rkid

i ain’t never did this before

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Beauty in the Mundane

Original photos for prints.

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Beauty in the Mundane

New concept boards.

Concept 1 : When travelling on the train, using pens, lightly lean on the paper to create marks when the train is moving. Going deeper into the concept.

Concept 2 : Showing more of my own work.

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Beauty in the Mundane

Concept boards.

Concept 1 : To create prints with train tickets. Print over scanned images of train tickets, using the train map and the rail line to add more depth in the print.

Concept 2 : To create prints of blurred images. Overlapping two images of blurred photos, one with more detail but still blurred. Using a bright neon colour as the background and printing a darker colour on top.

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Beauty in the Mundane

A collage that has been digitally manipulated using new apps, Snapseed and Photo Retouch. Creating a stop sign with scrap paper to relate to my concept.

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Development class

Textured images with punctuation and Tokyo filter from instagram.

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my blog is all my amazing girlfriends art check it g @niamhandersonart

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Development class

Risograph prints.

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Development class

I was asked to use objects such as leaves to create monoprints.

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Development class

For this exercise I collected pieces of bark off trees, stones and dying flowers to create pieces of work using these objects to draw round or as drawing tools. I used acrylic paints and ink for this exercise. I liked this exercise as it inspired me to look at different objects to create art with.

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Digital class

I was asked to create a digital piece of a representation of my life during lockdown.

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Development class

I gathered household objects (candle, keys and perfume) to create line drawings, continuous line drawings, a layering of colour drawing and a painting. These were 1 minute sketches.

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Development class

Choice of words : balance, twist, minimalistic, repetition, playful, pop, swing and fold.

During this exercise I looked at these different words to create various pieces of work. I used ink, paint, pens and charcoal for them. I enjoyed this exercise as it made me think about the different materials and techniques I can use when creating work.

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Development class

Monoprints of riso prints.

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Digital Printmaking

A digital print is any print produced on a computer.

Artist create the image using computer software or, more often, they scan in a drawing, photograph or traditionally generated print, then manipulate the image on a computer to create an entirely new image which is then printed.

Prints initially created digitally can also be printed as etchings, lino and screenprints.

Digital prints are not reproduction but a limited edition work of art that does not exist in any other form.

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Chris Mercier

Chris Mercier is an incredible artist and master printmaker, whose practice combines digital and analogue print to produce stunning work. Mercier always had a fascination with printing, even as a child. He got hooked on printing as a child because his school has a “letterpress after school club”.

In his work he does use other media’s like drawing, painting, 3D assemblages and videos as well.

Joseph Kosuth and Richard Hamilton inspired Chris Mercier as they made him think more about the concept of “art” itself and to challenge his own perceptions of art.

Chris Mercier sees his ideas and artwork more about the “translation” and it’s not far from artists from the 19th century, it’s just more modern with technology now. Mercier likes to use digital processes for new work rather than to just reproduce existing work.

Chris Mercier finds it is often a process that becomes the inspiration and ideas pop up when he least expects them. Mercier thinks that a mixture of techniques is a good thing when it comes to printmaking and can only lead to new, amazing things and it won’t be looked at as just being “traditional”.

Chris Mercier doesn’t think that there is a big difference between digital and analogue printmaking. Digital processes like physical processes have their own unique marks.

In my opinion Chris Mercier’s work is very simplistic but intriguing, I like the way Chris Mercier uses colour in his work as it’s not overpowering and it’s catches the eyes of the viewer.

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Mark Graver

Mark Graver is a digital printmaker who attained a masters degree at Camberwell college of Arts in London in 1995. Gravers work took form of photocopied elements, often handwriting of poets, writers and philosophers that were collages using chine-colle into etchings as a form of abstract portraits.

More recently mark has been using digital processes to make photopolymer etchings. A uv sensitive film is laminated to a metal plate, exposed under uv light with acetate over it. After washing out the protected areas the plate is etched and printed, sometimes combined with hand drawn second plate.

The Umbra Sumus series uses these techniques with most of the images starting out as photos that are manipulated and printed onto acetate for exposure.

Printmaking has always been forefront of new technologies and print artists have embraced the new methods and tools as they have evolved. Digital technology is simply another tool in the artists studio. Keep in mind it’s about the quality of the images not the techniques used to make them.

Graver purchased a professional archival inkjet printer to purely make digital works. Mark Graver thinks using digital processes in his work is the same as using an etching plate or woodblock before printing. The prints taken and the work is as original as any other printmaking process.

In my opinion I think Mark Graver’s work is intriguing with the processes he uses. I like Graver’s work and it inspires me to be more creative when I’m working with digital processes.

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