Harriet Tubman Series (Panel #4) by Jacob Lawrence 1939-40 Casein tempera on gessoed hardboard
$LAYYYTER

No title available
RMH
he wasn't even looking at me and he found me
Monterey Bay Aquarium

Andulka
🪼

@theartofmadeline
art blog(derogatory)
One Nice Bug Per Day

祝日 / Permanent Vacation
styofa doing anything
No title available

#extradirty

Product Placement
Peter Solarz
Not today Justin
Game of Thrones Daily
d e v o n
todays bird

seen from Belgium
seen from United States
seen from Germany
seen from United States
seen from United Kingdom
seen from United States
seen from Sri Lanka

seen from Netherlands
seen from Germany

seen from Malaysia
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from South Africa

seen from United States
seen from United States

seen from United States
@oh-atlantic
Harriet Tubman Series (Panel #4) by Jacob Lawrence 1939-40 Casein tempera on gessoed hardboard
Victoria Cozmolici (Moldova)
Gillian Ayres (1930-2018) Brood, 1962 oil and ripolin on canvas, 214 x 315 cm
Trompe l'Oeil with a Bust of Venus - Caesar Boetius van Everdingen ,1665.
Dutch, 1616-17 -1678
Oil on canvas, 74 x 60,8 cm.
Koninklijk Kabinet van Schilderijen Mauritshuis, The Hague
Interior with Clavichord - William Robinson,
Australian,b.1936-
Oil on linen , 66 x 82 cm.
peachbee fernsandmoss
Yayoi Kusama - Infinity Nets, 2006.
Beverly Semmes, Carwash, 2011
Carolee Schneemann and Robert Morris, SIte, 1963
Dressed and posed as Manet’s Olympia, while Morris works with plywood sheets, Scheemann explored how history marginalized Manet’s model, Victorine Meurent, herself an artist; Schneemann was interested in how a woman, known in her own time as a painter, has come to be known in history as a face and a body.
“I know I can not paint a flower. I can not paint the sun on the desert on a bright summer morning but maybe in terms of paint color I can convey to you my experience of the flower or the experience that makes the flower of significance to me at that time.
Georgia O’Keeffe, in a letter to William M Milliken
JENNY HOLZER
UNTITLED, SELECTIONS FROM “LUSTMORD”
1994
“It also happens to have been Adolf Hitler’s favorite painting, a fact that rather tainted its reputation in the post-war 20th century, but did not prevent its proud display in Berlin’s Neue Nationalgalerie, where, in 1976, German artist Ulay—partner of Marina Abramović from 1976 to 1988—walked in, took the painting and walked out again.“ (openculture.com) [video]
hey tumblr, its been a hot minute
i’ve been writing original work on insta where I share very personal details about art, poetry, my insomnia, and all things about being a gay lady.
Felix Gonzalez Torres
Seedling Bed - Pekka Halonen , 1913
Finnish, 1865–1933
oil on cardboard , 51 x 42 cm. (20.1 x 16.5 in.)