Hi. I'm Clyde.
Headmate in a system. Here to reblog things I like.
He/Him pronouns, mid to late 30's. (Body is 22)
I will NOT hesitate to block you if you make us uncomfortable. Do not follow if you are under the age of 18. Age must be listed.

izzy's playlists!
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Xuebing Du
EXPECTATIONS
Peter Solarz
Three Goblin Art

roma★
YOU ARE THE REASON
Mike Driver
let's talk about Bridgerton tea, my ask is open
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Cosmic Funnies

pixel skylines
One Nice Bug Per Day

Janaina Medeiros
hello vonnie
seen from Nepal
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@officeguy1
Hi. I'm Clyde.
Headmate in a system. Here to reblog things I like.
He/Him pronouns, mid to late 30's. (Body is 22)
I will NOT hesitate to block you if you make us uncomfortable. Do not follow if you are under the age of 18. Age must be listed.
One day I woke up and everybody knew what a labubu was
༺2007༻
༺2005༻
"Movie Theater McDonald's" - Raleigh, NC (1984)
"To commemorate McDonald's thirtieth anniversary, regional managers were asked to select one property in their respective areas that would be shaped into a one-of-a-kind design. Bruce Wunner, the chain's southeast regional manager, chose a newly acquired site in Raleigh: a circa 1920 building last used as a movie theater (first opened as the Varsity Theatre in 1941) and located on busy Hillsborough Street. The fact that the interior of the building was laid out like a theater, and the fact that McDonald's was founded in 1955, gave Perry & Plummer Design Associates (Wilmington and Raleigh, North Carolina) the inspiration for the design theme. The stage was set for a fifties diner articulated within the shell of the old theater."
Architecture by Fred Tolson Associates, interior design by Perry & Plummer
Scanned from the Dec. 1986 issue of Contract Interiors, and Restaurant Design: Ninety-Five Spaces That Work (1987)
Hotel lobbies, restaurants, & discos from the book, 'International Hotel and Resort Design' by PBC Intl. (1988)
1-2. Durham Hilton designed by One Design Center
3. Cincinnatian Hotel - designed by Edwards Design Group
4. Kinshasa Intl. - designed by Wilson Gregory Aeberhard
5. Hyatt on Collins - designed by Hirsch/Bedner Associates
6. Hyatt Regency Tech Center - designed by Wilson & Associates
7. Grand Bay Hotel - designed by Jeffrey Howard Associates, Diana S. Sepler Interiors, Regine's Interiors
8. International Crossroads Sheraton - designed by Interior Design Force, Inc.
9. Radisson Plaza VII - designed by CSA, Inc.
10. Castle Hotel & Casino, Atlantic City - designed by Kovacs and Associates
Atari 400 & Atari 800
yesterday i was ringing up an old man at work and he asked if i wanted to see his pride and joy, pulled out his wallet, and in the place where you’d keep a picture of like your family he had this
Scans from a Mr.Coffee, Jr. box and instructional pamphlet I got recently from an estate sale :*]
just made the worst pizza ever
this is the closest pic I’m willing to take
MS-DOS 1986
80s advertising radios
Source: Flickr/Joe Haupt
Lloyd Center Cinemas - Portland, OR (1986)
"Tom Moyer knows the figures all too well: By the end of 1986 more than one out of every three households in the United States was equipped with at least one VCR. But the Portland, Oregon, businessman who owns the Pacific Northwest's largest theater chain, Tom Moyer's Luxury Theatres, thinks he has come up with a key to "getting the moviegoer out of the house and into the theater." He commissioned the local architectural firm Broome, Oringdulph, O'Toole, Rudolf, Boles & Associates (BOOR/A) to design not one but two multi-screen cinema complexes that would turn any couch potato into a live wire.
The Lloyd Center Cinemas was designed with the intent to rekindle the spirit and excitement of the '20s and '30s when a night out at the movies was a special occasion.
Neon signs within the glass and red steel galleria are visible from major arterials that access the shopping center. Ticket booths and queuing areas are located to assure an unobstructed view into the neon-faced lobby. Once patrons are drawn to the building's activity, they find themselves, indeed, becoming part of an event. More than 3,000 square feet of specially colored and textured exterior concrete block and tile arcades protect patrons from weather as they line up at the four-station ticket booth. Next, they proceed into the brightly lit glass galleria and the rotunda which acts as a waiting room and point from which to view the rest of the building. These areas are lit with suspended concentric rings that contain spotlights, providing uplight to the structural frame. The underside of the rings contains circles of neon, backed with a mirrored surface."
Designed by BOOR/A Architects (now BORA Architects)
Scanned from a 1987/1988 issue of Designer's West Magazine