of verses and curses

[oceans90s-deactivated20210616]

eu olhei pro universo e gritei: ARTISTA.

[oceans90s-deactivated20210616]

[oceans90s-deactivated20210616]

[modernbrutalismus]

Park Tower Hotel, London, United Kingdom.

(Arch. Richard Seifert, 1973)

Photo by Carlos Traspaderne with Hasselblad 500 C/M & Ilford film.

[sosuperawesome]

Natalie Ciccoricco on Instagram

[bbbyluv-deactivated20231229]

Truth

[brokensoulwalking]

[steampunktendencies]

Gearyonen

[princesss--peachhh]

I relate to this on a very personal level honestly.

[glitter-pastel-aesthetic]

v o i d

[saharnaya]

ｐｅａｃｈ🍑

[saharnaya]

[nemfrogfilms]

In orbit. The Earth In Motion. 1936.

Internet Archive

[humanoidhistory]

Dutch astronomer Christiaan Huygens discovered Titan, moon of Saturn, on this day in 1655. Space art by Kenneth Fagg, Chesley Bonestell, Ron Miller, and David A. Hardy.

[assassin1513]

Golden Dust ✨ gifs made by me :)

[nasa]

Sometimes… there’s more than meets the eye. 👀 You’re looking at two very different takes on an iconic image. ⁣

Human eyes can see only a small portion of the range of radiation given off by the objects around us. We call this wide array of radiation the electromagnetic spectrum, and the part we can see visible light.

In the first image, researchers revisited one of Hubble Space Telescope’s most popular sights: the Eagle Nebula’s Pillars of Creation. Here, the pillars are seen in infrared light, which pierces through obscuring dust and gas and unveil a more unfamiliar — but just as amazing — view of the pillars. ⁣ ⁣ The entire frame is peppered with bright stars and baby stars are revealed being formed within the pillars themselves. The image on the bottom is the pillars in visible light.

Image Credit: NASA, ESA/Hubble and the Hubble Heritage Team⁣

Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com.

[maggierogers]

“Midsommar mostly takes place in Sweden, but at its core is a particularly American sense of rootlessness. The characters long for a sense of community and continuity, which leads to selectively romanticizing the customs of others and the connection to the past they represent…It’s only Dani who understands this, who in a warped way ends up acclimating best to the increasingly outrageous customs because she appreciates the greater attachments they represent. Pelle, who sees Dani in a way that Christian and his friend don’t, tells her that everyone deserves to have people they feel held by. It’s Dani, who has abandonment nightmares about everyone driving away laughing in the middle of the night and leaving her behind, who actually needs those connections, who desperately wants to be part of a group in a more meaningful and lasting way.”
- Midsommar (2019) dir. Ari Aster