Updated version! I ain't ever gone play that guitar, might as well remove it.
If you are looking for my character design and racial sensitivity blog, please go to @creatingblackcharacters! This is my main, where I relax and post strong political opinions. Stay at your own will 🤣❤️💕.
The hero of China, welcomed home. Here's my Afro-Chinese version of Mulan!
When looking for the perfect photo set for the @creatingblackcharacters Melanin Beam Challenge, this scene stopped me in my tracks. There's so much love in this moment, and I wanted to capture as much of her father's adoration as I could.
My favorite detail is the waves in her father's hair, where the texture shows from being smoothed and pulled into his bun.
Thank you for hosting this event for another successful year! Happy Birthday, Ice <3
fashionably and not at all awkwardly one hour late to @creatingblackcharacters’s melanin beam challenge with charon from hades and peter parker/spiderman noir from itsv
"Living in part of the UK that's not England is like being Hawai'ian in the US" that is a horrendous analogy and absolutely not making the point you want it to make lmao and bringing puerto rico into the mix really just makes it a worse analogy
yall know when a show/movie/piece of fiction in general has a main character who is a total piece of shit and the point of that character isnt to make you look up to them and want to be like them, its just that characters are a narrative device and tools to tell a story and having the story follow a main character whos a piece of shit can be very entertaining which is the fucking point of almost every show/movie/piece of fiction, but then of course you have losers see the character and be like "i wanna be like them" and you have to be like "no the character wasnt made for people to look up to, theyre intentionally a character that you should not look up to" but then you also get idiots saying shit like "i can't believe this show/movie/piece of fiction made this piece of shit main character and celebrates being a piece of shit" and then you have to be like "no the character wasnt made for people to look up to, theyre intentionally a character that you should not look up to" and you feel like the only person who actually watches the fucking thing normally?? don't you fucking hate that
Updated PFP to reflect my haircut!! It's so cute 🥹🥹 thank you to Black artist @frogwhomp for reworking the original piece; as always, you're a master at your craft!
Noo lol I knew I’d regret phrasing it that way. This is tumblr, after all…
It’s not “people who contour are themselves automatically racist” but that the desired face shape created by contouring is one that, at the end of the day, pretty much reflects existing white standards of beauty. A thinner, pointier nose, smaller chin, high angled cheekbones and (on occasion) smaller lips. Also if you’re darker skinned you have to use a much lighter shade of foundation thus ending up with an overall lighter face.
No, you are absolutely correct. In fact it is not even lowkey in the performance arts/entertainment world. I’ve known how to contour since I was 9, because I was in ballet. I was taught by an older Asian dancer who told me that I was already darker than everyone else, my face couldn’t look different too. So she showed me the basics, then left me with a picture of a white person as the goal to emulate.
It’s always been explicit and intentionally racist in terms of what is considered correct contouring technique is to emulate white associated features. Which is not to say that contouring is bad, but it is good to ask ourselves why we do not contour to make our noses look wider and more distinguished. Or why we don’t shadow and highlight to make the face look perfectly round? While contouring is not bad ( and is actually very cool to literally be able to control the way people perceive your face, it’s like magic) it’s good to ask ourselves why we contour the way we do.
Tell me why I dreamt that I got snatched up from my bed by Lestat and the one goblin guy played by David Bowie 😭 like I tried screaming and it wouldn't work. He was just constantly injecting me with something and then drinking me. 😭 Goblin Dude tried to take me after I tried tossing myself from a cliff I couldn't climb over, but they fought over it. and then when I tried to leave with my bestie (he literally told me to leave btw), he started abusing her 😭 dude can't even be nice to Black women in my dreams huh. No escaping the allegations. I just wanted a restful sleep 😭
The #Melanin Beam Challenge officially ended today!
HOWEVER!
The queue for all of the amazing submissions this year spans into the middle of the week, atm! Y'all really went above and beyond! We managed to get the whole tag to #3 this year 🥹🥹🥹 thank you!!!
My point is, if you haven't seen your stuff shared yet, it's likely in the queue! Please be patient! It's coming!
And as always, my syllabus is HERE if you're looking for guidance. Unfortunately I've had to delete a lot of asks over the course of the week, because I said I wasn't taking any during the event and that boundary went... Somewhat ignored 😅
i couldnt figure out who to do. i jumped between wof chs and dr ones but as soon as Black Ness even remotely entered my mind i locked in. it reminds me of another Black Ness take all the way back in like 2020 or 2021 that i drew fanart of but i did my own take.
@creatingblackcharacters my submission for the Melanin Beam Challenge!
Hiei and Yukina for @creatingblackcharacters' Melanin Beam Challenge this year! Happy birthday!!
Last year I drew Kurama, because I'm able to draw him (and Hiei) from memory, so it let me focus on the research and design adjustments (rather than having to also learn a new character from zero). But also like...while I don't follow the tags, I do occasionally run across YYH fanart, and I've noticed that when people change any of the guys' skin tones it seems to always be Hiei (and/or Yusuke) who they make darker. Which reeks of colorism (in the "darker = more aggressive" manner), so. Fuck that, pretty boy Kurama got to be unambiguously Black and beautiful last year.
