Obsessed with words, their power, and true love 🌈 @obsessedwithwordsandtslyrics - Tumblr Blog

Literally this was Taylor's gayest album. Like ONE song has male pronouns, and there are MULTIPLE SONGS were she is so obviously singing about a woman. AND actually romantic is fucking hilarious. Taylor really went "I'm gonna glass closet so hard I'll sing a song about getting wet for a woman, and about how no man has ever loved me like this woman and no one will notice". As long as its a diss track its fine lol.

nessa007

selenagomez: In honor of SHOWGIRL .. blessed to have you by my side almost 20 years later gator! I love you @taylorswift forever and always

iguessthisismenow

The nearly complete lack of gendered pronouns in this album. The multiple songs explicitly about women. Taylor taking the masculine role in a song.

If gaylors are wrong why do we keep winning lol

gaylorswiftvibes

What is life anymore? Who’s to say

taylorklosscomeout138

It's all karlie

Amazing find!!!! It's always Karlie ⏰

9w1ft

was thinking about how the phrase welcome to my underworld is very reminiscent of the karma visual so like maybe this is like visually representative of her and her cancelled friends and then i remembered how at the time this look ended up being such a visual match with a certain other getup that a cancelled friend of hers wore 😭

9w1ft

god i can’t get over the eyes like sinking ships on waters so inviting i almost jump in homage of it all

9w1ft

taylorklosscomeout138

The Life of a Showgirl is a satirical musical and the entire album is one big Rick Roll. She warned us of this in many ways and a lot of people seemed to have missed the clues so I'm here to break it down!

Starting off strong, she said, and I quote, "A showgirl knows what the crowd wants, and the crowd is your king"

She then gave us an entire video showing that she is behind the camera intentionally directing a shitshow. A version of herself that is so bad at performing she's even stumbling trying to pose for a photoshoot. Taylor the person then makes fun of Showgirl brand Taylor and heckles her by saving "it's giving no girl, not showgirl". Essentially breaking the fourth wall and clueing us in that she knows the album is bad. But that IS the concept behind the album. It is not suppose to be good, it is suppose to be as of Poet Taylor left the scene, and only Showgirl Taylor is in full control. And she made sure we knew of this concept because at the start of this album rollout Taylor liked a post confirming that in the Anti-Hero MV the 2 Taylors are Poet Taylor and Showgirl Taylor and that usually for her albums the 2 Taylors work together. This is symbolic of her songs being written mainly by Taylor the person and then brand Taylor sprinking in something to fit the public narrative such as how Dress is clearly about a woman, but she sprinkled in the buzzcut line as the "bait and switch" balance confessed in Willow. HOWEVER, for this album we were made aware that original recipe would be abandoned and brand Taylor would SOLELY be in charge of this album, which as we've seen Taylor depict multiple times, brand Taylor aka Showgirl Taylor is nothing on her own without Taylor the person, the mastermind pulling the strings.

Hence why just about everything on this album feels so hallow, lacking genuine emotion or storytelling, missing crucial details, no cohesion, and above all the lyrics are extremely forced to be cringy and terrible writing compared to what she's known to deliver.

This is extremely obvious when you look at the juxtaposition between the lyrics on the album, and the Poems released alongside it. Her caption itself on her post about the album was far more poetic and better writing than anything on the album, going to show she didn't lose her spark or forget how to write good, everything is apart of the role she's playing, and she's on the sidelines directing it.

This was her way of saying this album is NOT for "us" and she would by no means be making any art that SHE as Taylor the person would want to put out. The Showgirl album is handmade specifically for the swifties that only love her when she makes her life about a man, and that's why she goes as far as to take back Lavender Haze, because while Taylor the person agrees with it Showgirl Taylor never would. In fact, the tracks themselves are very obviously based off of narratives that have gone around on both Stan Twitter and within Travis obsessed spaces.

That is why the album ends with rhetoric that implies the entire album was a Performance. Track by track she's literally just playing into fan believed narratives or referencing things that were viral during the time of the Eras Tour. It is crowd focused. The crowd is her king, this is what they want, she hopes they get what they want, they deserve what they want, and this is her biggest performance art piece yet. So let's now look into some of the tracks so we can see what within them indicates that she is Trolling.

