issey miyake fw87
Aqua Utopia|海の底で記憶を紡ぐ
Show & Tell
Claire Keane

Kaledo Art
taylor price
sheepfilms
trying on a metaphor

祝日 / Permanent Vacation
Today's Document
"I'm Dorothy Gale from Kansas"
Game of Thrones Daily

Origami Around

⁂
Acquired Stardust
hello vonnie

Product Placement

Kiana Khansmith
art blog(derogatory)

Discoholic 🪩
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@overdose-8
issey miyake fw87
petit glam magazine issue no.4 encasing, 1999
Take care of your mind, body and soul.
Veli Granö
TORSO by Marie Lund (2016/2015)
Concrete, Cotton
L’Uomo Vogue May/June 2002
Marla Corset by Giami
Xavier Dolan by Shayne Laverdière for Crash Magazine
Rei Kawabuko.
Olafur Eliasson - The Weather Project (2003), ph. Peter Marlow
A dam located in Thailand. (Source)
“Bubble Chair” by Eero Aarnio, 1968.
ca. 1994
jean paul gaultier
metropolitan museum of art
Gio Ponti for Lino Sabattini
Comme des garçons, 1988
“Of course there are business as well as creative reasons for the Comme des Garçons style. The point of a remarkable interior is to evoke such a strong sense of identity that even the most humble purchase - a belt or a pair of socks - brings with it some of that underlying identity. The contrast between the textures of the garments, hanging on neatly spaced racks that read like sculptural elements and the cement wall is all part of the establishment of the uniqueness of the Comme des Garçons label. To put too many garments on display can diminish their impact, hence the company’s first Paris shop had on show less than half the stock a conventional high-fashion retailer would have installed. In environments with so few distractions, the customer can hardly fail to be aware of the subtle qualities of the clothes.”
from rei kawakubo and comme des garçons
Espresso cups with saucers, Design by Stefan Scholten and Carole Baijings for Georg Jensen, 2013
Photography by Hanna Tveite.