Can you roleplayers do my a favor and reblog this if you don’t mind not using icons for a thread.
I love them personally but sometimes I don’t have enough or the right ones for a thread.
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$LAYYYTER
tumblr dot com
we're not kids anymore.
KIROKAZE

Kaledo Art

roma★
One Nice Bug Per Day
Peter Solarz
YOU ARE THE REASON
I'd rather be in outer space 🛸
No title available
Monterey Bay Aquarium

Love Begins

Origami Around
Alisa U Zemlji Chuda

Product Placement
he wasn't even looking at me and he found me

ellievsbear
d e v o n
seen from United States

seen from Switzerland

seen from China
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seen from Malaysia
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@ohlxzurus
Can you roleplayers do my a favor and reblog this if you don’t mind not using icons for a thread.
I love them personally but sometimes I don’t have enough or the right ones for a thread.
Perfection on Stage ↳ Jensen Ackles - VanCon 2015 (x)
“Loneliness is my monster,”
— Enrique Lihn, tr. by Jonathan Cohen, from The Dark Room; “On Loneliness,” (via violentwavesofemotion)
The Lizzie Mcguire Movie (2003)
adulthood is just telling yourself “and after i’ve done THAT i can finally relax” with increasing desperation
Adulthood is being frantically busy all day and still feeling like you haven’t actually accomplished anything
it’s so attractive when someone is all about you and isn’t afraid to show it.
#imsexy #andiknowit [Requested by 20secspnfam4]
By: thejennire
✦Send your request [x]✦
this photoshoot never grows old
i own you.
Seedy and deserted September 2017 Blog / Instagram
current relationship status: sleeping diagonally across my queen size bed
#that’s my idjit
Jensen Ackles & the push-in shot
From Jensen’s podcast interview on Inside of You with Michael Rosenbaum – MR mentions a complicated scene he shot with the camera “on sticks” (fixed on a tripod), and that reminds Jensen of a Supernatural shoot and this story (slightly paraphrased for brevity) –
JA: We’re shooting down on a beach, it was at night, a boat comes in, and it goes up onto the beach, and the camera’s on sticks on the beach, and basically the waves are kind of crashing against our ankles, and we’re having this conversation. The tide is starting to come in, and we’re not getting the shot, and they keep having to pick up the camera on the tripod and bring it back.
Eventually it gets to a point where it’s like the end of the scene and we get it, but the director yells out from his tent, “Give me a push in!” For the audience, that’s where the camera slowly moves in to the actor, and it adds a little dramatic flair.
Well, they’re running out of beach, and the water’s really getting high, and there’s no time to lay track. The camera guys are like, “We don’t have any track, we can’t lay track! We’re running out of time, water’s coming up!” And I’m like, “I got it! ROLL!” And we roll, and I’m not kidding, I just do this–
MR: You moved up! You literally bent into the picture! JA: I spread my legs out, and I just slowly moved while looking at the other actor, and just slowly went straight towards camera. MR: You created a push in! And when they said Cut did they applaud you? JA: The crew did. The director was like, [barking] THANK YOU. MR: Dude, that’s genius! Do you have that? You had to get that piece of film. JA: Oh yeah, no, they used it. And now we’ll just do it all the time, and the director’s like [to the camera crew], “What are you doing, why’re you pushing in, I didn’t ask for the push in!” The camera guys are like, “We’re on sticks! That’s the actors being assholes!” [Laughter]
Gifs from SPN 8.05 Blood Brother, directed by Guy Bee