'the annunciation,' ivory, ebony, velvet, in the original gilded and glazed frame; johann michael düchert, german c. 1750s.
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@onlythewounded
'the annunciation,' ivory, ebony, velvet, in the original gilded and glazed frame; johann michael düchert, german c. 1750s.
Li Ho, from a poem titled "Melancholic," featured in The Erotic Spirit; An Anthology of Poems of Sensuality, Love, and Longing
““Infuse your sensitivities with courage. Tell fear to fuck right the fuck off. Devote to Done. There are soul-justified reasons to cancel. There are times to just stop. This isn’t one of them. Keep going. Show up. Full on. Full tilt. Full out. Decide to be one of those people who pull it off. Do what you say you’re going to do. Don’t let us down. Decide to rise. Why decide to rise? Not for the reasons you might think. In fact, these are the reasons that will make you sick and tired: Do not rise out of obligation. Do not rise because of feared consequences. Do not rise because you think being tough makes you smarter (it doesn’t.)” Decide to rise because you want to expand — your being, your life, your possibilities. Decide to rise because super powers are meant to be activated and applied in everyday life. Decide to rise to explore your place in the universe. On the other side of deciding to rise is illumination, ecstasy, insight. And the angel of your strength is there waiting, smiling, applauding, with a goblet of endorphins for you. Drink up. When you transcend circumstances you get special privileges. You get evidence that you are indeed amazing, and irrefutable proof that what your heart and mind choose is what matters. And you get the deep knowing that life wants you to win. Decide to rise.””
— Danielle Laporte (via levanahnineveh)
How I plan an essay
Essays can seem really daunting when all you have is a title or theme and a word count to fill. As someone who has written many, many essays in her largely humanities-based subjects, I’ve come up with a method that makes sure I cover everything required of me and don’t get lost or overwhelmed
1. Exactly what is the essay about?
I start every essay by sitting down with a blank sheet of paper with the title or topic at the top. Then, I make a small list (normally around 5 items for a 3000-word essay) of what I need to cover. This takes 2 minutes at the most but really gets the ball rolling. These are not specific points, but are more like subheadings or sections of the essay that you will later fill.
For example, if I am writing about uh the successes of Augustus’ building project in Rome, my five sections would be like this:
2. Read!
If you are writing an academic essay where you are doing wide reading and research about the topic, instead of using unreferenced class handouts/lecture notes, then you need to do a WIDE range of reading. When people only use a few sources or papers, you can definitely tell just by reading it. They won’t be offering many viewpoints, they are more like to ‘waffle’ on and the argument they put forward will not seem convincing.
This can often be the most time-consuming part of the essay and may well drive you slightly insane when you have a stack of books and journals peppered with post-its. I make sure I cover every possible aspect of the sections I laid out in the first step, and make referenced and organised notes so I can easily go back and pick out relevant information when it comes to actually writing the thing.
It ends up looking something like this ^^ - it might seem quite crazy and my notes might not quite make sense, but they are ideas I am taking from the text, fully referenced and ready to slip into the sections whenever I need them. (These are some of my notes for an essay on treatment of the dead in Christian/Pagan Europe, by the way)
3. Bulk out those sections
It’s time to merge the first two steps. I start to build ideas from my reading and link together evidence or arguments I have found to create small arguments or points I can pack into the skeleton plan I made at the start. This starts off as a sort of template, just adding some indented bullet points to my sections. Eventually, as you start to copy and paste your notes from your readings, it can get so bulky, that you only need to rearrange some points and add in grammar to actually turn it into your essay!
^^ Start of filling in points, again from my Christianity/Paganism essay - you can see my original sections and how I have begun to add in the points I will address.
^^ Here is where I have bulked it out even further, adding in exact examples and evidence, again fully referenced to save me time when I’m finishing off the essay.
4. Fill in the gaps and write the ruddy thing!
As you can see, I don’t really sit down with a blank page and just start writing. I feel like I get too easily lost or my argument loses steam that way. While that might work for some people, I’ve found this method works every time, regardless of what subject I’m writing for and whether it is a humanities, arts or scientific essay.
– I hope this can be of some kind of help, although it may just be an incredibly bulky and rambly text post (clearly not written with my template method!)
Ilya Yefimovich Repin (Ukrainian-born Russian) Resurrection of Jairus' daughter, 1871 State Russian Museum, St. Petersburg The raising of Jairus' daughter is a reported miracle of Jesus that occurs in the synoptic Gospels, where it is interwoven with the account of the healing of a bleeding woman. The narratives can be found in Mark 5:21–43, Matthew 9:18–26 and Luke 8:40–56.
Details in Purple
The New Bracelet, 19th century, by Frans Verhas.
Countess Alexander Nikolaevitch Lamsdorff, 1859, by Franz Xaver Winterhalter.
Summer Idleness: Day Dreams, 1909, by John William Godward.
Lady in Violet, 1874, by Pál Szinyei Merse.
Portrait of a Lady, c. 1570, by Alessandro Allori.
A Lady in a Lilac Dress, 19th century, by Władysław Czachórski.
That Was a Piedmontese, 1862, by Arthur Hughes.
A Gust of Wind, by Gaetano Bellei.
Adam Clague, Cara Cara Core, 2022, Oil on board
“May I never be afraid especially of myself but Muhammed Ali are you telling the truth? Well you’re being true aren’t you and you talk so wonderfully in your body that protects you with physique of voice raps within dance May I never be afraid rocked and quaked the mantilla is lace whose black is oak But if I’m dark I’m strong as my own darkness my strength the universe whose blackness is air only starry lace But if I’m alive I’m strong as life Strong as the violets in Marlon Brando’s fist his dissemblance flourished into truth She took them I’d take me too I do and my Ali I see you a hard bright speck of me the savage formalist authentic deed of gossip a kind body Alice Notley, “30th Birthday” from Selected Poems (Talisman House, 1993). Copyright © 1993 by Alice Notley. Reprinted with the permission of the author. Source: Alice Ordered Me To Be Made(Talisman House, Publishers, 1976) Alice Notley BiographyMore poems by this author Poem of the Day: 30th Birthday Poem of the Day: 30th Birthday Poem of The Day {$excerpt:n} Source: Poem of The Day”
— http://babakziai.org/poem-of-the-day-30th-birthday/
I just think it’s interesting that books written about priests tend to have a lot of angst about things like celibacy and doctrine, while books written by priests tend to be very matter-of-fact and even cheerful about things like being sentenced to fifteen years of hard labor in a Siberian camp.
pretty green book covers
Art History Meme [1/6] Themes or Series or Subjects ↳ Rose Windows
Details in Purple
The New Bracelet, 19th century, by Frans Verhas.
Countess Alexander Nikolaevitch Lamsdorff, 1859, by Franz Xaver Winterhalter.
Summer Idleness: Day Dreams, 1909, by John William Godward.
Lady in Violet, 1874, by Pál Szinyei Merse.
Portrait of a Lady, c. 1570, by Alessandro Allori.
A Lady in a Lilac Dress, 19th century, by Władysław Czachórski.
That Was a Piedmontese, 1862, by Arthur Hughes.
A Gust of Wind, by Gaetano Bellei.
Elle UK, July 1986. “An English Woman Abroad”
Alison Cohn photographed by Pamela Hanson.
I hope you don’t mind, but I slowed the gif down because that is a FANTASTIC move.
Hey, I practice that martial art!
For those wondering, the medieval swordsmanship manual this is from is called “The Flower of Battle,” by Fiore dei Liberi, and it was written in the early 1400s. The book includes extensive instructions on wrestling, dagger, longsword, and poleaxe combat.