stepswebseries.com http://about.me/tonyclomax
Youtube: www.youtube.com/12sepswebseries
PROFILE: Sage Suppa's NYC Adventures
What is your name and what is it you do on the show? The name of my channel and show is my name, Sage Suppa.
How many episodes and average length of each episode? There will be, eventually, a great deal of content, at the moment it's just getting started. I try and keep the length to about 3 or 4 minutes. It could be longer thought, if the adventure I'm on or vlog takes longer to explain. For me length = the about of time it takes to tell all the necessary points of the story (of whatever it is I'm doing).
When was the show conceived? Obstacles to creation? The show was convinced after I saw the documentary "Please Subscribe" after being invited to Google's Headquarters in New York City. The documentary followed alot of very successful vloggers through life and day. It showed how they came into vlogging and how they created their content. There was a talk back after words and after seeing the film and listening to them talk I instantly wanted to get involved.
It seems to me that YouTube, vlogging, and content creation is the future of entertainment. And I want to be involved in the start of the future.
What is your show about? My channel, or show, is a mix of vlogging, poetry, music, and person adventures I go on. The adventures are things like visits to art exhibits in NYC, Volunteering on SI post Hurricane Sandy, and crazy trips I take. I have one of me going to Texa's coming out soon. That trip garnered some amazing footage. Next weekend I'm headed up to Lake Placid to go skiing and to try some Olympic sports like bobsledding.
The poems I put up are ones that I write and shoot. There are more coming.
In terms of music I play guitar, harmonica, and a little bit of piano. I plan on doing a bunch of covers and original music while collaborating with friends and fellow youtubers. I just haven't had a chance to film anything yet.
Did you receive funding to create your show or was it entirely out of pocket? What creative ways did you use to overcome budget limits? The show is entirely out of my own pocket. I pay for all of my trips and point and shoot with my own, small HD camera.
The YouTube next labs in New York City make the process of creating much easier thought. They been an invaluable help and resource. Especially with free classes that help you get your i.q. up in everything from how to use photoshop to learning to read your channels analytics.
In terms of creative ways to over come budget limits, I don't have any. I really just don't sleep anymore. I'm either editing, planing, writing or trying to do PR for something I've just posted. I wish I could pay someone to edit all the footage I've got. I just had to buy a new storage device to put all the backlogged footage somewhere as my computer ran out of room. It's easy to shoot stuff. It's harder to put edit it together in an interesting and thought provoking way. Takes time.
Where do you see your series? The future? I see my channel slowing gaining subscribers and getting bigger. It will be a long process but I'm game. I'd like to keep doing fun adventure stuff. If I were to dream bigger I'd travel a few months out of the year doing this and making videos.
What has been your biggest challenge in creating the series? Time. And my lack of it. The internet has no memory. And It's incredibly hard to make things fast enough to keep people interested and still have a something that resembles a life.
I'm an actor, so the struggle, job and money was hard enough before I started doing this. Now it's kind of like I've added to many things to the pile.
I like a challenge though.
Have you taken advantage of any media outlets or festivals? Awards?
I don't think I have enough of a following or anywhere near enough content to go to festivals.
I am on twitter and facebook. Just signed up for instagram today and have been trying to figure out tumblr for about a month.
Any lessons learned while filming your series? Tons. The biggest one is to always have a camera on you. You never know what's going to happen or what your going to see. Especially in New York City.
What advice would you give to one one wanting to start production on a Webseries? Download and read the latest version of the YouTube creators playbook (it's free. Google it). Then read it again 10 minutes before you go to bed every night. No joke. Treat it as a holybook. Everything you need to know, beyond the get your hands dirty experiential work that you have to do, is in there. It is the truth. It is the way.
Take a good long look at what everyone else is creating. See what works. See what doesn't. Watch TONS and TONS of stuff. Then figure out something unique and original. And work tirelessly on it.
Also, help other people out. This is a big one. Really, do other people favors. Your going to need their help eventually.
Don't be that person that just tries to get other people get views or simply posts in a facebook group. Don't be the person who says anything negative. Support. Your going to need it to one day. So do it to everyone you come in contact with.
Take the time to talk to people. You are going to need help. It's extremely important to know people who are doing what you are trying to do. Build a relationship with someone. An honest one. That's how you get views and gain fans. If your cold and only care about yourself no one is going to like you. Especially your peers. And if your peers don't like you because your a dick your in trouble. It's not about you, it's about the story your trying to tell.
