Nick Benson aka Ottergoose (American, b. Northfield, MN, USA) - CP 199; Maple Springs, MN, 2009 Photography
[ID: aerial photo of a train casting a winding shadow on a snowy field it passes through]

Andulka

❣ Chile in a Photography ❣
Three Goblin Art

Origami Around
Sade Olutola

Janaina Medeiros
we're not kids anymore.
No title available

#extradirty

PR's Tumblrdome
One Nice Bug Per Day

Discoholic 🪩
2025 on Tumblr: Trends That Defined the Year
Not today Justin
wallacepolsom

izzy's playlists!
Stranger Things
Claire Keane
No title available
Keni
seen from United States
seen from South Africa

seen from United States

seen from United States

seen from South Africa
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from Argentina
seen from United Kingdom
seen from South Africa
seen from United Kingdom

seen from United States

seen from Australia
seen from United Kingdom
seen from Albania
seen from United States
@papriqa
Nick Benson aka Ottergoose (American, b. Northfield, MN, USA) - CP 199; Maple Springs, MN, 2009 Photography
[ID: aerial photo of a train casting a winding shadow on a snowy field it passes through]
For Sale: Baby Shoes. Heavy wear, almost as if the baby had been hiking.
Vladimir Nabokov’s note card, c. 1969.
“[March 21 1951]
Student explaining to me (after getting 55) that when reading a novel (’Ulysses’ in this case) he likes to skip ‘passages and pages’ so as ‘to get his own idea, you know, about the book and not be influenced by the author’.”
Sulphur Volcano Ethiopia
Antony Gormley
Alton Mason by Zhong Lin for Perfect Magazine FW 22
カメラ毎日 1973年12月号 東松照明と森山大道の世界
MAN RAY / “HANDS AND FRUIT” / 1946 [gelatin silver print (solarized) | 19.4 × 24.4 cm.]
Mariss Balodis
His love for Gaza shone through in his photographs, seen in his steadfast portrayals of joy and beauty. Whimsical compositions by the sea depict young boys jumping and playing. In a series of works focused on his grandmother, a survivor of the 1948 Nakba who was displaced from her native village of Isdud, Arandas portrays her as a symbol of strength and perseverance in Gaza, zooming in on her weathered hands harvesting olives against deep fertile earth. Traces of personal and cultural histories can be seen in the crisp light of ripe olives and the details of intricate embroidery adorning her hanging dress.
“Where can I begin talking about Gaza and Palestine, and how can I begin when I know that I am the living dead? Everyone who writes about Palestine has prepared himself to be among the dead, but despite our prior knowledge of our fate when we write and write about this land, we do not stop or for a moment hesitate to inhale her love,” he reflected.
Remembering Gaza Photographer Majd Arandas, Killed by Israeli Airstrikes
Haçienda poster by Peter Saville, 1989
temi_ttee for Blumarine (SS23)