JACK O'CONNELL as REMMICK Sinners (2025) dir. Ryan Coogler

@theartofmadeline
Xuebing Du

shark vs the universe

pixel skylines
let's talk about Bridgerton tea, my ask is open
Cosimo Galluzzi
Aqua Utopia|海の底で記憶を紡ぐ
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bliss lane
YOU ARE THE REASON

oozey mess
NASA

PR's Tumblrdome
Jules of Nature

JVL
RMH
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Sweet Seals For You, Always
Show & Tell

Kiana Khansmith

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@patrick-sumner
JACK O'CONNELL as REMMICK Sinners (2025) dir. Ryan Coogler
TRAP (2024) dir. M. Night Shyamalan
Hate how lighting a candle does wonders to my mood. Like wowwww. Grug like fire? Grug not sad anymore because Fire in Cave? Wow. Real predictable of Grug.
Dear Emma, I wanted to write this to you, I wanted to say this to you while I still have as much of me as I do. […] So I wanted to come out here while it’s still quiet so that I could look you in the eye in case— before I’m all gone and tell you that you are the love of my life because you make me laugh every day and you make my life worth living and you make me feel like I’m not alone. And if things were normal, then you’d be the person that’d make it okay that I gotta grow old and die someday because at least I got to spend some of that time with you. But things aren’t normal and so I guess instead, or as well, I love you because you stayed. Because when things got scary you knuckled down and you stayed. And you got me through each day. And I hope I did the same for you, or I hope that I can still do the same for you somehow.
Little Fish (2020) dir. Chad Hartigan
Selinum Palustre - Mary Delany - 1775 - via The British Museum
Event Horizon (1997)
sam neill in: in the mouth of madness (1994)
Rest in Peace, Sam Neill (1947-2026) 🕊️
“Powerful lights permitted high camera speeds, crucial in capturing the high-speed alchemy of surface tension, color change, and chemical reaction that [Kubrick and his collaborators] were after. The overcranked camera shooting at seventy-two frames per second produced a smoothly nuanced “galactic” slow motion as they used toothpicks to drip blobs of white paint into the ink-thinner mixture. Reacting to the banana oil, the paint sent ersatz star flows and galactic tendrils streaming into cosmic space. A macro lens made an area the size of a playing card look like a nebula light years across. Parts of what would become the film’s trippy Star Gate sequences were conjured in this way on the Upper West Side in 1965, with Kubrick himself manning the camera…”
Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece
Jack O'Connell as Patrick Sumner THE NORTH WATER 1.01
utility pole paintings for april / may / june !
Nobody commits a murder just for the experiment of committing it. Nobody except us. Rope (1948) dir. Alfred Hitchcock
ok computer show me men in pain
SAS: Rogue Heroes | 1.05
"And you're in a bit of a bind, too." "How so?" "Because if you can't help me with my problem..."
28 YEARS LATER: THE BONE TEMPLE (2026) — dir. Nia DaCosta
viggo mortensen as tex sawyer LEATHERFACE: THE TEXAS CHAINSAW MASSACRE III jeff burr, 1990