object_texture

plain-art-truth

[fragrantblossoms]

Edward Ruscha. Fontainbleau, France, 1961.

[thisispaper]

Serralves Museum by Alvaro Siza https://thisispaper.com/mag/serralves-museum-by-alvaro-siza

[garadinervi]

Behrang Karimi, Field Strategies, (gouache on graph paper), 2019 [Melas Martinos, Athens. © Behrang Karimi. Photo: Paris Tavitian]

Exhibition: Behrang Karimi: ‘Law of the Tent’, Melas Martinos, Athens, October 3 – December 16, 2023

[mayanhandballcourt]

Photographer Paul McKenzie

[mayanhandballcourt]

Photographer Robert von Thaden

[mayanhandballcourt]

Photographer Yosigo

[lessthanhalfofyou]

Brenda, Arizona.

Taken on a Fuji GF670w with Portra 400 film.

[christophpeterson]

[garadinervi]

Emily Noyes Vanderpoel, (1902), Color Problems. A Practical Manual for the Lay Student of Color, Edited by Keegan Mills Cooke, Sacred Bones / The Circadian Press, New York, NY, 2018 [ICA Bookstore, ICA – Institute of Contemporary Arts, London]

[garadinervi]

Fernando Aguiar, Untitled, 1983, Edition of 15 [Fondazione Bonotto, Molvena (VI). © Fernando Aguiar]

[garadinervi]

Fernando Aguiar, Untitled, 1992, Numbered IV/V and signed [Fondazione Bonotto, Molvena (VI). © Fernando Aguiar]

[paulrosenstein]

0816

[mentaltimetraveller]

Jessi Reaves, II, March 14 - May 12, 2019, Bridget Donahue, New York, copyright Jessi Reaves, courtesy of the artist and Bridget Donahue, NYC

[thehumanfront]

The Swing of Uncertainty

(Pictured: Light Pendulum Oscillation by Peter Keetman.)

Certainty is a form of a bad faith.

Uncertainty helps keep our concepts open to constant refinement

Read more here.

[pg-mag]

[garadinervi]

Bruno Munari, (1968, 1972), Design e comunicazione visiva, «Economica Laterza» 14, Laterza, Roma-Bari, (1993-)2008, pp. 284-285

[garadinervi]

Bruno Munari, (1968, 1972), Design e comunicazione visiva, «Economica Laterza» 14, Laterza, Roma-Bari, (1993-)2008, pp. 202-203