Bringing Up Baby 1938, dir. Howard Hawks

@theartofmadeline

Product Placement
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Lint Roller? I Barely Know Her

Kaledo Art
TVSTRANGERTHINGS
Monterey Bay Aquarium
Cosmic Funnies

Kiana Khansmith
almost home
KIROKAZE
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Misplaced Lens Cap
Show & Tell
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he wasn't even looking at me and he found me

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PUT YOUR BEARD IN MY MOUTH

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@originalzito
Bringing Up Baby 1938, dir. Howard Hawks
Tokyo-Ga, Wim Wenders (1985)
Frantz, François Ozon (2016)
Funeral Parade of Roses, Toshio Matsumoto (1969)
Summer Palace, Lou Ye (2006)
Xiao Wu, Jia Zhangke (1997)
“Even though I die, the universe continues. That does not console me if I am anything other than the universe. If, however, the universe is, as it were, another body to my soul, my death ceases to have any more importance for me than that of a stranger. The same is true of my sufferings.”
— Simone Weil, Gravity & Grace, pg. 194
René-Xavier Prinet (French 1861 - 1946) - The White Rose
Nitro, Steve Banks
Giancarlo Botti Anna Karina and Jean-Luc Godard at Jean-Claude Brialy’s house at Monthion c. 1960
Summer Interlude (1951, dir. Ingmar Bergman)
Interviewer: “Are there devices one can use in improving one’s technique?”
Capote: “Work is the only device I know of. Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them.”
Summer Tale (1996), dir. Éric Rohmer
“It is difficult to see ruins because we see always the ghost of a building standing behind them that tends to explain them. But we imagine it. We always see something lost that gives meaning to what remains. But we hallucinate it. However conscious we are of it, in gathering together remnants of frescoes and shreds of writings, we always commit the irresistible error of believing that what has survived disappearance is a faithful sample of all that has disappeared. But what can we infer from the remains that the chance event of a volcanic eruption has preserved by engulfing them?”
- Quignard, P. 2011. Sex and Terror. [s.l.]: Seagull books, p. 190-191.