Gin Lane
Part I
Losing a Japanese island, The fish and crabs are all dead, Yellow kisses affright me; They void me, and leave; Just like you. And all my time is spent waiting and withering. Walking. Stop turning everything into dark alleys in my mind; Come lie with me. Let’s flip a coin; Tails, you kiss me again.
Just as I dive in, the water recedes; I wait there for a tsunami, Do we go find a boat? or a tunnel? Or run to the hills? Do you really want to go today? Come burn some roses with gin, Joust the night and let’s, idk, Alchemy alternative earrings? - I feel sick of it all, Don’t pour me another night, Like from one john to another. Look at me hesitate, Dripping sickness, Babe, you’re such a pain in the chest. Just push the button already. Dismantle me.
Part III
I wish I was like you, Nascent. I’m sorry my rage over this is not lukewarm. I want you bad. I repeat, I want you, bad. - I’m sitting here, wondering, For the sake of good science, If length is measured in meters, And time is measured in seconds, How do we measure how I feel about you?
There’s no play - let’s just look at your windy hair soaked fully in candy sweet reveries and dreams. Why don’t you give your loving to me? You look good in red; Harm me.
Part II
I love the credits screen. Forewarns me the movie has ended. That it it is time to go.
Listen, What is true only for a short while outlives all sacred truths. Go where you’re not mild, lukewarm love.
Part IV
Is it so wrong to miss you?
[This is an experimental piece stemming out of my obsession with The Arctic Monkeys’ Do I wanna know, over the last week. I think there’s probably a space for counter lyrics to a song - verses/imagery that you speak/think of in conjunction with a song. This is to say that a song is not wrong, but cannot be tailored by anyone else, and thus, in a sense, merely incomplete. The beauty of this particular song is the movement of the bass and the lyrics; At first the they repeat with the main riff, but since the rhythm guitar turns differently in different parts, the lyrics and the same riff take you to different parts of the same story, before ultimately looping the last bit to create a trippy effect, where you suddenly find that there’s no more hand holding by the rest of the song, there’s just a mobius kind of a loop that takes you through all the thoughts you’ve had throughout the song. Therefore, another way to structure such music could be in such parts, where the traditional notation of Verse-Chorus-Bridge seems a little inadequate.]