All I've ever wanted to do is to tell stories and be around people who like creating. I'm very thankful that right now, I get to tell little stories, and I'm friends with a bunch of creators.
I'll end with this quote by an acting teacher: "Love the art in yourself. Not yourself in the art." - Constantin Stanislavski
Twitter: http://www.twitter.com/sagesuppa Facebook: https://www.facebook.com/sageyoutube Youtube: https://www.youtube.com/sagesuppa Instagram: http://www.instagram.com/sagespics
PROFILE: The Louise Log
My name is Anne Flournoy and I'm the writer, director, shooter, editor, producer and voice-over on The Louise Log.
How many episodes and average length of each episode? 34 episodes with 2-4 still waiting to be edited. average length 4 mins.
When was the show conceived of? The show wasn't really conceived. The first episode was a desperate attempt to make a viral video to get the attention of Hollywood executives after spending waay too long in fund-raising hell on what was supposed to be my second feature. Summer 2007.
Obstacles to creation? I'd never worked in video and didn't know a thing about editing. The first edit, on Adobe, was eaten by the program. And then, when I finally had an 80 second edit, forget about 'viral', it was sort of boring. That's when Emir Kusturica's words rang in my ears: "You need a third thing. If there's a man and a woman and it's not working, bring in a dog. Or a thunderstorm." I'd always liked Godard's voiceover in "Two Or Three Things I Know About Her" and Woody Allen's use of subtitles for characters' thoughts so started whispering into my macbook's mic.
What is your show about? The Louise Log is a comedy series about the inner life of a NYC wife and mother hell-bent on getting it right in spite of her high-maintenance husband and her over-active inner voice. Did you receive funding to create your show or was it entirely out of pocket? What creative ways did you use to overcome budget limits?We've received donations from fans starting in the third year but mostly it's out of pocket. The first seventeen episodes were shot for about $1000. We shot piecemeal- a four hour shoot every month. I'd make a pot of soup the night before or we'd shoot after lunch but before dinner. I do everything I can myself. One of the biggest expenses in Season 2 was food during production. That and professional sound. Shooting in a location you control (your apartment, etc) or a public space in the neighborhood is critical for me. A) It's free it's much more relaxed and C) you can do pick-up shots and reshoots whenever you need them
Where do you see your series? The future? I'm not sure. It feels like we're at a turning point. The first two seasons were made under the naive assumption that if you make good work and put it out there, the cream will rise. I want to be true to myself but also want this show to be seen. What has been your biggest challenge in creating the series? Promotion. It makes the back-breaking difficulty of production feel like a day at the beach.
Have you taken advantage of any media outlets or festivals? Awards? Let's just say that the festivals and awards haven't taken advantage of my applications. Media outlets? WNET/Ch 13 showed episode 13 (How To Deal With A Cute Repairman), the series has been covered by lots of blogs including the NPR blog and BuzzFeed and Roger Ebert has tweeted about it twice. Any lessons learned while filming your series? Making this series has been the best training in the world. Coming from film where it's all wait wait wait til you raise $1000/minute, making The Louise Log has kept me busy actually producing something for probably 14 hours a day on average for the past five years. My craft has developed through the roof. Another lesson, harder to take in, is that in this internet world, you can't do it alone. WIthout a team, a community, you may be able to produce your work, but no one will know about it.
What advice would you give to someone wanting to start production on a Webseries? Do something that you're madly passionate about because you may not make a penny off of it and you'll work harder than you've ever worked. Also, think twice about the name for your series. If The Louise Log had been named Louise's Sex Tapes, you might be talking to my Personal Assistant's assistant. Twitter: @anneflournoy @thelouiselog Facebook: http://www.facebook.com/anne.flournoy http://www.facebook.com/TheLouiseLog Website: http://thelouiselog.com http://anneflournoy.com Youtube: http://www.youtube.com/user/anneflournoy Tumblr: http://www.tumblr.com/blog/anneflournoy
PROFILE: Geek Crash Course
What is your name and what is it you do on the show? Michael Nixon - Creator, Main Writer, Co-Host, Editor
How many episodes and average length of each episode? 72 episodes uploaded, with about two dozen ancillary videos as well. Average episode length is around 5 minutes. When was the show conceived of? Obstacles to creation? The show was thought up in April 2011. The only obstacles were securing a location and equipment. The show was purposefully designed with a home-grown, organically-improving feel.
