Phantom of Love (1981) dir. by Dino Risi

Andulka
Show & Tell
Cosmic Funnies
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ojovivo
Game of Thrones Daily
Misplaced Lens Cap

JVL
Stranger Things
styofa doing anything
occasionally subtle

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Origami Around

titsay
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almost home
Sweet Seals For You, Always
YOU ARE THE REASON
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@odinioara
Phantom of Love (1981) dir. by Dino Risi
Eastern European home aesthetic
Dark, with brown hair, I don’t recall. Young. Magnificent eyes that mingle languor with subtlety, cruelty, despair. Slender, dressed in dark colours, black silk stockings.
André Breton, from “Nadja,” (via violentwavesofemotion)
I have done nothing all summer but wait for myself to be myself again —
Georgia O’Keeffe, in a letter to Russel Vernon Hunter, from Georgia O’Keeffe: Art and Letters (New York Graphic Society, 1990)
The only true courage I have is to feel everything. I do not always act or dare to live out my decisions, but I experience them emotionally to the fullest.
Anaïs Nin, from a diary entry featured in Trapeze: The Unexpurgated Diary of Anaïs Nin, 1947–1955 (via violentwavesofemotion)
How many times have people used a pen or paintbrush because they couldn’t pull the trigger?
Virginia Woolf, Selected Essays. (via wordsnquotes)
…When I said I was considering something more creative, [my father] shook his head as if I’d been terribly mistaken and said there was no need for that; I was already an artist by blood; all immigrants are artists because they create a life, a future, from nothing but a dream. The immigrant’s life is art in its purest form.
Edwidge Danticat, All Immigrants Are Artists (via mesogeios)
When the lithe moonlight silently Leaped like a satyr to the grass, Filling the night with nakedness, All silently I loved my love In gardens of white ivory
Nocturne, E. E. Cummings (via silverysylph)
longing by e. e. cummings
Okay maybe mama did raise a fool
“My face is still burning from the Black Sea sun and from the summer night, from the full moon and his green eyes. I am burning like embers. I am glowing in the dark.”
– Domnica Radulescu (via lachantefleurie)
Loneliness is necessary for pure poetry. When someone intrudes into the poet’s life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.
Jack Spicer
<333 Reminder to self.
(via heteroglossia)
…the heart slips backward, remembering, remembering.
Anne Sexton, “The Twelve-Thousand-Day Honeymoon”, (via thelovejournals)
Freunde von Freunden:
Gwen and Gawie Fagan:
This is the Fagan’s garden and the saltwater pool.
Gwen: “In the evening when we come back from the office, we have a whiskey and a red wine, sit here and I swim without clothes on. I hop in and out. I love swimming.”
Architects, House, Camps Bay, Cape Town