Show & Tell
will byers stan first human second

Andulka

Origami Around
🪼
YOU ARE THE REASON
we're not kids anymore.

pixel skylines
occasionally subtle
The Stonewall Inn
EXPECTATIONS
Xuebing Du

No title available
Mike Driver
PUT YOUR BEARD IN MY MOUTH
official daine visual archive
Cosimo Galluzzi
Cosmic Funnies

PR's Tumblrdome

@theartofmadeline
seen from Malaysia
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seen from Nepal

seen from Mexico
seen from United States

seen from T1
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seen from Malaysia

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seen from Azerbaijan

seen from Malaysia
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@oriental-night
“The Giantess’ Tresses” by Garvens, 1929
Ricardo Martínez de Hoyos Hombre tomando agua, ca. 1955 oil on canvas, Painting 33½ x 45¼in. (85 x 115cm.)
Artist: Noriyoshi Ohrai
Lace cat. 500 designs for Mexican drawn-work. 1893.
Internet Archive
Traditional Country Style, 1991
Edinburgh Botanical Gardens - Arthur Byrne
British , b. 1946 -
Colour pencils on paper , 35 x 46 cm.
Danger: Diabolik (Mario Bava, 1968)
Io Island, Kim Ki-young, 1977
Teija Immonen aka Teija Haavistola (Finnish, b. 1968, Imatralla (Imatra), based Helsinki, Finland) - Salaperäinen Kulkija (Mysterious Traveler), 2019, Printmaking
untitled by chih chen on Flickr.
spell of the unown
“I think it’s very important for us not to be under the illusion that anybody else cares.”
— Saul Bass, on making beautiful work.
“‘I think that one of these days,’ he said, ‘you’re going to have to find out where you want to go. And then you’ve got to start going there.’”
— J.D. Salinger, The Catcher in the Rye
Je vous salue, Marie
Jean-Luc Godard, 1985