Nick Benson aka Ottergoose (American, b. Northfield, MN, USA) - CP 199; Maple Springs, MN, 2009 Photography
[ID: aerial photo of a train casting a winding shadow on a snowy field it passes through]
The Bowery Presents
Sweet Seals For You, Always
hello vonnie
No title available
Misplaced Lens Cap
Aqua Utopia|海の底で記憶を紡ぐ
No title available
One Nice Bug Per Day
almost home
noise dept.

Game Changer & Make Some Noise
YOU ARE THE REASON
Fai_Ryy

izzy's playlists!
The Stonewall Inn

Love Begins
d e v o n
Cosimo Galluzzi
occasionally subtle
todays bird

seen from United States
seen from Germany

seen from Japan
seen from United States

seen from Canada

seen from United States

seen from Vietnam

seen from Canada
seen from Ecuador
seen from Russia
seen from Venezuela
seen from United States
seen from Ireland

seen from France
seen from United States
seen from United States
seen from Canada
seen from Vietnam
seen from Germany

seen from Türkiye
@papriqa
Nick Benson aka Ottergoose (American, b. Northfield, MN, USA) - CP 199; Maple Springs, MN, 2009 Photography
[ID: aerial photo of a train casting a winding shadow on a snowy field it passes through]
For Sale: Baby Shoes. Heavy wear, almost as if the baby had been hiking.
Vladimir Nabokov’s note card, c. 1969.
“[March 21 1951]
Student explaining to me (after getting 55) that when reading a novel (’Ulysses’ in this case) he likes to skip ‘passages and pages’ so as ‘to get his own idea, you know, about the book and not be influenced by the author’.”
Sulphur Volcano Ethiopia
Antony Gormley
Alton Mason by Zhong Lin for Perfect Magazine FW 22
カメラ毎日 1973年12月号 東松照明と森山大道の世界
MAN RAY / “HANDS AND FRUIT” / 1946 [gelatin silver print (solarized) | 19.4 × 24.4 cm.]
Mariss Balodis
His love for Gaza shone through in his photographs, seen in his steadfast portrayals of joy and beauty. Whimsical compositions by the sea depict young boys jumping and playing. In a series of works focused on his grandmother, a survivor of the 1948 Nakba who was displaced from her native village of Isdud, Arandas portrays her as a symbol of strength and perseverance in Gaza, zooming in on her weathered hands harvesting olives against deep fertile earth. Traces of personal and cultural histories can be seen in the crisp light of ripe olives and the details of intricate embroidery adorning her hanging dress.
“Where can I begin talking about Gaza and Palestine, and how can I begin when I know that I am the living dead? Everyone who writes about Palestine has prepared himself to be among the dead, but despite our prior knowledge of our fate when we write and write about this land, we do not stop or for a moment hesitate to inhale her love,” he reflected.
Remembering Gaza Photographer Majd Arandas, Killed by Israeli Airstrikes
Haçienda poster by Peter Saville, 1989
temi_ttee for Blumarine (SS23)