earnest

live generously

[passionenera-blog]

[bomboclattt]

[aaaangel444]

[birdasaurus]

https://www.instagram.com/katrinerohrberg/

[frachella]

[beatnikdaddio]

dorothy herbert, trick rider.

[theshinysquirrel]

[jackvanzet]

[jackvanzet]

Jack Vanzet

[thunderstruck9]

René Magritte (Belgian, 1898-1967), La robe du soir [Evening dress], 1955. Gouache on paper, 44 x 33.5 cm.

[swan-bones]

Dandelion Dogs

Gouache on paper, 2015

by Kelly Louise Judd

[nevver]

Animal Planet, Kelsey Oseid

[miindflowerrs]

[bunnyfood]

NOM

(via Terribly Cute)

[akikonishiguchi]

warmth

2013

linocut/ リノカット

27.0cm × 19.5cm

[raveneuse]

[iconoclassic]

(via Clotho Giclee Art Print by HollieChastainArt on Etsy)

[bomboclattt]

““The gender aspect of the term (‘matrix’ is also linked to ‘mother’) is especially relevant in the light of printmaking’s marginal status as masculine high art’s ‘feminine’ ‘other’. That the matrix with its potential for reproduction was hidden for so long (or even destroyed, as we know) is therefore not surprising as it is the visible evidence of authenticity’s dreaded ‘other’, the source, the space of the multiple or copy.””

— Ruth Pelzer-Montada, Authenticity in Printmaking - A Red Herring? (2001)