~ Daxøn ~

❣️ vent blog•he/she/they. ❣️

[kxttnluv]

Ren belongs to @gatobob

[dannimatic]

self portrait

[luluculia]

♡

[justmineallmine]

I love my new Home Screen~

Took me around 4 hours to finish this~

[yamikawas]

obsess over me more

and more

and more

and MORE

AND MORE

AND MORE

MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE

EVEN AFTER WE'VE COMPLETELY LOST OUR MINDS

OBSESS OVER ME

M O R E

[obsessed-ducky]

the thought of you going anywhere without me drives me crazy! i hope you don’t think i’m weird love...just so in love with you. i always want you near me.

[mrs-kgositsile]

[superflume]

strxked

[xx-yanderella-xx]

i’ll only ever want you

you could do anything

i’d never leave

i need you

i love you so much

you’re my favourite person

[yamikawas]

obsess over me more

and more

and more

and MORE

AND MORE

AND MORE

MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE MORE

EVEN AFTER WE'VE COMPLETELY LOST OUR MINDS

OBSESS OVER ME

M O R E

[hoursuponseconds]

[ftl-radio]

Tyler for GQ

[singular-narrative-deactivated2]

Hip hop x Nickelodeon

[scum-fuck-flower-boy]

WHO DAT BOY 🐝🌸

https://www.instagram.com/ognastyjash/

[olga-pizza]

old pic…

[whiteboydime]

[floggnawaggin]

A song called “Glowing” by an anonymous band. Directed by Wolf Haley/Tyler, The Creator. “The video follows a couple who meet as children, fall in love, grow up and grow old together. As their romance blossoms, the world is in chaos, plagued by war, famine and abject poverty. The song itself is both joyful and reflective, with a bouncy, infectious melody and sweet harmonies in the spirit of late ’60s or early ’70s pop.  “Glowing,” in the hands of Tyler, is a captivating study in contrasts. “This was a song I heard nine months ago and couldn’t get out of my head,” Odd Future manager Christian Clancy tells us. “We thought it would be a cool opportunity for Tyler to show another side of himself. I played the song for him on a plane, not knowing whether he would like it (he’s a tough audience), and he did. What people take from it is up to the viewer I suppose. Controlling the narrative seems contradictive to the point. For me it’s a challenge to the assumption that ignorance is bliss, and that challenge is as timely as it’s ever been.”