Pow Now - 2013 by Amy Feldman
No sorry, I didn’t enjoy the exhibition of Amy Feldman in Brussels at all.
It’s called “Grey Area” (British English) in Brussel’s Gallery Sorry We’re Closed and “Gray Area” (American English) on Amy’s own website.
Amplitudes, grey and white fields on four huge canvases in tiny gallery room hit you. Plus on the night of the vernissage I must have arrived in the wrong moment: grey people in white washed shirts some in minimalist’s black, in grey conversations, squeezing in this cell, looking at my black and white dog with big eyes. Stepped in, stepped out.
Now I read on the gallery’s website something about “visual clarity (…) undercut by humor” - uhu…
… and “the integrity of the edge is questioned and repurposed”- aha…
408 words praising Amy Feldman’s work.
Sorry, but It doesn’t proof me that black is white…
You can make up your mind about it until 16th March.
Some of her earlier work I like much more, it reminds me of african art, for example “ever after alls”.
Ever after - 2010 by Amy Feldman
Four paintings of Belgium artist/blogger/DJ Alex Deforce caught my attention rather more.
Only one week ahead the running exhibition he created four heads - an early deadline is part of his success.
... Silence de la Madone I- by Alex Deforce ...
has to be taken off the wall in the weekends, because drunk folks leaned too hard against it. That can easily happen in the exhibition venue Bonnefooi a Brussel’s music café close to the AB concert hall. (Bonnefooi means “by chance or haphazardly” in the Brussels’ dialect.)
Unfortunately the artist put not all paintings up on his blog.
To give you an idea of my favorite image of the current exhibition: it is a mix out of this Cézanne like color field construction...
Portrait of Sachka - by Alex Deforce
and an outline of this intuitively ball pen scribble...
Study of Dalton - by Alex Deforce
...but worked out much more plastic.
Check out his work at the Bonnefooi until end of January. I like the two delicately written portraits right next to the entrance the most.