What is your show about? Geek Crash Course is a weekly educational series focusing on geeky topics. The idea is to give a 101-style course that'll leave you able to hold a conversation with a more knowledgable friend/significant other/etc. Did you receive funding to create your show or was it entirely out of pocket? What creative ways did you use to overcome budget limits? GCC was originally funded out of pocket, but now has the support of a successful Kickstarter campaign to help fund props/costumes/food for set.
Where do you see your series? The future? The series seems to be hitting a good rhythm now, between the Kickstarter success and the interest of new viewers thanks to our 12 Doctor Who 50th Anniversary specials.
As far as the future, I'd like to experiment with more live stuff, like the Hangouts on Air we'll be doing at the end of January to answer Kickstarter backer questions. If possible, I'd also like to start securing permission from some of the things we cover. Skirting the weird line of Fair Use and various Terms of Service has me in a constant state of nervousness about the show being killed by outside forces.
What has been your biggest challenge in creating the series? The biggest obstacle to the show has been the inability of various video distribution sites to accept Fair Use as a thing that exists. At any moment, one of our episodes could be taken down without warning, despite being an educational resource. This also prevents me from filing claims against channels that copy and redistribute our episodes on their channels (which has happened to us before). Have you taken advantage of any media outlets or festivals? Awards? We had great success at a BigScreenLittleScreen event almost a year ago, but it's been relatively quiet for our show since then in terms of awards and festivals, though we do enter many of them.
I think that our show has trouble finding a home because it doesn't fit comfortably into pre-established awards categories. We're an educational show, but we're not teaching math or science. We're a hosted show, but not about current events. We're an entertainment show, but we don't do reviews. It makes us a bit of a wild thing to deal with or try to place. Any lessons learned while filming your series? Always budget extra time before your start. If your friends keep working with you, then they are true friends. People who can stand me when I'm in work mode are living saints. Always have a spare pack of AA batteries. Don't be afraid to stop and tweak if it means a better end product. Don't take too long setting up or you'll never get anything done. (Those last two are inherently contradictory, much like most of the creative process.)
What advice would you give to one one wanting to start production on a Webseries? Don't make your dream project first, but make something. There are hundreds of people out there finding relative success vlogging on their laptop cameras. We are in an age where everyone's cell phone has more computing power than the spacecraft that got us to the moon. Most of those phones have cameras and the power to upload a video. If you want to be a creator, don't let limitations be limitations. Go. Make. Screw up. Learn. Keep making. The moment you stop is the moment you're finished. Twitter: http://www.twitter.com/geekcrashcourse Facebook: facebook.com/geekcrashcourse Website: http://geekcrashcourse.com Youtube: youtube.com/geekcrashcourse Blip: blip.tv/geekcrashcourse
PROFILE: Becoming Ricardo
My name is Jesenia, I am the writer/creator/producer of the Becoming Ricardo TV show.
I currently have the 16 minute pilot on youtube. I recently raised $10,000 to produce 9 more episodes - each episode will be 12-16 minutes as well.
Becoming Ricardo is based on a character that I have been perfecting for 3yrs - Ricardo Montalban. After realizing that my character has a huge following and at the request for the character to have his own show - I developed the story based on my experience playing him. Because I am a character actress, I wanted to make sure that people DO NOT only see me as a man, so it was important to me to capture myself as a woman, as well as showcase my male character.
It was a challenge to create an interesting story concept and theme for the show, but after meeting with my fellow writer friend, Craig T. Williams, I was able to develop a story that was very much based on the movie TOOTSIE (with Dustin Hoffman). I also was VERY determined to showcase QUALITY Latino slap stick comedy and feature as many Latino actors as humanly possible - as it has never been done before. Because I've been working in the industry for over 8 yrs, I have had the privilege of working with many talented Latino actors - so I cast my talented friends and started to work!
The show is very much like the movie TOOTSIE, Becoming Ricardo tells the story of an actress who cannot seem to land roles with depth, so out of her frustration - she decides to audition for a major TV show as a man and, because everything works out on TV, she lands the part and so begins her double-life journey as Ricardo Montalban. It stars myself as the main characters, Jesenia Cruz and Ricardo Montalban, along side the amazing Freestyle Singer and Actress Lisa Velez-Mello (aka: Lisa Lisa) and the very talented Sofia Rodriguez (of Platanos and Collard Greens).
Did you receive funding to create your show or was it entirely out of pocket? What creative ways did you use to overcome budget limits? The pilot was definitely shot with out-of-pocket funds, by me, my co-producer Jenni Ruiza and a few other people who donated money and their talents. But because I am a working mother, who has bills and rent to pay, I knew that I couldn't possibly fund an entire season by myself, so I decided to start a kickstarter campaign and was able to raise $10,000. Becoming Ricardo is a fan-driven show, so the fans really helped us out a lot and reached into their wallets to help us get to our fundraising limit of $7000. We also threw a fundraising party (sponsored by Casa Capicu), which was successful and that definitely helped us get a lot closer to our goal as well.