This year I went for the twins, because...well, I'll grant that usually folks are only drawing the main four guys, at least from what I've seen, but. Hey y'all who usually draw Hiei with darker skin...how would you draw Yukina, if you haven't yet? If your instinct is to make her look different from him, why is that?
My process, rambling thoughts, and a version without the deckled edges under the readmore!
Have the no-deckled-edges version before my rambling, so you can see better (without having to scroll a thousand years) how Yukina has hooked her thumb around Hiei's to (kind of) hold his hand! Because he may not want to suffer physical contact from pretty much anybody unless it's a fight, but she is allowed because he loves her (even if he may never be comfortable saying it out loud).
One of the other reasons I went with the twins is because Rebelle updated and added a symmetry tool, which gave me the idea to use it to give them mirrored poses! Also, where Kurama was done with oil brushes (for the impasto effect, and to test out the new bristle brushes), plus a color palette based on paints for cel animation? For this one, I instead used a palette based on Prismacolor colored pencils, and challenged myself to only use colors I physically have (so I can eventually test out/compare some digital vs physical results, for color blending and such). I also used my colored pencil brush set (that I am still working on refining aaaaa), because I need to do a proper practice pieces with them to see what settings need adjusting!
(I've mostly just been doing scribbly tests as I build the brushes. I've not had the time/energy to try them in a full piece (though I did start an old lineart recolor), which is VERY different from test scribbles, and this helped highlight some things that I was able to fix while working on it! The brushes still need more fixes, but...part of that is a "go on the forums and politely ask the devs if they would kindly consider making an adjustment or two to how the blend curve works at the lowest point, because while the previous version may have technically been bugged, it worked better for this very specific purpose of looking like colored pencils, via avoiding overblending fine texture into digital smoothness.")
I also used a paper that has little dark flecks in it, some blue and some brown, because it gave me a subtle impression of both snow and embers! I had to decrease the scale of it slightly, because it's a more rough paper that made it difficult to get even coverage with the colored pencils. So I had to find a size that gave me a more fine texture, without totally losing visibility of the flecks I picked it for.
(And then I messed that up at one point when I tested a brush setting change with a smoother paper real quick, forgot to change the paper back, and colored Hiei's coat with a totally different paper texture...so I had to erase and redo it to make the texture match. Which was actually the second time I redid his coat, since the first time I colored it was one of the points when I realized my brush settings needed fixing, because the shading looked weird. I also almost made the hiruiseki the wrong color. >.> I reflexively made them cream (in part also because it stands out better against Yukina's kimono so my brain went "this makes design sense"), but then remembered the necklace ones are blue and THAT IS AN IMPORTANT DISTINCTION DUE TO THE SOURCE OF EACH COLOR/TYPE OF STONE)
I also didn't draw Hiei last year because I didn't have time and he felt like the "obvious" choice, as far as his hair just...needing texture, the end, done, easy-peasy, now it's a sculpted afro. (Though freeform locs would also work really well.) Kurama took more research and consideration, and was more fun in that way. (Though the cornrow design could definitely look better, and I have SO MANY thoughts that I didn't put in that post, so like. I'll probably do another drawing or edit with him sometime, with each age we see him at, and ramble more in that post.)
But drawing Hiei and Yukina let me at least ponder a tiny bit more over her hair, and how it'd be similar-to-but-different-from Kurama's (since the silhouettes are so close). I went with a low puff twist-out for her, though it took a bit to settle on what to do for her bangs...I'd considered finger coils, but ultimately made them twist-outs too, so she could have accurately maximum floof. Though the shape is a little flat on the right side because I didn't want to totally cover her pointy ear 'cause I think it's cute.
Second submission for the Melanin beam challenge by @creatingblackcharacters! Air Shakur and Tosen Jordan from uma musume. Given they're named after Tupac Shakur and Michael Jordan respectively and already make multiple references to them in their design and stories, the fact that neither of them was written to actually BE Black or Blasian always felt a bit strange to me tbh. They're both characters I'm fond of though, so I'm glad I got a chance to draw them!
two Black edits + my own art for @creatingblackcharacters melanin beam…… aoi todo!!!!! i have a very strong headcanon for aoi especially, i think hes Black american mixed japanese :)
notes on aoi. hes “relatively” more tan than the other japanese characters in jjk, just by appearance alone. his cursed technique is called “boogie-woogie”, which if you know much about Black american music culture, really sticks out. he also calls his best friend “brother”, and in some translations, “homie”, which strikes me immediately as AAVE. his hair also can sometimes look like locs even in the original.
he’s frequently called a “gorilla” by a variety of characters, which speaks for itself. despite that, he’s the most intelligent of the students, and he’s praised consistently as incredibly powerful. AND, he’s allowed to be cute!!! he has a crush on an idol girl (it leans into delusions icl) and even imagines himself in feminine clothes.
overall, i’m VERY endeared to this man, and I think he deserves being Black, AND cute :)