Nobody tosses a dwarf!
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@pageeleven-blog
Nobody tosses a dwarf!
And here I thought I was the only person on Earth who was a falling-down-hopeless fan of Titus Welliver. @fuckyeahtituswelliver is running the show, and more power to you!
Welliver stole the entirety of Promised Land away from Matt Damon, John Krasinski, and Frances McDormand, for crying out loud, and he had all of three minutes on-screen.
(Waiting for some brilliant casting agent to get him and James Nesbitt together... waiting... anyone...)
Recently watched My Neighbor Tortoro twice... once with my mom who is not a fan of animation but is fascinated by Japanese culture. The pace, the sheer wonder of the characters, and the perfect way Miyazaki seems to transport you out of the present, really charmed her. I was surprised, but she laughed all the way through it. (And she really dug The Cat Bus.)
Thanks to squidacle for posting this cool image...
Well, nobody’s perfect!
http://www.imdb.com/title/tt0053291/
9/10
"It is, you might almost say, her child, her dearest child, the most beautiful of her offspring, obedient but possessing the fullness of its spaces, its stubborn vegetable will. She may yearn to know the true state of the garden, but she wants even more to be part of its mysteries. She understands, perhaps, a quarter of its green secrets, no more. It turn it perceives nothing of her, not her history, her name, her longings, nothing – which is why she is able to love it as purely as she does, why she has opened her arms to it, taking it as it comes, every leaf, every stem, every root and sign."
The Stone Diaries by Carol Shields. Penguin Books, Copyright 1993.
thestonediaries
"Such vanity! What gall to elect for yourself such attention, good or bad. Project yourself above yourself.
Look at the top of your dusty hat; cheap felt, wilted and patched with scarps from the last wilted and patched felt hat. What a crown! What a king you are to deserve such displeasure, how important that God stop whatever it is. He is tending and pitch bolts at your head.
Rise higher, above the trees. Your crown is already hard to see amid the dust of the road and dirt of the ditch. But you are still remarkable.
Rise higher, perhaps to the height where the blackbirds flap. Where have you gone? Oh there you are, I think. That is you, isn’t it, that wisp inching along?
Well, rise higher, then, to the belly of the clouds. Where have you gone? Now higher, to where, if you are not careful, you might stub your toe on the mountains of the moon. Where are you? Never mind you; where is your home, your county, your state, your nation? Ah, there it is!
And higher now, so that your hair and the lashes of your eyes catch fire from the sparks of solar flares. On which of these bright bodies do you rule your kingdom of dirt, your cart of soap? Very well, that one. I hope you are right – there is little need for a tinker on Mars.
Now higher again, past the eighth planet, named for the king of the sea. And higher again, past the shadowy ninth, which for now only exists in the dreams of men back on – Well! Where have you gone? Which among those millions of glittering facets is where you belong? Where is it you toil and drum and fall to the ground and thrash in the weeds?"
Tinkers by Paul Harding. Bellevue Literary Press, New York. Copyright 2009.
“All we have is the story we tell. Everything we do, every decision we make, our strength, weakness, motivation, history, and character-what we believe-none of it is real; it’s all part of the story we tell. But here’s the thing: it’s our goddamned story!”
— Jess Walter, Beautiful Ruins
"No, no, it’s not all random, if it really was all random, the universe would abandon us completely. And the universe doesn’t. It takes care of its most fragile creations in ways we can’t see. Like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. And even a pink-haired girl who carries your picture in her wallet. Maybe it is a lottery, but the universe makes it all even out in the end. The universe takes care of all its birds.”
Wonder, by R.J. Palacio. Knopf for Young Readers, February, 2014.
"At times, so I have been told, when she was younger, she would be so furious at her confinement that she would throw great valuables out of her window, that she would smash crystal glass and grandmother clocks and alabaster busts. The only constant in that constant room with her was the great marble mantelpiece. All else was in a state of flux. Once, after a tempest - up, and, having scratched at the floorboards in her misery until her fingermails were cracked and bleeding, had opened a double set of windows and propelled her own servant from her room down, down onto the cobbles below.
All was forever changing, only Grandmother and the mantelpiece remained the same."
Heap House, written and illustrated by Edward Carey. The Overlook Press, October, 2014.
My father wore this same uniform when he attended The Naval Academy.
Yes!
Printing at Oxford University Press in the 1920s: The bindery
After printing, the sheets went to the bindery. The bindery at OUP had a ‘Men’s Section’ and a ‘Girls’ Section’, both of which can be seen here.
These clips are from a silent film made in 1925 by the Federation of British Industry, illustrating industrial life and including the work of Oxford University Press. See more video clips on our Tumblr OUP Archive stream to learn about the History of Oxford University Press. OUP’s Archive Department collects, catalogues, and preserves all material of long-term importance associated with the Press’s commercial and social activities in Britain, from the 17th century to the present day.
The funniest "dysfunctional family comes together" ever made. Downey, Holly Hunter, Anne Brancroft, Charles Durning, resentment, love, and misunderstanding. Downey is painfully brilliant.
Just one more reason to love The French Lieutenant's Woman. Monet's Garden at Sainte-Adresse, 1867, and screenshot from the film.
What is clear in the painting, and so clearly lacking in this shot from the film, is the couple down in front toward the water's edge. Smithson is also lacking, longing and dying inside, without Sarah's companionship. Karel Reisz must be quite familiar with this painting.
Along The New York Public Library's Library Way, 41st St.
"Every day of the week, hundreds and hundreds of children from far and near came pouring into the City to see the marvelous peach stone in the Park. And James Henry Trotter, who once, if you remember, had been the loneliest little boy that you could find, now had all the friends and playmates in the world. And because so many of them were always begging him to tell and tell again the story of his adventures on the peach, he thought it would be nice if one day he sat down and wrote it as a book."
James and the Giant Peach, by Roald Dahl. Illustrated by Nancy Ekholm Burkert. Borzoi / Alfred A. Knopf. Copyright 1961.