varieties of disturbance @peanutbutterjelly-time - Tumblr Blog

Helter Skelter (2012)

Felt like this was a story I’ve seen too many times, but I guess that was the point. We venerate, we forget. Oh, the ~tragedy~ of celebrity.

#helter skelter 2012 #erika sawajiri

Emma. (2020)

Not my favorite Austen adaptation, but the cinematography, set design, and costumes were something else

#emma 2020 #jane austen

the-devil-wears-zara

rellygc

“It’s all code. If you listen closely, you can hear the numbers. There’s a cosmic flowchart that dictates where you can and where you can’t go. I’ve given you the knowledge. I’ve set you free. Do you understand? ”

Bandersnatch (Colin) - Illustration by Relly Coquia

evanmcohen

Comics I’ve made this month for Its Nice That.

theliteraryarchitect

How to Make Your Descriptions Less Boring

We’ve all been warned about the dangers of using too much description. Readers don’t want to read three paragraphs about a sunset, we’re told. Description slows down a story; it’s boring and self-indulgent. You should keep your description as short and simple as possible. For those who take a more scientific approach to writing fiction, arbitrary rules abound: One sentence per paragraph. One paragraph per page. And, for god’s sake, “Never open a book with weather” (Elmore Leonard).

But what this conventional wedding wisdom fails to take into account is the difference between static and dynamic description. Static description is usually boring. It exists almost like a painted backdrop to a play. As the name suggests, it doesn’t move, doesn’t interact or get interacted with.

There were clouds in the sky. Her hair was red with hints of orange. The house had brown carpeting and yellow countertops.

In moderation, there’s nothing wrong with static description. Sometimes, facts are facts, and you need to communicate them to the reader in a straightforward manner.

But too much static description, and readers will start to skim forward. They don’t want to read about what the house looks like or the stormy weather or the hair color of each of your protagonist’s seventeen cousins.

Why? Because they can tell it’s not important. They can afford to skip all of your description because their understanding of the story will not be impacted.

That’s where dynamic description comes in. Dynamic description is a living entity. It’s interactive, it’s relevant. It takes on the voices of your narrators and characters. In short, it gives us important information about the story, and it can’t be skimmed over.

So how do you make your description more dynamic so that it engages your readers and adds color and excitement to your story? Here are a few tips.

(I have a TON more tips about setting and description. These are just a few. But I’m trying to keep this short, so if you have any questions or want more advice about this, please feel free to ask me.)

Keep reading