If somehow the Lord gave me a second chance at that moment, I would do it all over again.
Joel Miller in THE LAST OF US PART II (2020)
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Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
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❣ Chile in a Photography ❣
Not today Justin
NASA
let's talk about Bridgerton tea, my ask is open

gracie abrams
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Today's Document
One Nice Bug Per Day
Cosmic Funnies
The Stonewall Inn

oozey mess
"I'm Dorothy Gale from Kansas"
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@ohrapunzels
If somehow the Lord gave me a second chance at that moment, I would do it all over again.
Joel Miller in THE LAST OF US PART II (2020)
“In solitude, I felt the liberty you spoke of. But I also felt your absence.” - Portrait of a Lady on Fire (2019)
she gets it
Make Me Choose Challenge └ @theirdarkmaterials asked: Pantalaimon or Baby Yoda?
“Bone broth, for the little one.”
Portrait de la jeune fille en feu | Portrait of a Lady on Fire (2019) dir. Céline Sciamma.
I just realized that this is like, the last time that we’re all gonna be here, like this. Soon I won’t be able to just come in here and say, ‘Hey’. I remember there was like a whole year that we didn’t even see each other… I’m just saying, a part of me feels like, I’m almost glad that we lost the money. I love you very much.
‘Love is a word you hear a lot here, not in the casual, hyperbolic, verbal air-kissing Hollywood sense, but the real emotion, the spiritual state, the intentional action. “No one ever talked to me about how this show was going to be written from love and about love,” says Catherine O’Hara. “It never came off as any kind of agenda. It’s just the world that Daniel would love to live in.”’
SCHITT’S CREEK (2015 – 2020) where everyone fits in
created by Eugene Levy and Daniel Levy
COVID-19 + It’s Always Sunny in Philadelphia
The Good Place Appreciation Week Day 6: Favorite Lesson/s
A case with a hole in the middle. A donut.
KNIVES OUT (2019) dir. Rian Johnson
Officer, are you friends with this criminal? It’s a layered relationship
sums up 2020
A harlequin’s role is to serve. A master. You know, a harlequin’s nothing without a master. And no one gives two fucks who we are beyond that.
Thinking about how the cinematography and lighting in the scene where hungover Harley Quinn buys an egg sandwich, and goes through the heartbreak of losing it, is better and more moving than 99% of cinema
The fact that Cathy Yan and Matty Libatique hit with that short focal distance, high frame rate and centre framing for this shot that was so dramatic that when they put it in the trailer I thought she was screaming over the Joker leaving her and not an egg sandy flyin through the air… academy award 2021
I’m sorry I messed everything up.