Beginning with Wood, I immediately knew what meme she was playing off of and now that interpretation is currently going around on the internet. There was a viral meme in 2021 between stan wars that was about comparing how Taylor describes "doing it" so poetically while other artists don't, specifically the resurfaced one was comparing But Daddy I Love Him to Ariana Grande's "yes and?" And here is the meme below for context:

Now the joking lyrics clearly mock that Taylor would describe it as "Wood" in her "Redwood Forest" and then Taylor proceeded to release a song exactly about that called Wood including the lyric "Redwood Tree". Now in what world would that be romantic for her to write this song off the back of a joke? It wouldn't, it's purely birthed from satire. And the extra layer that confirms nothing about the song "Wood" is serious is the fact that Max Martin produced it but he also produced on Eternal Sunshine.....

Next we have "Actually Romantic" which is Taylor intentionally playing into the fan narrative throughout Eras that Charli XCX and her have some kind of crazy beef. I promise you they don't, there's a lot of evidence they are in association with each other, and to think that out of just 12 tracks she wanted to write about THAT reflects a deep disconnect, but the fans aren't questioning it because as the whole point of this album is this is what THEY want to hear. The crowd is her king, and they're getting what they want.

Next we have Father Figure and there is actually 2 things for this one. For starters the obvious, during Eras it was a huge viral trend to make thrist trap edits of Taylor to George Michael's Father Figure, so again she is directly taking from what the fans want. In addition, fans are claiming that she wrote it about Olivia Rodrigo because some of the lyrics talk about the subject reminding her of a younger version of herself, needing to rid of her to be successful in their own career etc, and these are the kind of points that have been viral in discussion of swiftie spaces in regard to Taylor and Olivia allegedly having beef. She is feeding right into everything they love to talk about as IF it's facts, and within this album she's handing them a sense of false validation. The funniest part about this is that it's a bit of bait and switch because she addresses the subject as a guy and yet still has fans saying she must be talking about Olivia. Going to show they don't actually believe when Taylor uses "he/him" or says "man" that that actually means the real muse or subject is a guy despite the fact they love to use that as an argument. It also is important to mention that George Michael was gay, and closeted, his song Father Figure is about that, and she interpolated it into her own. But of course that went over "their" heads and all they took from it was the narrative they wanted, hence the point. Ignoring lyrics like "this love is pure profit" which implies a fake relationship, "step into my office" because it's contractual, etc.

The Fate of Ophelia, Honey, and Wish List straight up play into the fan narrative that Travis saved her and that a man defined her happiness and it really lyrically pushes on that point which is arguably one of the most common narratives of how Tayvis stans kept talking about her, especially the desire for her to have kids with him, the fantasies of what their like physically, etc. Like the lyric about having the whole block looking like him when that would imply.... no chance anyone genuinely thinks she's serious but that's what the crowd wants, and they get what they want.

Eldest Daughter literally has the lyrics "trolling and memes" before talking about people being cutthroat in the comments and sending hate and this was her way of saying she knows most real fans are going to hate the album but every track is really just trolling and memes. She even says "when you found me I said I was busy, that was a lie" just to say in an interview last night when asked if her closest friends would come to her wedding with Travis that she doesn't know because "they are busy" implying that's a lie. The fan narrative this song plays into is the infantilization of Travis which is that Travis was just a sad lost puppy troubled bad boy that Taylor came and fixed saving him from Kayla Nicole. Because the song also implies shade at her and hear me when I say, that's something that crowd REALLY wanted with the hate they've sent her way.

The Life of a Showgirl wraps it up by revealing anything that came prior was a performance, she was on a stage, sets of a play, hitting her marks as the showgirl. Taylor and Sabrina thank the crowd they designed the performance based on and say their goodbyes before exiting the stage. It's most repeated lyric keeps thanking a more experienced showgirl for the Bouquet which is her way of contradicting Wood where she said "I dont need a Bouquet". Because again, it was satire. Catching a Bouquet is also about luck and that whole song calls back to the Lucky One, you know the one where she's stuck as the Showgirl in Hollywood where your lovers don't even know you. Cuz the relationships aren't real, yeah that one.