Ultimately, I see Becoming Ricardo on TV! I think the story line, characters and comedy are extremely worthy of a primetime TV audience. Also, as a Latina Actress, I am very eager to see more of us on TV, so that’s why my cast is primarily Latino. I am very passionate about producing GOOD comedy portrayed by Latino Comedy Actors that not only speak to our culture, but speaks to ALL cultures.
The biggest challenge, I feel, is the fact that I am a Latina woman writing, acting and producing comedy. It isn't very common in our culture, but I have made it my purpose to pave my own ground and make my own way. I do not see that as a limit, I see it as a challenge to do something nobody else has done. As an artist, I am a perfectionist, so my comedy has to be MY WAY - and at the end of the day, I feel, that is what makes it unique! I don't conform to the norm.
I have submitted and have been denied by the New York Television Festival (NYTVF), but that did not stop my hustle. Since then, I have also applied to the LA Comedy Festival and in March I will receive word whether we are accepted or not. Becoming Ricardo was recently featured in the 1st Wildlife Film Festival, which was received VERY WELL and we got great feedback from an audience that is not quite our target audience, so that says a lot for the show! We speak to many audiences!
Having been featured in several blogs and websites, the support has been pouring in from the Latino and Entertainment community as a whole, and I know it’s because of the hard work that we’re putting into this project. They say “comedy is a serious business” and I couldn’t say it better myself. It may all seem like fun games and joking around, but it’s all constructed very slowly and wisely with a reason and purpose. It’s my passion and I am VERY grateful to the people that support it.
Any lessons learned while filming your series? One of the most important things I've learned is that you need to surround yourself with people who are just as passionate about your project as you are - this is why Tony Clomax has been appointed the director for the show. He shares my vision and promotes and hustles the show, just as much as I do and that is a valuable asset to have when you're on the Becoming Ricardo team. We both want to see Becoming Ricardo on TV and, working together, I have no doubt that we’ll get there!
I am also a sketch comedy writer, so the transition from sketch writing to TV writing has been a journey, but I and my co-writer, Jenni Ruiza, have been educating, researching and learning more and more and have been able to hone our writing skills to make a great season of episodes!
What advice would you give to one wanting to start production on a Webseries? I say that you have to BELIEVE in your product, without a shadow of a doubt! When doubt comes, ignore it! Keep promoting your product nonstop and keep your focus on your product. Keeping your focus on one project at a time, allows you to create a more successful product. So I say GO FULL STEAM AHEAD and don't stop! You have to believe in your product, so others can believe in it too.
Twitter: www.twitter.com/becomingricardo Facebook: www.facebook.com/BecomingRicardoTV Website: www.becomingricardo.com Youtube: www.youtube.com/user/BECOMINGRICARDOTV Instagram: @becomingricardo
THE LIST: NYC Webseries
12-Steps To Recovery Facebook | YouTube
50ToDeath https://www.facebook.com/50ToDeath
Ain't That Lifehttps://www.facebook.com/aintthatlife
Anti-Matter https://www.facebook.com/antimattershow
Anyone But Me http://www.facebook.com/AnyoneButMeseriesOfficialfanpage
Back Easthttp://www.facebook.com/BackEastShow
Blood Light https://www.facebook.com/bloodlightseries
Brooklyn Is In Love http://www.facebook.com/brooklynisinlove
Brosephs https://www.facebook.com/Brosephs
Carlitos is Pissed https://www.facebook.com/carlitosispissed
Casters https://www.facebook.com/CastersWebSeries
CELL: The Web Series http://www.facebook.com/CELLwebseries
Compulsive Lovehttps://www.facebook.com/compulsivelove
Copying Life http://www.facebook.com/CopyingLife
Crime City Diarieswww.facebook.com/crimecitydiaries
Dominion http://www.facebook.com/dominionseries
