my internet garden @oddeyemocha - Tumblr Blog

ymutate

Stefan Johansson (Swedish,1876 - 1955)

Street Lights along Klarälven River, 1941,

Watercolor and Tempera on Canvas

tenephre

godslush

Some oil slicks from the beginning of the month that I forgot to post. Mostly from the same parking lot.

tayloralison

we need to slow down a little I'm so serious. all these quick short videos on tiktok, ig reels, and youtube, artists releasing quick little songs for the trend, tv shows releasing episodes at once, people using chat gpt and google ai overview because they get answers quickly but no validation done for the source, we need to sloww downn i really do not think our brains should be running this fast

emmaharwoods

decolonizepalestine.com is an easy to navigate website run by two palestinians which breaks down common myths about palestine and provides a reading list organized by a wide variety of categories ranging from history and culture to media and censorship. it’s a good starting point to use if you want to learn more about the modern day situation in palestine and understand the truth behind myths that have been perpetuated about israel’s occupation of palestine.

arabian-batboy

Find a protest near you here: X, X, X, X & X

Donate or join Palestine action here: PALESTINE ACTION

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Chris Coy Mona Lisa Overdrive III

2016 Oil on canvas 198.12 x 264.16 cm 78 x 104 inches

tsunflowers

when I see something dated 2019 I think “oh that’s not too long ago” and then I remember that 2019 was not only five years ago but those five years have somehow contained several lifetimes

cannibalchicken

kummatty

His love for Gaza shone through in his photographs, seen in his steadfast portrayals of joy and beauty. Whimsical compositions by the sea depict young boys jumping and playing. In a series of works focused on his grandmother, a survivor of the 1948 Nakba who was displaced from her native village of Isdud, Arandas portrays her as a symbol of strength and perseverance in Gaza, zooming in on her weathered hands harvesting olives against deep fertile earth. Traces of personal and cultural histories can be seen in the crisp light of ripe olives and the details of intricate embroidery adorning her hanging dress.

“Where can I begin talking about Gaza and Palestine, and how can I begin when I know that I am the living dead? Everyone who writes about Palestine has prepared himself to be among the dead, but despite our prior knowledge of our fate when we write and write about this land, we do not stop or for a moment hesitate to inhale her love,” he reflected.

Remembering Gaza Photographer Majd Arandas, Killed by Israeli Airstrikes

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