Edward Ruscha. Fontainbleau, France, 1961.

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@object-texture
Edward Ruscha. Fontainbleau, France, 1961.
Serralves Museum by Alvaro Siza https://thisispaper.com/mag/serralves-museum-by-alvaro-siza
Behrang Karimi, Field Strategies, (gouache on graph paper), 2019 [Melas Martinos, Athens. © Behrang Karimi. Photo: Paris Tavitian]
Photographer Paul McKenzie
Photographer Robert von Thaden
Photographer Yosigo
Brenda, Arizona.
Taken on a Fuji GF670w with Portra 400 film.
Emily Noyes Vanderpoel, (1902), Color Problems. A Practical Manual for the Lay Student of Color, Edited by Keegan Mills Cooke, Sacred Bones / The Circadian Press, New York, NY, 2018 [ICA Bookstore, ICA – Institute of Contemporary Arts, London]
Fernando Aguiar, Untitled, 1983, Edition of 15 [Fondazione Bonotto, Molvena (VI). © Fernando Aguiar]
Fernando Aguiar, Untitled, 1992, Numbered IV/V and signed [Fondazione Bonotto, Molvena (VI). © Fernando Aguiar]
0816
Jessi Reaves, II, March 14 - May 12, 2019, Bridget Donahue, New York, copyright Jessi Reaves, courtesy of the artist and Bridget Donahue, NYC
The Swing of Uncertainty
(Pictured: Light Pendulum Oscillation by Peter Keetman.)
Certainty is a form of a bad faith.
Uncertainty helps keep our concepts open to constant refinement
Read more here.
Bruno Munari, (1968, 1972), Design e comunicazione visiva, «Economica Laterza» 14, Laterza, Roma-Bari, (1993-)2008, pp. 284-285
Bruno Munari, (1968, 1972), Design e comunicazione visiva, «Economica Laterza» 14, Laterza, Roma-Bari, (1993-)2008, pp. 202-203