Linocuts by Eduardo Robledo Celebrate Mexican Heritage and Community
h
YOU ARE THE REASON

if i look back, i am lost

pixel skylines
d e v o n
TVSTRANGERTHINGS
Mike Driver

Origami Around
I'd rather be in outer space 🛸
No title available

❣ Chile in a Photography ❣
will byers stan first human second
he wasn't even looking at me and he found me

★

Jar Jar Binks Fan Club

bliss lane

gracie abrams
NASA
Today's Document
we're not kids anymore.

seen from Nepal

seen from United States
seen from Bangladesh
seen from United Kingdom

seen from United States
seen from United States
seen from Türkiye
seen from Venezuela
seen from United States
seen from Germany
seen from United States
seen from India
seen from Malaysia
seen from United States
seen from United States
seen from Türkiye

seen from Austria

seen from Germany
seen from United States
seen from Brazil
@patternseekers
Linocuts by Eduardo Robledo Celebrate Mexican Heritage and Community
(via ea793ae7c0947c53dd568d73dd41890897c41116.jpg (468×724))
"Il nostro lavoro è una questione di onore!" (1970)
Takashi Nakamura
Valeria Nascimento
(via (1) Image reblogged from @scavengedluxury – @effectpedal on Tumblr)
This Minimalist Summer Party Poster Template Nails Retro Design Without Trying Too Hard
A minimalist retro-style summer party poster by Jozef Micic — concentric sun motif in amber-to-crimson palette, bold grotesque headline, structured event detail placeholders. Available as a fully editable Adobe Illustrator vector in A4 and US Letter, CMYK color mode, scalable to any size.
Download the template from Adobe Stock.
Follow WE AND THE COLOR on Facebook / Twitter / Pinterest / YouTube / Instagram / Reddit / ChatGPT / Podcast
méxico, 1960s
(via (21) Bruno Munari, Musashino Art University Museum & Library, Tokyo, 1995 [Saint-Martin Bookshop, Bruxelles-Brussel. Art: © Bruno… – @garadinervi on Tumblr)
Trade Gothic Next Font Family from Linotype
Trade Gothic Next is a grotesque sans serif family published by Linotype, released in 2008 as a systematic revision of Jackson Burke's original Trade Gothic (1948–1960). Under the direction of type director Akira Kobayashi and redesigned by Tom Grace, the family corrects the original's accumulated inconsistencies in terminals, spacing, and kerning while adding compressed widths and heavier weights. The result is a 17-style system organized across three width classes—regular, condensed, and compressed—with full italic coverage in the regular and condensed cuts. Trade Gothic Next retains the mid-20th-century American industrial character of the original while meeting the technical demands of contemporary print and digital typesetting.
Purchase the family on MyFonts.
Follow WE AND THE COLOR on Facebook / Twitter / Pinterest / YouTube / Instagram / Reddit / ChatGPT / Podcast
the ocean
Dura apud pulsamus.
Pyramid (Keystone NZ), Sol LeWitt, Gibbs Farm