Vasco Bendini (Italian, 1922-2015) - Dalla serie le Modalità sottili, acrylic on canvas, 120.00 x 95.00 cm (1991)
occasionally subtle
Lint Roller? I Barely Know Her

blake kathryn
2025 on Tumblr: Trends That Defined the Year
One Nice Bug Per Day
let's talk about Bridgerton tea, my ask is open
Alisa U Zemlji Chuda
No title available
i don't do bad sauce passes

Kaledo Art

ellievsbear
Show & Tell
d e v o n
will byers stan first human second

Love Begins
Game of Thrones Daily

Kiana Khansmith
h
Jules of Nature

★

seen from Türkiye

seen from United States

seen from United States

seen from Canada

seen from Türkiye

seen from Switzerland

seen from United States

seen from United States

seen from United States

seen from Russia
seen from United States

seen from United States
seen from Malaysia

seen from United States

seen from South Korea

seen from Malaysia
seen from United States
seen from United States

seen from Türkiye

seen from United States
@overinscribed
Vasco Bendini (Italian, 1922-2015) - Dalla serie le Modalità sottili, acrylic on canvas, 120.00 x 95.00 cm (1991)
Five-year-old cherry tree has already produced three crops. Stark Bro’s prize fruits & trees. 1922. Internet Archive
Tomashi Jackson’s “Brooklyn (Co-op Meeting)” (2019) at @tiltongallery. The exhibition connects New York City’s displacement of the African American community of Seneca Village to build Central Park in the 19th century to contemporary property seizures through the city’s Third Party Transfer Program. (at Tilton Gallery) https://www.instagram.com/p/ByjiSSGFRAp/?igshid=192t9fx4jlqyf
‘Leaning Towards Solace’ by Sigur Rós (2012) dir. Floria Sigismondi
Seascape99604, 2018, Peter Franck www.peterfranck.de
The Art of Menoevil
Robin Cracknell
Braids - Flourish // Perish
Bill Mc Dowell
“Flower Nation”. Photographed by Felicity Ingram for Also Journal April 2019
les enfants terribles, jean-francois carly for exit magazine, 2001
Oils
Photoshop
“Fumeé” ©Eduardo Seco
Jean-Michel Basquiat (American, 1960-1988), Untitled, 1982. Oilstick and ink on paper, 75.9 x 55.9 cm.
Lynette Yiadom-Boakye (British, b. 1977), An Assistance of Amber, 2017. Oil on linen, 130.2 x 200 cm.
Robert Heinecken Recto/Verso #3, 1988 silver dye-bleach print, from the portfolio Recto/Verso, 1989 14 x 11 inches (35.5 x 27.9 cm)