L'amour à vingt ans : Antoine et Colette (1962) | François Truffaut
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L'amour à vingt ans : Antoine et Colette (1962) | François Truffaut
Yoshihiro Tatsuki - Nude 1970
Le Temps de L'amour - Françoise Hardy
Jean-Louis Trintignant / Catherine Spaak, La Matriarca
dont wanna be rude but i look fantastic
Brigitte Bardot in “Les Femmes”, 1969
Accattone (1961) directed by Pier Paolo Pasolini
The Libertine | Pasquale Festa Campanile, 1968
I am actually starting to feel ever so slightly attractive.
I really, really love this picture of myself. It is the first time I have genuinely liked a picture of myself and not hated how I look.
the window is cracked open and I can hear the rain I have a bruise as big as a grapefruit and as dark as a plum on my thigh and I am approaching codeine addiction
La collectionneuse (Eric Rohmer, 1967)
If male self-destruction is seen as opening up meaningful questions about great existential truths—Don’s alcohol binges in “Mad Men,” Walter White’s coming to terms with his own mortality in “Breaking Bad,” female self-destruction is still perceived as self-indulgent. The female depressive is seen as self-involved and attention seeking, empty-headed and silly. Seeking meaning in sex and drugs is seen as morally weighty when a man does it, but when a women grapples with nihilism, it’s still perceived as merely acting out for male attention.
Arielle Bernstein on Lana Del Rey (via qtwaifu)
Bernardo Bertolucci’s The Conformist (1970).
Françoise Hardy in Saint-Tropez. 1964
Diane Arbus, Susan Sontag Alone on a Bed. N.Y.C., 1965
Pierrot le Fou - Jean-Luc Godard - 1965
Anna Karina
Vivre sa vie (1962) Jean-Luc Godard