Thus concludes the chapter dedicated to the perception of the body in the medieval era. The next one in the series will deal with the perception of the body in the renaissance. The choice of the previous images, showing our favorite Gothic cathedral inside and out, is a perfect segue into the next chapter. Though most art historians state that the renaissance was the first major intrusion of paganism into the Christian mainstream culture of Europe, our take on the topic is that it was not the renaissance, but Gothic art, that first introduced paganism and pagan sensibility into the mainstream culture. This is especially important and obvious when it comes to church and religious art and architecture. Gothic art relies heavily on the senses, arguably more so than the renaissance art. It acts and impresses itself on the senses, producing a carnal sense of awe in the visitor of the cathedral. Relying on 'special effects' such are the music, the frankincense, and especially the marvelous stained-glass illumination, the Gothic art communicated religion via the senses (the body, flesh) rather than via the word (the spirit, mind). In this regard, Gothic art truly is not only more ambitious and inspiring, but indeed more carnal and sensual than the renaissance art ever was. Situated in this angle, we aim to give a different reading of renaissance art and aesthetics - not to go that far as to say that it will be original (up to you to decide if it is so) but it will be both daring and substantiated. #medieval #medievalart #medievalarchitecture #church #cathedral #notredame #notredamedeparis #body #bodypolitics #cler #paris #city #citylife #cityliving (presso Cathédrale Notre-Dame de Paris) https://www.instagram.com/p/CLgvcjoJKv5/?igshid=ijtfvkh0jlbx












