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@theartofmadeline

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let's talk about Bridgerton tea, my ask is open

Andulka

Discoholic 🪩

❣ Chile in a Photography ❣
noise dept.
Not today Justin

Janaina Medeiros
DEAR READER
wallacepolsom

#extradirty
RMH
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roma★
Mike Driver
i don't do bad sauce passes
"I'm Dorothy Gale from Kansas"
Alisa U Zemlji Chuda
2025 on Tumblr: Trends That Defined the Year

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@omie
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I needed this.
“All I knew about Cuba was that people drove old American cars and that Ché Guevara was tied with Bob Marley as most popular poster in dorm rooms. Then my friend Erin invited me on a 2-week trip to Havana. The first thing I noticed in Havana was that the city was dark at night. There were no streetlights, porch lights or living-room lamps. It was pitch black except for the faint colorful glow spilling out of open doors everywhere, and it came from the TVs. The light captivated me. For the next two weeks I wandered around, slipping in and out of strangers’ living rooms. Each time I came across an open door and a working TV set, I would ask if I could take a picture. The answer was always yes. Nobody seemed to think it was an odd request and it was usually accompanied by a Cuban coffee or rum.”
Simone Lueck
You worked with Tupac Shakur a few years after that on Gridlock’d.What was your impression of him?
Tim Roth: I adored him. I initially didn’t want him for the role – it just shows my white ignorance. I was just this pasty-faced London boy who didn’t know who he was, despite the fact that he’d gone double platinum by that point, I think. But what happened was, I was attached to the project and we had another actor who was interested in the role, then backed out at the last minute. So we suddenly found ourselves without a second lead. Tupac’s name came up – “He’s a rapper, he’s a really interesting guy and he’s really up for doing this” – and I just said, “Can you get me an actual actor, for fuck’s sake? Please?” I had no idea he was an actor before he was a musician, that he’d gone to the Fame school in Baltimore, none of that.
While this was going on and they were looking for someone else, I got nominated for Rob Roy. And during one of those silly party things you have to go to while it’s Oscar season, Quincy Jones came up to me and said, “Hey, Tupac, you should really give him a chance.” And it’s like, Aw, fuck, okay. Quincy is vouching for him. Let’s set up a meeting.
So the director Vonde [Curtis-Hall] and I are sitting in this restaurant I used to go to, waiting to meet him, and in comes a security team. sweeps the place and then they go out. Then a group of women enter; they go and sit at this table in the corner. And then in comes ‘Pac, who sits down, politely says, “Hi, how are you?” At which point, he proceeded to totally lay out the character. He had it down. And I’m just thinking, This guy is fucking amazing! I want to work with this guy! What do we need to do to get him in the movie? Meanwhile, Vonde is sitting there with a Cheshire Cat grin on his face, just going “I told you so…”.
I had two issues with him. One was the fact that he was writing, he was directing and starring in music videos and recording an album. He’d show up on set exhausted, and I just told him, I need you for five weeks. Let’s make this together, concentrate on this and then you can back to doing the other things. Which he did, and he was really cool about it.
The other thing was guns. We were sitting on the back of a truck, waiting to do a scene in Downtown L.A., and I said to him, “What’s with all the guns, why is there all this drama, what have you got yourself into?” And he very calmly explained to me the world he was living in at that moment, then said, “I think there’s a bullet out there with my name on it, man.” He and I were supposed to hang out the day after he ended up getting shot; we were really excited because he was coming back to L.A. and I really missed him a lot. The joke was that he had to re-record some dialogue for the film, and since I’d already been in the Death Row Studios with him and we’d recorded stuff, it was like, “Okay, 'Pac, you’re in my territory now!” And then, you know, we got the word he was in the hospital, and then a few days after that, he had died. I still miss him.
Rape Escape
Easy and very effective
Requires nothing but your body
Includes attack
Very useful to know, pass and share please.
Worth watching
I don’t mean to impose a personal favour on you guys, but I really would like to ask that everyone who follows me reblog this.
I don’t think I made it very clear but last month I was sexually assaulted by someone who I thought was my friend (I don’t want to talk about it don’t ask), and it’s… really fucked with my head.
Had I known this a month ago I would have been able to get away.
So, essentially, I’m really pleading with you to reblog this so everyone who follows you doesn’t get stuck in the same position I was with no way out.
I mean again I don’t want the point of this to be my sob story or whatever but if you could reblog this it would seriously mean a lot
and im asking to all of my followers who see this post in your dashboard to please press play to this video, you never know when this is gonna be
useful, PLEASE DON’T IGNORE IT.
This is one of the first moves I was taught in Krav Maga, and it is one of the most effective.
It took me about a half hour to get down with practice, but once you get it, it’s an intuitive movement.
Please pass this along, it will save lives.
Important
Please reblog this.
Please, if you see this, Reblog it.
If you see this, reblog please.
not witchy but definitely worth watching, stay safe
Cover of Willie Wright’s cover of the Curtis Mayfield joint
Raw 70′s soul funk instrumentation is helping me find my identity with music at this point.
2018 ideas ..... Let me know whatchu think :~)
by Gian Lorenzo Bernini
What happened in 4 hours is sped to 1 minute. #SuperBlueBloodMoon
Vogue España February 2018 POWER Photographer: Txema Yeste Stylist: Juan Cebrián Hair: Ali Pirzadeh Make-Up: Jurgen Braun Model/Celebrity: Mayowa Nicholas
by *elizabeth lever*
…Dan McPharlin…Future Past / Past Future…
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Pantone Color Matching System, Lucy Litman