Obsessed with cinema // Cinema as art

https://t.me/obsessed_with_cinema

[obsessedwithcinema]

The wild swans, 1962

[obsessedwithcinema]

Family Viewing, 1987

[obsessedwithcinema]

Marketa Lazarová, 1967

«Маркета Лазарова», 1967 год. 

Режиссёр: Франтишек Влачил. 

[obsessedwithcinema]

Calendar, 1993

«Календарь», 1993 год.

Режиссер: Атом Эгоян.

[obsessedwithcinema]

Ο Μελισσοκόμος, 1986

[obsessedwithcinema]

Les Triplettes de Belleville, 2003

[obsessedwithcinema]

Tom à la ferme, 2013

The film exudes psychosexual tension and an attractive danger hiding in almost every scene. Dolan does not need a lot of resources to recreate a tangible sappress. The history of the film is formed by a small group of people (among which two - volume and Francis) in isolated farmers, which have their own secrets. The film contains many subtle hints of what mentally unstable characters think about. This helps to explain their sometimes irrational behavior. Tom clearly reaches for violence. He discovers that he is attracted by violence and the danger that Francis exudes. Francis has its own motives for rapprochement with Tom.

[obsessedwithcinema]

Last Tango in Paris, 1972

[obsessedwithcinema]

Nosferatu: Phantom der Nacht, 1979

Werner Hertzog creates a feeling of isolation, mystery, mystical trepidation, silence, Gothic romance, a broken heart, loneliness, death, sadness, impending trouble and void in every frame of the film. Externally impressive visual architecture and indescribable atmosphere arise from mechanical actions: long frames, manual chambers, complex compositions of natural natures, documentary style, slowed down and fascinating acting ... But the internal reason why all this works is the hypnotic mixing of natural and artificial; in the painful hobby of Herzog madness, death, nature and beauty; In the intuitive feeling of everything that exists in this film, and, of course, in the personal vision of Herzog as a great artist. Thanks to all this, the film comes to life, acquires an immense number of measurements, and does not look like a mannerist empty craft.

[obsessedwithcinema]

Partenope, 2024

Naples "is" partenop. It embodies the essence of this city. Probably, most viewers will be incomprehensible, the spirit of the film is alien to. Because a personal acquaintance with Napopol is required - a place that causes love and disappointment. A place that takes a lot, but also gives a lot. It is necessary that the viewer carry a piece of this “Neapolitan spirit”, filled with melancholy and broken dreams; The spirit that is sad, but frivolous, decisive, but indifferent, like Naples and Partenop.

Неаполь «есть» Партенопа. Она воплощает суть этого города. Вероятно, большинству зрителей будет непонятен, чужд дух фильма. Потому что требуется личное знакомство с Неаполем, – местом, которое вызывает любовь и разочарование. Место, которое многое берет, но и дает не мало. Нужно, чтобы зритель нес в себе частичку этого «неаполитанского духа», наполненного меланхолией и разбитыми мечтами; духа, который печален, но легкомыслен, решителен, но равнодушен, как Неаполь и Партенопа.

[obsessedwithcinema]

Degree of Murder, 1967

[obsessedwithcinema]

Twin Falls Idaho, 1999

Obsessed with cinema

[obsessedwithcinema]

Élisa, 1995

[obsessedwithcinema]

Obsessed with cinema

Кино как искусство По всем вопросам: @retired_pierrot Купить рекламу через биржу: https://telega.in/c/obsessed_with_cinema

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La Bella Estate, 2023

Obsessed with cinema

Кино как искусство По всем вопросам: @retired_pierrot Купить рекламу через биржу: https://telega.in/c/obsessed_with_cinema

[obsessedwithcinema]

O Lucky Man! 1973

Obsessed with cinema

Кино как искусство По всем вопросам: @retired_pierrot Купить рекламу через биржу: https://telega.in/c/obsessed_with_cinema