
❣ Chile in a Photography ❣
occasionally subtle
No title available

Kiana Khansmith
NASA
Alisa U Zemlji Chuda
Not today Justin
i don't do bad sauce passes
almost home
Cosmic Funnies
Xuebing Du
Misplaced Lens Cap

izzy's playlists!
noise dept.
I'd rather be in outer space 🛸

blake kathryn

Product Placement
Show & Tell
No title available
Three Goblin Art

seen from Australia

seen from United States

seen from Netherlands
seen from Portugal
seen from T1
seen from Germany

seen from United States
seen from United States
seen from United States

seen from Suriname

seen from United States
seen from Malaysia
seen from United States

seen from Malaysia

seen from United States
seen from United States
seen from United States

seen from China

seen from United States
seen from Brazil
@pacificgrace
https://www.instagram.com/katrinerohrberg/
dorothy herbert, trick rider.
Jack Vanzet
René Magritte (Belgian, 1898-1967), La robe du soir [Evening dress], 1955. Gouache on paper, 44 x 33.5 cm.
Dandelion Dogs
Gouache on paper, 2015
by Kelly Louise Judd
Animal Planet, Kelsey Oseid
NOM
(via Terribly Cute)
warmth
2013
linocut/ リノカット
27.0cm × 19.5cm
(via Clotho Giclee Art Print by HollieChastainArt on Etsy)
““The gender aspect of the term (‘matrix’ is also linked to ‘mother’) is especially relevant in the light of printmaking’s marginal status as masculine high art’s ‘feminine’ ‘other’. That the matrix with its potential for reproduction was hidden for so long (or even destroyed, as we know) is therefore not surprising as it is the visible evidence of authenticity’s dreaded ‘other’, the source, the space of the multiple or copy.””
— Ruth Pelzer-Montada, Authenticity in Printmaking - A Red Herring? (2001)