Drifter: Broken Road www.facebook.com/drifterseries
Downsized the Web Series https://www.facebook.com/downsizedthewebseries
Exorcists Local 667https://www.facebook.com/ExorcistsLocal667
Flabulous https://www.facebook.com/Flabulous
Geek Crash Coursehttp://www.facebook.com/geekcrashcourse
Geek Vs Geek https://www.facebook.com/geekvsgeekshow
Good Neighbour Minutehttps://www.facebook.com/TheGoodNeighborMinute
Good People in Lovehttp://www.facebook.com/GoodPeopleinLove
Grimm Endingshttp://www.facebook.com/GrimmEndings
Guards of Dagmarhttp://www.facebook.com/GuardsofDagmar
Happy Cancer Chickhttp://www.facebook.com/happycancerchick
Hustling, An Original Web Series https://www.facebook.com/HustlingTheWebSeries
Issues https://www.facebook.com/IssuesTheSeries
Itty P & DJ Model T's Dat's a RAP! http://www.facebook.com/ittypanddjmodelt
Jack In A Boxhttps://www.facebook.com/jackinaboxshow
Love And Comics www.facebook.com/loveandcomics
New York, New York: The Sitcomhttp://www.facebook.com/Welcome2NY
Missed Connections Live https://www.facebook.com/missedconnectionslive
Mother Eve's Secret Garden of Sensual Sisterhoodhttps://www.facebook.com/MotherEves
Nature in a New York Minute http://www.facebook.com/natureminute
News for Blondes http://www.facebook.com/NewsforBlondes
Out Of Timehttp://www.facebook.com/outoftimeseries
OFF THE Lhttp://www.facebook.com/offthel
Paulie Pastrami http://www.facebook.com/PauliePastrami
Perks http://www.facebook.com/Perksthewebseries
Places Please http://www.facebook.com/PlacesPlease
Raptured http://www.facebook.com/RapturedTV
Red Carpet Run https://www.facebook.com/redcarpetrun
Rhyme Animalhttps://www.facebook.com/rhymeanimal
Scenes from the Movies http://www.facebook.com/ScenesfromtheMovies
Space Junkhttp://www.facebook.com/SpaceJunkSeries
Splatter (Comedy)http://www.facebook.com/splatter.comedy
Squatters https://www.facebook.com/SquattersTheSeries
TangoDango (Channel) http://www.facebook.com/TangoDango
Truthhttps://www.facebook.com/truthwebseries
The Ansiblehttp://www.facebook.com/ansibleshow
The Boys Who Brunchhttp://www.facebook.com/theboyswhobrunch
The Hayley Projecthttp://www.facebook.com/theHayleyProject
The Dating Lifehttp://www.facebook.com/TheDatingLife
The Oligarch Duplicity http://www.facebook.com/TheOligarchDuplicity
The Puzzle Maker's Son http://www.facebook.com/ThePuzzleMakersSon
The Louise Log http://www.facebook.com/TheLouiseLog/
The RAs http://www.facebook.com/WatchTheRAs
Then we got HELP! http://www.facebook.com/thenwegothelpthewebseries
The Upstarts https://www.facebook.com/TheUpstarts
The Grid http://www.facebook.com/thegridseries
The Great Cock Hunthttp://www.facebook.com/TheGreatCockHunt
Uncle Vic's Kitchenhttp://www.facebook.com/UncleVicsKitchen
The Invaders webserieshttp://www.facebook.com/TheInvadersWebseries
Pilot Synopsis: Jesenia Cruz (Jesenia The Comedian) is a talented actress who will do anything it takes to be successful. Frustrated with the lack of "good" parts for Latina women - her Mother (Lisa Velez-Mello) tries to help and points out an open call audition for a popular TV series "Crime Law and Justice", only the open call is solely looking for Latino Men. So, with the help of her crazy make-up artist cousin, Sonia Cruz (Sofia Rodriguez), she decides to take matters into her own hands and audition for the part as a MAN! Bringing "Ricardo Montalban" to life at the audition and landing her the part on the hit TV series and the roller coaster, gender-bending ride begins! Episode One Cast: Jesenia The Comedian, Lisa Velez-Mello, Sofia Rodriguez, Mario Corry, Giordona Aviv, Sean Morales, Jenni Ruiza, Michael Simmons, Dwayne McGleese, John Sartori, Brian Michael, Christina Tyler, Ronnetta Renay and Joel Perez. Episode One Crew: Produced by: Jesenia The Comedian and Jenni Ruiza In conjunction with: Mako San Productions, LLC Directed by: Damian Bailey Director of Photography: Tony Clomax Assistant Director: Ren Humphrey WEBSITE: www.becomingricardo.com MEDIA KIT: http://becomingricardo.com/files/60397313.pdf TWITTER: @becomingricardo INSTAGRAM: @becomingricardo
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Review: The Married Bachelor
The Married Bachelor