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Not today Justin
Mike Driver
The Bowery Presents

Jar Jar Binks Fan Club

Origami Around
Fai_Ryy
Monterey Bay Aquarium
hello vonnie
RMH

titsay
we're not kids anymore.
KIROKAZE

#extradirty

Discoholic 🪩
Cosimo Galluzzi

izzy's playlists!

seen from Iraq

seen from United States
seen from Italy
seen from United States

seen from France

seen from Saudi Arabia

seen from United States
seen from Jordan
seen from United States

seen from United Kingdom
seen from United States
seen from Switzerland

seen from Saudi Arabia

seen from Latvia
seen from United States
seen from United States
seen from United States

seen from Saudi Arabia
seen from United States
seen from United States
@oliverhull
Sabine Hornig, Rough plaster Forest , 2000
http://instagram.com/atelier_sabine_hornig
Margo Hoff
Receiving the levels of light in the room through their sensors, the five panels that comprise Plan d’Evacuation (not an intervention) rhythmically translate them onto their patterns of LED’s, following the MIDI notes for the song Spiegel im Spiegel by Alvo Part. When the sun begins to set and dark sheets the room, the panels begin to pick up each other's light, and close into a feedback loop.
Agnes Denes
🥚🍩🌎
Gerard Richter
René Magritte (Belgian, 1898-1967), Galatée [Galatea], 1964. Oil on canvas, 50.5 x 70.5 cm.
Metahaven, Transfer Entropy (g’s world), jacquard weaving, 2022, about the information dynamics and entropy in bird murmurations. See also Coders and weavers: on the interlaced histories of computers and cloth, Uzbekistan National Pavilion at the Venice Biennale, June 19, 2022 with Amandine David (Designer. Belgium), Maya Christodoulaki (Architect, Researcher. Austria), Metahaven (Artists. Netherlands), Dilyara Kaipova (Artist. Uzbekistan), moderated by Martina Muzi (Designer. Netherlands, Italy)