“Vulnerability is not winning or losing; it’s having the courage to show up and be seen when we have no control over the outcome. Vulnerability is not weakness; it’s our greatest measure of courage.”
— Brené Brown, Rising Strong
No title available

Kiana Khansmith

No title available
Not today Justin
NASA

izzy's playlists!
No title available
he wasn't even looking at me and he found me

blake kathryn
Sweet Seals For You, Always
🪼
noise dept.

Discoholic 🪩

titsay
Claire Keane
hello vonnie
almost home
AnasAbdin

ellievsbear
2025 on Tumblr: Trends That Defined the Year
seen from United States
seen from United States
seen from Germany

seen from Maldives

seen from Germany

seen from United Kingdom
seen from United States

seen from Malaysia
seen from TĂĽrkiye
seen from United States

seen from Vietnam

seen from Sweden

seen from Singapore

seen from Malaysia

seen from United States
seen from United States
seen from United States

seen from Malaysia

seen from Azerbaijan
seen from Canada
@passionfrruit
“Vulnerability is not winning or losing; it’s having the courage to show up and be seen when we have no control over the outcome. Vulnerability is not weakness; it’s our greatest measure of courage.”
— Brené Brown, Rising Strong
Xie Chaoyu by Leslie Zhang for Vogue China , October 2019
Nora Attal & Malika El Maslouhi by Dan Belieu for Vogue Arabia - December 2019
Adit Priscilla at Blumarine FW 2021
Amandine Pouilly by Paul Morel for Wonderland Magazine , Autumn 2020 Â
@lurhk weheartit
Astronomical photographs, Harvard College Observatory, Cambridge, 1890-1920
yeah.gif
Good morning Little jungle.
Sister Cities – For Tokyo, Keith Haring, 5 November 1985
Acrylic on canvas 93 ÂĽ x 117 ÂĽ in. (236.9 x 297.8 cm)
Editor’s Pick recently opened: “Diptychs”  Brad Jones (collaboration by Brandi Twilley & Jennifer Rubell) Sargent’s Daughters Gallery, 179 East Broadway, NYC Brad Jones is an ongoing collaboration between artists Brandi Twilley and Jennifer Rubell which began in April 2013. The name “Brad Jones" - a loose reconfiguration of Twilley and Rubell’s first names - was imagined by the artists as belonging to the next sensational, aggressive American (male) painter. The pair meet three times each week for two hours at a time to engage in live portrait painting sessions in which Twilley paints and a nude Rubell poses. The sessions have resulted in a series of oil-on-canvas work with tremendous range, from near-abstraction to explicit realism. The painting/posing sessions serve as a private performance inside the collaborative’s practice. As the usual roles of muse/model and author/artist are blended in Brad Jones, the traditional process of portraiture becomes a joint performance and the paintings become both documents and artifacts of these sessions. - thru Dec 7
why is every song from phineas and ferb a banger.. how is that possible