Ma che ne sai tu
Ma che ne so io

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EXPECTATIONS
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@oxytocina
Ma che ne sai tu
Ma che ne so io
Ma tu balla leggera su questo prato di carta
Mia Venere scalza, per te l'inchiostro Ăš in offerta
E i tuoi piedi veloci hanno scritto centinai di romanzi giĂ
Balla, che chiunque un giorno ballerĂ
Guardando sotto i piedi leggerĂ il tuo nome
LibertĂ
Ricordo tattile
Impermanenza dell'oggetto
isabelle adjani and sam neill in possession (1981) dir. andrzej ĆŒuĆawski
Decostruire Ăš un viaggio in astronave
Per chi ha il coraggio partire
Puoi cambiare camicia se ne hai voglia
E se hai fiducia puoi cambiare scarpe
Con scarpe nuove puoi cambiare strada
E cambiando strada puoi cambiare idee
E con le idee si cambia il mondo
Ma il mondo non cambia spesso
Allora la tua vera rivoluzione sarĂ cambiare te stesso
Servirebbe un secondo piĂč all'anno
Per fare un respiro profondo, per rilassare le spalle
I didn't ask you enough questions
Like what was your favourite cloud shape?
Or do you believe in reincarnation-and if so, will you return as a cat in my window?
I didn't ask what your favourite painting was
Or which planet do you want to live on
Or how long you can hold your breath underwater
But I knew your coffee order
And the way your brain hummed and hissed
I miss everyone I've met
Maybe nostalgia is the only home you get
Iâm not impressed by what kind of car you drive, or what job you got, or the house you live in or your social status. Iâm impressed by the mindset you have, the heart you hold and the way you value yourself & others around you.
Refuse to loose my mind
If you dislike Eulogy solely because you thought Paul Giamattiâs character treated Carol terribly then you missed the point. Did he treat her unfairly? Of course. And the entire episode centers around him coming to terms with that.
Have you ever had a relationship that ended and you couldnât for the life of you figure out how it all crashed and burned? You rewind the memories over and over in your head again and it doesnât add up. You two loved each other, wanted to build a life together, so where did it all go wrong? And the longer you go without an answer the angrier you get. Because if you donât see where it went wrong then the problem couldnât possibly lie with you. So you start blaming everything on the other person. The memories you shared together donât feel so happy now because even just thinking about them gets you furious. Itâs all their fault you couldnât work out. You did nothing but love them.
And then, maybe years later, youâve grown and youâve changed, and now youâve started to see things in a different light. Were they really the person you thought they were? Was there something you missed? Were they the ones who stopped trying first or you? And you begin to question everything. But itâs been so long and you gotten so accustomed to putting the blame on them that it seems pointless to ponder on it any longer. Itâs all in the past anyways.
But you start opening up to someone about the events that unfolded and they keep pointing out holes in your story. The inconsistencies. Something seems amiss. And as you go on, you also seem to question yourself. Suddenly it doesnât seem like a matter of how well you remember but how much you forgot. After so much time, itâs hard to be able to confront your own contribution to things turned out. You want to deny it but itâs true. There was more that you couldâve done. Reach out. Listen. But what can you do now? Itâs too late. But however painful it feels, you also feel relieved in a way. Because after so long you finally got your answers.
The story never tries to justify his actions or put him in a better light while villainizing Carol. It was giving him the closure he never realized he needed.
Human beings are not ontologically designed for seamless satisfaction. At most, we experience moments, periods, or spurts of satisfaction (jouissance). Instead of the kind of wholeness and plenitude that we may fantasize about, a buried brokenness of being constitutes the status quo of our lives. Many of us are experts at hiding or ignoring this reality, frequently by filling our lives with so many practical preoccupations that we do not have the time or mental space to pay attention to the ontological void within our being. Nonetheless, there are moments of crises â sudden tears in the normal fabric of our lives â when this void leaps to the forefront of our consciousness, often ushering us to a melancholy crypt of despair that can be difficult to climb out of.
Mari Ruti, "When the Cure Is that There Is No Cure: Melancholia, Mourning, Creativity"