Wedding Dress
c. 1920-1928
by House of Worth
Kent State University Museum
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Jules of Nature
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Wedding Dress
c. 1920-1928
by House of Worth
Kent State University Museum
Reza Derakshani (Iranian, active in the US, 1952), Green Lily Night, 2014. Oil, enamel and tar on canvas. 143 × 240 cm.
(x)
mobiles by German artist Fränze Straessle
source
Atami Kaihourou Hotel by Kengo Kuma in Atami, Shizuoka, Japan (1995)
david hammons, "bliz-aard ball sale," 1983, performance in cooper square, new york, photographed by dawoud bey
Aït Morrhad of the Imdrhas, Upper Dadès. The hairstyle is distinguished by its exceptional width. They call it aquzi. Its size is created by rigid, long bean-shaped paddings. The ornament for this hairstyle is a small chain holding a few pendants on the left side. The chin tattoo widens into a triangle formed by two oblique fringed lines.
From the book Coiffures féminines du Maroc: Au sud du Haut Atlas; 1990; Mireille Morin-Barde
Betye Saar
Journey to Zimbabwe, 1974
Mixed media assemblage
15 1/2 × 11 1/4 × 1 1/2 in | 39.4 × 28.6 × 3.8 cm
Lorna Simpson - 2 Tracks (1990)
Miles Davis at Café Bohemia in New York City, 1957
photo: Lisette Model
Endia Beal.
Eve's Daughter, James Van Der Zee, 1920
Morris Huberland, Human Ladder’, East Side, NYC, 1940s.
"a pocket for corduroy" (2006), meriwether lewis elementary school
The Tatter Textile Library in New York put out a call for volunteers to stitch the names of the 146 garment workers who died in the Triangle Shirtwaist Factory fire on March 25, 1911. They sewed all the names into a banner, which was placed on the site of the fire in commemoration. On Instagram the Library wrote:
In this alarming era of callous governmental deregulation at home, continued abuses against textile workers globally, and rampant anti-immigrant sentiment, our community has found potent meaning and purpose in this collective project and is excited to unfurl our banner at this year’s commemoration.