BLOODSUCKERS ANONYMOUS CHAPTER ONE: "SELF TITLED" | PAGE 18
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The Stonewall Inn
$LAYYYTER

ellievsbear

gracie abrams
Aqua Utopia|海の底で記憶を紡ぐ

Product Placement
Game of Thrones Daily
trying on a metaphor
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❣ Chile in a Photography ❣

roma★
One Nice Bug Per Day

Discoholic 🪩
Keni
Show & Tell
Cosmic Funnies
will byers stan first human second
Claire Keane
The Bowery Presents
seen from Bangladesh
seen from China

seen from United States
seen from United States
seen from United States
seen from United States

seen from Singapore
seen from United States

seen from Venezuela
seen from Iraq
seen from United States
seen from United States

seen from Singapore
seen from Belgium

seen from United States

seen from Malaysia

seen from Austria
seen from United States

seen from Germany
seen from Mexico
@bodybog
BLOODSUCKERS ANONYMOUS CHAPTER ONE: "SELF TITLED" | PAGE 18
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This act was both so cute and so gross, it’s amazing
Easily the most annoying kind of vampire in the world are the ones where you finally corner the fuckers and when you're going in with the stake they start spouting off sociology 101 bullshit to try and weasel out of it. "Oh, no ethical consumption under capitalism," "oh, the rich are the real vampires if you think about it-" yeah, yeah, you ate like fifty homeless people, asshole. Hold still
Okay but if you aren't a vegetarian your case against vampires is actually pretty weak.
I SAID HOLD STILL
thing i did a week ago
this is specifically after that poe quest
[pushing my glasses up with an air of unwarranted superiority and gesturing toward a painting without a minotaur] the Minotaur is implied.
Architecture of return, escape (The British Museum) 2022 Pigment and acrylic on deer hide, 36 x 55 in. (91.4 x 139.7 cm) Nicholas Galanin Born 1979, Tlingit/Unangax̂
"Galanin’s work engages themes of persistence, power, and survival in the face of settler colonialism and its legacies of institutional racism and collective amnesia. Here, the floor plan of the British Museum is painted over a blue field. Pictograms of baskets, masks, woven hats, weapons, tools, and textiles reference the contested objects held in the museum’s collection, while a red line maps an escape route for these examples of Indigenous cultural production. In many Native cultures, hide paintings relay histories across generations and objects embody lineages; in referencing both, Galanin is proposing a getaway plan for his ancestors."
if you're writing and find yourself thinking 'this is too weird/gross/offputting/esoteric/ambitious/catered to my specific interests + sure to push away a broader audience' that is the devil speaking and it is a lie. you are already firmly on the right path and you need to double down
just thawed out another #earlyhominid showing my guy the best meals of the modern day
he really liked this one
Edvard Munch, themes of isolation:
Woman on sea coast, 1888
Evening melancholy , 1891
Wayner Butchfemme chart
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