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I'd rather be in outer space đ¸

Discoholic đŞŠ
Misplaced Lens Cap

if i look back, i am lost
Keni
noise dept.
TVSTRANGERTHINGS
Claire Keane

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ellievsbear
One Nice Bug Per Day
YOU ARE THE REASON

titsay

pixel skylines
tumblr dot com

izzy's playlists!
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oozey mess

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@oldschoolrobots
Requested by anonymous
âJust Girl Power is all we need.â
Book Mouse
Criminal Minds | 12.07 Mirror Image
They sounds like tiny people. âHelp me, I canât swim!â
Stew news! All the waterâs turned to clouds!
BBC GHOSTS (2019-) 3.06 | Part of the Family
BBC GHOSTS (2019-) 2.04 | The Thomas Thorne Affair
Sister Michael: An Icon DERRY GIRLS (2018 - 2022)
SNOOPY, COME HOME dir. Bill Melendez
Kim Dorland, Fever Dream
"Pro life my fucking ass. Let's talk about all the native kids you've killed!!"
Seen on a Catholic Church in Madison, Wisconsin
I feel like there are probably too many people just scrolling past this so letâs go through everything thatâs going on here.Â
1. With Rogerâs voice actor standing off camera, Bob Hoskins acts into empty air and frantically sawing at his handcuff, continually looking up and down at different visual marks of various depths. Look at the slow pan up of his eyes in gif 4, and then the quick shift to his side. Think about how, on set, he was looking at nothing.Â
2. Starting in gif 2, The box must be made to stop shaking, either by concealed crew member, mechanism, or Hoskins own dextrousness, as he is doing all of the things mentioned in point 1.Â
3. In all gifs, Rogerâs handcuff has to be made to move appropriately through a hidden mechanism. (If you watch the 4th gif closely you can see the split second where it is replaced by an animated facsimile of the actual handcuff, but just for barely a second.)
4. The crew voluntarily (we know this because it is now a common internal phrase at Disney for putting in extra work for small but significant reward) decided to make Roger bump the lamp and give the entire scene a constantly moving light source that had to be matched between the on set footage and Roger. This was for two reasons, A) Robert Zemeckis thought it would be funnier, and B) one of the key techniques the crew employed to make the audience instinctually accept that Toons coexisted with the live action environment was constant interaction with it. This is why, other than comedy, Roger is so dang clumsy. Instead of isolating Toons from real objects to make it easier for themselves, the production went out of its way to make Toons interact more with the live action set than even real actors necessarily would, in order to subtly, constantly remind the audience that they have real palpable presence. You can watch the whole scene here, just to see how few shots there are of Roger where he doesnât interact with a real object.Â
The crew and animators did all of this with hand drawn cell animation without computerized special effects. 1988, we were still five years out from Jurassic Park, the first movie to make the leap from fully physical creature effects to seamlessly integrating realistic computer generated images with live action footage. Rogerâs shadows werenât done with CGI. Hoskinâs sightlines were not digitally altered. Wires controlling the handcuff were not removed in post.Â
Who fucking Framed Roger fucking Rabbit, folks. The greatest trick is when people donât realize youâre tricking them at all.Â
This movie will be studied and analyzed and revered and worshipped for generations because, not only of the ground breaking techniques they used to make the magic happen but, for those of us that grew up with Bugs Bunny and Tom and Jerry, for 2 hours we were able to believe that they all really existed.
This is one if the LAST great movies that was ever made.
Letâs also not forget that writing. âOnly when it was funnyâ isnât just hilarious, itâs great comedy theory. It lampshades the joke, but also serves to remind the viewer that Toons have a separate set of physical laws they adhere to, mostly revolving around comedic value. Roger cannot remove his hand from the cuffs⌠until itâd get a laugh from an audience.
Everything about this movie, EVERYTHING about it, is so finely crafted. I could wax lyrical about it for days.
Work Family (1x08)
đˇ: itsmeglinehan
"I have always wanted to play for this team. I didn't know if I was going to get 1 cap let alone 200, so I think every single one to me is precious. I've definitely, within that 200, have had the worst moments of my career and the best moments and so for me, 200 is just about the journey. And the journey has been wild and it's been tough, but it has been so rewarding. I feel very, truly fortunate that I've gotten to represent this team and this program 200 times." âBecky Sauerbrunn, on her 200 caps with the USWNT