𓆟𓆝𓆟 leah

research ⋆｡ ﾟnew day, same tragedy

[oct003]

Looking back on some of my fave works from the Crawford, rip girl

[oct003]

Bringing the online world into contemporary painting

At the moment i've been seeing so many painters online, whose work recreates random internet images/phrases/online metas They're like large scale inside jokes meticulously hand painted. I think it's super interesting how painting them seems to bring a sense of realness or formality to images that are other wise sort of silly and don't require much though. A lot of them also employ aesthetics of the 'old' internet. They're blurry or pixellated style make them feel so nostalgic, like they're archiving an era of the internet that no longer exists.

Anu Jakobson

John Rogers

Jack Blasko / Andrew J Park

[oct003]

‘Love has never been a popular movement…’

James Baldwin | Meeting the Man : James Baldwin, 1970

[oct003]

Some pieces from the imma I liked … from awhile back …

[oct003]

Rites of Care, Curse and Comfort, Thaís Muniz. Sirius Arts Centre, Cobh

[oct003]

Notes From 'Drawing||Phenomenology: tracing lived experience through drawing 2019'

6. The Space of Drawing: The Place of Art in Modern Philosophy's Thinking of the Visible, Keith Crome and Ross Clark

'...our argument is this claim that art makes on philosophy, and which amounts to the admission that art is not the indifferent object of philosophical scrutiny (the mode of scrutiny constitutive of the regional discipline of aesthetics). Art is the very condition of philosophy’s possibility, for the enquiring mind, far from being sufficient unto itself, owes its illumination to the divine fire of artistic inspiration.'

'Merleau-Ponty’s intention is to offer a genealogy of the mind-body problem, by way of which he is able to provide a perspective on the central philosophical problem of modernity, namely how it was possible that the reflection on our practice of thinking, how the attempt to grasp and sustain the essence of transcendence, issued into an objectification of thought itself. The question, then, is how painting and drawing help explain this problem, and how they hold out the promise of its overcoming'

[missmisanthrope]

Clarice Lispector, A Breath of Life

[oct003]

Jenny Holzer, Truisms

[oct003]

Antonio Lopez (1943-1987)

Outward Bound, 1965 Pen & mixed media on paper, signed. Fashions of the Times, The New York Times Magazine 1965 p. 90

Worldly Knit. 1965 Ink, Collage & Mixed Media on Paper, signed. Fashions of the Times, The New York Times Magazine August 1965 p.106

The Long and Short of … II. 1967 Pencil, Pen & Mixed Media on Paper. Fashions of the Times, The New York Times Magazine May 1967 p.89

Antonio Lopez

Antonio Lopez 1943 - 1987 BIO One of the foremost illustrators of the twentieth century, Antonio Lopez remains a highly regarded and in

[oct003]

The Scottish Sisters Who Pioneered Art Nouveau - JSTOR Daily

Margaret and Frances Macdonald and their Glasgow School of Art classmates Charles Rennie Mackintosh and Harold MacNair were Art Nouveau's Gl

[oct003]

Charles Rennie Mackintosh

Design for a house for an art lover, 1901.

The Wassail by Charles Rennie Mackintosh.

Spotlight: Charles Rennie Mackintosh

As one of the leading minds of art-nouveau in the UK, Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) l

[oct003]

James Herbert McNair, Frances Macdonald, and Margaret Macdonald (designers) Poster for the Glasgow Institute of Fine Arts, ca. 1895 Lithograph, paper, 99 x 46 3/8 x 3/4 in. (framed) Glasgow Museums, Presented by Mrs. Alice Talwin Morris, 1939

https://www.museumaacm.org/exhibitions/designing-the-new.html

[nobrashfestivity]

Louise Bourgeois To unravel a torment you must begin somewhere letterpress color lithograph 1999

[stlamb]

jenny holzer, 1983