In conclusion, the purpose of this showgirl character has been the same thing she's been teasing for years but more specifically since Midnights. She's burning down the brand, which means no more characters, no more Eras. The Eras Tour wasn't a goodbye to music, it was a farewell to the concept of Eras themselves and redefining herself every album to something brand suitable. We know this because in that same ad where she's directing Showgirl Taylor, the showgirl quite literally kicks a bucket, which is an expression for dying. She said in hits different "this is why you shouldnt off the main guy" because the brand keeps her protected but she's outgrown it. In the aftermath we will only get albums solely as Taylor the person, something we have never truly gotten before, hence the "This is not Taylor's Version" shirts. Same way how we had never truly gotten a solely Brand Taylor album till now. The 2 Taylor's are parting ways, with 1 final goodbye from the Showgirl, and when all is said and done, and the slow cracking that has been going on finally shatters, the curtain will be pulled and Taylor TM will cease to exist. (Captured by the fact that she called the cracking Hatching like an egg, and in Anti Hero inside the egg was the same purple glitter that was cracking through her pfp and we all know the purple glitter represented her inner truth seaping on the outside)

And the reason she posted regular orange hearts instead of the firey ones after the album was out is because Karma, the album her statements had actually been about like "the record she's been wanting to put out for such a long time" and the album the orange door and everything conceptually is actually for, is still on it's way. She said the poems have hidden messages that are very important but all they do is count One Two Three Four Five. Karma was originally the Sixth album. This is the final act. It's all apart of the story.

taylorswift

Writing, rehearsing, directing and shooting the music video for “The Fate of Ophelia” was the thrill of a lifetime because I got to be reunited with my Eras Tour family!! I wanted each one-take scene to feel like a live performance and remind us all of how it felt to be at those shows together. Making every moment count. It’s a journey through the chaotic world of show business. I loved working with Rodrigo Prieto, Ethan Tobman and Mandy Moore to dream up these visuals. A huge thank you to this massive cast who kept it 💯 and also kept the secret of this video even existing. It’s out on YouTube NOW!

https://taylor.lnk.to/TheFateofOpheliaMusicVideo

📸: TAS Rights Management

iwanthermidnightz

᪥ the fate of ophelia — taylor swift ᪥

thoughtroomba02

ACT TWO IS SEQUINS ARE FOREVER

TLOAS tracks are listed right behind her with the ropes on the chalkboard, before the poster saying sequins are forever overlying the wardrobe!!

kwyw

So, she sings “pledge allegiance to your hands, your team, your vibes” while throwing the football like a hot potato, then goes into room 87 with her partying and confetti, gets freaked out by the paparazzi… then goes into the bathroom to show herself looking miserable in a bathtub.

Bonus: I quite like the color of her jacket in contrast to the team colors that she supposedly pledge allegiance to.

However… there’s these team colors of a team that a certain someone is now an investor in:

saulwexler

people clowned on this line but then act shocked when no one lasts an hour in the asylum where they raised her 🤷🏻‍♀️

thegayloragenda

Hi I’m back and I’m pissed OFF and I need to say something about this fucking fan base:

You don’t think she’s queer because you don’t take her seriously. When you think mastermind, you think about how she wore her boyfriend’s team’s colors in her set. You undermined her intelligence. The media built her into this “all American boy-obsessed girl” and you fell for it. You had no idea she was writing about VERY deep, forbidden topics in such a poetic and devastating way at a very young age in a very unique circumstance. You never saw her for who she was and when she found the ones who did finally see her, you doxed them and spit in their face and called them crazy. You tried to bully her only support system off the internet instead of LISTENING TO US. She hid secrets in her songs for you and you never thought to decode her or listen to the people who had because she surely couldn’t be *that* clever or that liberal or that queer.

SHE WAS TRYING TO TELL YOU HER STORY. SHE WAS TRYING TO EXIST FREELY. SHE WAS SCARED AND TIRED AND HURTING AND CONFUSED AND YET YOU JUST WANTED TO KNOW WHICH MAN SHE WAS GONNA BANG NEXT.

Fuckers. Burn it down, Taylor. Just burn the whole fucking thing down.